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About Art

An attempt to integrate cognitive sciences with art making.

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About Art | arsgratisars.blogspot.com Reviews
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An attempt to integrate cognitive sciences with art making.
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1 about art
2 short term visual memory
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4 schematic pressure
5 nose or the
6 final thoughts
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9 no comments
10 facial recognition
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about art,short term visual memory,long term visual memory,schematic pressure,nose or the,final thoughts,posted by,richard,no comments,facial recognition,emotional recognition,conclusion,super portraits,a good reference,morphing software,1 little detail
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About Art | arsgratisars.blogspot.com Reviews

https://arsgratisars.blogspot.com

An attempt to integrate cognitive sciences with art making.

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1

About Art: quotes about seeing and making art

http://arsgratisars.blogspot.com/2008/02/quotes-about-seeing-and-making-art.html

An attempt to integrate cognitive sciences with art making. Wednesday, September 3, 2008. Quotes about seeing and making art. These quotes about the post just above it in this blog. Were gleaned from the twice-weekly email newsletter by Robert Glenn at www.painterskeys.com. Some of them support my opinions and some of them are good examples of with what I disagree. Paint what you see, not what you know. (Charles Hawthorne). On the face of it, the easiest of all activities should be seeing what we see&#46...

2

About Art: facial recognition

http://arsgratisars.blogspot.com/2008/02/facial-recognition.html

An attempt to integrate cognitive sciences with art making. Tuesday, September 2, 2008. To make a portrait you can benefit from some understanding of how people look at and recognize faces. There are two types of recognition systems: visual and emotional. Visual recognition of faces. The people suffering from delusional misidentification syndromes don't seem to have the physiological response to faces that the rest of us have. They recognize the face but it doesn't read right to them hence they have ...

3

About Art: THE IMPORTANCE OF THREE-DIMENSIONS

http://arsgratisars.blogspot.com/2008/04/importance-of-three-dimensions.html

An attempt to integrate cognitive sciences with art making. Tuesday, April 22, 2008. THE IMPORTANCE OF THREE-DIMENSIONS. MARCUS BLATTERMANN who has a website that translates from the german to, I think, food with sauce (which may be a idiom of some sort) made an interesting experiment with portraits. See http:/ essenmitsosse.de/likeness-in-portrait/. Subscribe to: Post Comments (Atom). View my complete profile. THE IMPORTANCE OF THREE-DIMENSIONS.

4

About Art: super portraits

http://arsgratisars.blogspot.com/2008/02/super-portraits.html

An attempt to integrate cognitive sciences with art making. Monday, September 1, 2008. A "superportrait" is an image that is paradoxically more like the person than the person themselves. Superportraits: Caricatures And Recognition (Essays in Cognitive Psychology) by Gillian Rhodes (Hardcover - Feb 1, 1997). It's now out of print and expensive to buy, but it is in many psychology libraries. Step one: using morphing software to make an average face. The anti-caricature - a more average face. We now take t...

5

About Art: May 2008

http://arsgratisars.blogspot.com/2008_05_01_archive.html

An attempt to integrate cognitive sciences with art making. Friday, May 23, 2008. THE COMPOSITE APPROACH VS. THE HOLISTIC APPROACH TO PORTRAITS. Help with portrait painting comes from unusual and surprising places.  Two recent studies give us something to think about. 160;Was it thick or thin? Association for Psychological Science (2007, Feb 11) Facial Composite Systems Falling Short.). Vanderbilt University (2006, Dec 12)  Why we "Never Forget a Face" Science Daily, May 21, 2008. View my complete profile.

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LINKS TO THIS WEBSITE

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WELL OBSERVED: January 2009

http://well-observed.blogspot.com/2009_01_01_archive.html

Or so I hope - a blog about almost daily paintings .CLICK TO ENLARGE PAINTINGS. Wednesday, January 14, 2009. Who's going to be my mate? Pen,Walnut Ink and Wash in handmade sketchbook 14x5.5 inches. BEST SEEN IF YOU CLICK ON IMAGE. Wilson is said to have used a four foot brush to be able to see what he was doing from the viewer's point of view. In Rungius's background there wasn't much of a tie-in line, most of it is hidden, probably to avoid this problem. Subscribe to: Posts (Atom).

well-observed.blogspot.com well-observed.blogspot.com

WELL OBSERVED: December 2008

http://well-observed.blogspot.com/2008_12_01_archive.html

Or so I hope - a blog about almost daily paintings .CLICK TO ENLARGE PAINTINGS. Wednesday, December 10, 2008. Sketch night Society of Illustrators. Walnut ink on toned paper 9x12. This piece was done with a fountain pen loaded with Walnut ink made from the shells of walnuts, an old type of ink.  It's water soluble, so, when I go over it with a water filled brush, I can get a wash. Wednesday, December 3, 2008. Postscript to One Hundred Views of Mount Fuji (translated by Carol Morland). Hokusai got it righ...

