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The Cinematic G.A.T.E.: Access & the Moving Image

The Cinematic G.A.T.E.: Access and the Moving Image. Voices Carry: The History of Women and Moving Image Archiving. This work began as a piece written for Michael Friend’s MIAS200 Seminar on Moving Image History, Philosophy and Practice. It has since been worked on and edited in several different … Continue reading →. June 3, 2013 · Leave a comment. Something Old, Something New: The AMIA Student Chapter Screening Series, Pt.2. May 2, 2013 · 1 Comment. March 19, 2013 · Leave a comment. This work was initi...

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The Cinematic G.A.T.E.: Access & the Moving Image | arielschudson.com Reviews

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The Cinematic G.A.T.E.: Access and the Moving Image. Voices Carry: The History of Women and Moving Image Archiving. This work began as a piece written for Michael Friend’s MIAS200 Seminar on Moving Image History, Philosophy and Practice. It has since been worked on and edited in several different … Continue reading →. June 3, 2013 · Leave a comment. Something Old, Something New: The AMIA Student Chapter Screening Series, Pt.2. May 2, 2013 · 1 Comment. March 19, 2013 · Leave a comment. This work was initi...

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2 curriculum vitae

3 gender concerns

4 alliance

5 technology

6 exhibition

7 navigation

8 older posts

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The Cinematic G.A.T.E.: Access & the Moving Image | arielschudson.com Reviews

https://arielschudson.com

The Cinematic G.A.T.E.: Access and the Moving Image. Voices Carry: The History of Women and Moving Image Archiving. This work began as a piece written for Michael Friend’s MIAS200 Seminar on Moving Image History, Philosophy and Practice. It has since been worked on and edited in several different … Continue reading →. June 3, 2013 · Leave a comment. Something Old, Something New: The AMIA Student Chapter Screening Series, Pt.2. May 2, 2013 · 1 Comment. March 19, 2013 · Leave a comment. This work was initi...

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arielschudson.com

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Voices Carry: The History of Women and Moving Image Archiving | The Cinematic G.A.T.E.: Access & the Moving Image

https://arielschudson.com/2013/06/03/voices-carry-the-history-of-women-and-moving-image-archiving

The Cinematic G.A.T.E.: Access and the Moving Image. Voices Carry: The History of Women and Moving Image Archiving. Hush, Hush, Keep It Down Now: Community and Institutionalization. Why was it that these names that I kept hearing over and over again were nowhere to be found in any scholarly literature on any search engine or within any books? No one’s gotten the memo. The larger, over-arching bodies that control our smaller communities and how we work seem to have also standardized and homogenized ou...

2

It’s Elemental, dear Watson!: Film Restoration in the Photochemical Realm | The Cinematic G.A.T.E.: Access & the Moving Image

https://arielschudson.com/2013/02/20/its-elemental-dear-watson-film-restoration-in-the-photochemical-realm

The Cinematic G.A.T.E.: Access and the Moving Image. It’s Elemental, dear Watson! Film Restoration in the Photochemical Realm. This piece was written for MIAS 220: Archeology of the Media, taught by Professor Michael Friend for the Moving Image Archive Studies Program at UCLA during the Winter of 2013. 8220;First rule of restoration: follow the intention of the artist. Never try to improve on him. 8211;J.M. Coetzee. Due to the chemical volatility of film and its tendency to deteriorate, it is no surprise...

3

Gender Concerns | The Cinematic G.A.T.E.: Access & the Moving Image

https://arielschudson.com/gender-concerns

The Cinematic G.A.T.E.: Access and the Moving Image. During my first MIAS seminar with Michael Friend on the History, Philosophy and Practice of Moving Image Archiving, I asked why there was little to no discussion of women’s place or part in our profession. Certainly there were plenty of academic texts by women: Haidee Wasson, Karen Gracy, Snowden Becker, Martha Yee, and Patricia Zimmerman, among others. Where were the works. These women and their contributions or gendered experiences? Other works on th...

4

Alliance | The Cinematic G.A.T.E.: Access & the Moving Image

https://arielschudson.com/alliance

The Cinematic G.A.T.E.: Access and the Moving Image. One of the most central issues to moving image archiving is the idea of. It is clear that moving image archiving has come a long way. Trust, once broken, is difficult to be regained. This is something that we face with the film collector community, a group that we should be forming more of an alliance with now that we are extending our alliances with the creation of Deep Focus. And attempting to rally the troops to the theaters! Accessed May 31, 2013).

5

The Myth of Macho: John Carpenter’s Westerns | The Cinematic G.A.T.E.: Access & the Moving Image

https://arielschudson.com/2013/01/10/the-myth-of-macho-john-carpenters-westerns

The Cinematic G.A.T.E.: Access and the Moving Image. The Myth of Macho: John Carpenter’s Westerns. This piece was written as a part of my weekly column on CraveOnline.com about masculinity and the cinema, Myth of Macho. The original piece can be located at the online magazine site here. It is no secret that director John Carpenter is a Western fan. From the Arts Guardian. S very own Witney Seibold. 1956) who was nothing if not head-strong and certainly walked his own path, or films like John Sturges’.

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The Cinematic G.A.T.E.: Access and the Moving Image. Voices Carry: The History of Women and Moving Image Archiving. This work began as a piece written for Michael Friend’s MIAS200 Seminar on Moving Image History, Philosophy and Practice. It has since been worked on and edited in several different … Continue reading →. June 3, 2013 · Leave a comment. Something Old, Something New: The AMIA Student Chapter Screening Series, Pt.2. May 2, 2013 · 1 Comment. March 19, 2013 · Leave a comment. This work was initi...

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