well-observed.blogspot.com well-observed.blogspot.com

WELL OBSERVED: September 2008

http://well-observed.blogspot.com/2008_09_01_archive.html

Or so I hope - a blog about almost daily paintings .CLICK TO ENLARGE PAINTINGS. Monday, September 29, 2008. Oil on canvas 9x12. In 2005 the word travelled fast.  There was a Boreal Owl in Central Park! Sunday, September 28, 2008. 9x12 oil on  board. New York, even on the subway, is the proverbial fashion capital.  Notice the big bag with a colorful pattern, the layers, the key chain, and, of course, the not blue too tight jeans. Saturday, September 27, 2008. 9x12 oil on board. 8x10 oil on board. It's har...

well-observed.blogspot.com well-observed.blogspot.com

WELL OBSERVED: the fox went out on a chilly night

http://well-observed.blogspot.com/2008/10/landscape.html

Or so I hope - a blog about almost daily paintings .CLICK TO ENLARGE PAINTINGS. Friday, October 31, 2008. The fox went out on a chilly night. 8x10 oil on canvas board. The fox could be more integrated. Isn't the sky overly blue? December 11, 2008 at 9:44 AM. Subscribe to: Post Comments (Atom). View my complete profile. The fox went out on a chilly night. Central Lovell, Maine. The Squash Ladys House. Looks like a bluefish, only smaller. Fashion shoot, Central Park, Golden Hour. Boat house central park.

well-observed.blogspot.com well-observed.blogspot.com

WELL OBSERVED: Katsushika Hokusai

http://well-observed.blogspot.com/2008/12/katsushika-hokusai.html

Or so I hope - a blog about almost daily paintings .CLICK TO ENLARGE PAINTINGS. Wednesday, December 3, 2008. Postscript to One Hundred Views of Mount Fuji (translated by Carol Morland). Subscribe to: Post Comments (Atom). View my complete profile. Sketch night Society of Illustrators. Karin Jurick's daily painting. My other Blog on art and cognitive science. My figure drawings (warning n*des).

well-observed.blogspot.com well-observed.blogspot.com

WELL OBSERVED: November 2008

http://well-observed.blogspot.com/2008_11_01_archive.html

Or so I hope - a blog about almost daily paintings .CLICK TO ENLARGE PAINTINGS. Sunday, November 30, 2008. French cafe, Madison Avenue. 20x16 oil on canvas. This one is bigger than any of the others on this blog.  I decided I wanted to go up in size from my 8x10's and 9x11's.  The size seems to make it easier for me, I think to get things right although it takes longer to paint. . Tuesday, November 25, 2008. 8x10 oil on board. Subscribe to: Posts (Atom). View my complete profile.

well-observed.blogspot.com well-observed.blogspot.com

WELL OBSERVED: sketch night Society of Illustrators

http://well-observed.blogspot.com/2008/12/sketch-night-society-of-illustrators.html

Or so I hope - a blog about almost daily paintings .CLICK TO ENLARGE PAINTINGS. Wednesday, December 10, 2008. Sketch night Society of Illustrators. Walnut ink on toned paper 9x12. This piece was done with a fountain pen loaded with Walnut ink made from the shells of walnuts, an old type of ink.  It's water soluble, so, when I go over it with a water filled brush, I can get a wash. Subscribe to: Post Comments (Atom). View my complete profile. Sketch night Society of Illustrators.

well-observed.blogspot.com well-observed.blogspot.com

WELL OBSERVED: french cafe, Madison Avenue

http://well-observed.blogspot.com/2008/11/french-cafe-madison-avenue.html

Or so I hope - a blog about almost daily paintings .CLICK TO ENLARGE PAINTINGS. Sunday, November 30, 2008. French cafe, Madison Avenue. 20x16 oil on canvas. This one is bigger than any of the others on this blog.  I decided I wanted to go up in size from my 8x10's and 9x11's.  The size seems to make it easier for me, I think to get things right although it takes longer to paint. . I like your commentary. December 11, 2008 at 9:45 AM. Subscribe to: Post Comments (Atom). View my complete profile.

well-observed.blogspot.com well-observed.blogspot.com

WELL OBSERVED: October 2008

http://well-observed.blogspot.com/2008_10_01_archive.html

Or so I hope - a blog about almost daily paintings .CLICK TO ENLARGE PAINTINGS. Friday, October 31, 2008. The fox went out on a chilly night. 8x10 oil on canvas board. Central Lovell, Maine. 8x10 oil on board. This is a painting about the light.  It's early fall and the sun is setting.  We were visiting a friend who has a house.  It's the same place that the country fair was (see below). Sunday, October 26, 2008. 9x11 oil on board. The Squash Lady's House. 8x10 oil on board. Monday, October 20, 2008.

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About Art

An attempt to integrate cognitive sciences with art making. Thursday, September 4, 2008. How To Draw What You See. That they suggested that it was delusional in nature. (footnote 1) What's equally as delusional is the explanation put forth by current day art instruction which I just summarized. But what's so hard about remembering what you see for the minute or two it takes to "attack" the canvas with brush and paint? Visual memory simplifications and interpretations for short-term. The importance of gra...

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