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Roman Loveria: The Gift of Fire: On the Stream of Consciousness and the Reinvention of the Novel From James Joyce to Thomas Pynchon
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Criticisms" of Art by the aforementioned writer. Friday, March 14, 2008. The Gift of Fire: On the Stream of Consciousness and the Reinvention of the Novel From James Joyce to Thomas Pynchon. 8220;Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed.”. 8220;A screaming comes across the sky.”. Though the former is the more canonical of the two, the latter is already raking in much controversy and debate, so much so that in 1973, the Pulitz...
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Roman Loveria: On the Poetry of Jose F. Lacaba
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Criticisms" of Art by the aforementioned writer. Friday, March 14, 2008. On the Poetry of Jose F. Lacaba. The reader must first of all forgive the fact that there will be no biographical notes here because this paper holds onto the idea that the text captures the soul of its writer. Any reading of Jose F. Lacaba’s work, or any master for that matter, always gives the sense of effortless creativity. In his anthology Kung Baga sa Bigas. 8220;Lahat ng hindi ko kailangang malaman,. Natutunan ko sa pelikulang...
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Roman Loveria: On Pierre-Auguste Renoir’s Les Déjeuner des canotiers (Luncheon of the Boating Party, 1881)
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Criticisms" of Art by the aforementioned writer. Friday, March 14, 2008. On Pierre-Auguste Renoir’s Les Déjeuner des canotiers (Luncheon of the Boating Party, 1881). As one of the foremost visual artists of Impressionism, Pierre-Auguste Renoir possessed an aesthetic sense that relied on the most immediate aspects of appearances, that is, impressions. His style depicts representations of reality that seem to mimic the subjectivity of human perception with their partially detailed look. As for visual textu...
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Kyle Buencamino: Mrs. Schuyler Van Rensselaer (Mariana Griswold)
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Friday, March 14, 2008. Mrs Schuyler Van Rensselaer (Mariana Griswold). Augustus Saint-Gaudens (1848–1907). Bronze; 20 3/8 x 7 3/4 in. (51.8 x 19.7 cm). Mariana Griswold Van Rensselaer, 1851–1934, was a multitalented reviewer and writer who persistently promoted the development of the arts of the. During the Gilded Age. She re-examined several public sculptures by Saint-Gaudens, as well as the. Subscribe to: Post Comments (Atom). 8220;Katas ng Saudi”. Mrs Schuyler Van Rensselaer (Mariana Griswold).
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Roman Loveria: March 2008
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Criticisms" of Art by the aforementioned writer. Friday, March 14, 2008. Ang Kiukok: On Pain as Beauty. In national artist Ang Kiukok’s 1960 oil painting Crucifix. There is pain that does not seem to fade even with some understanding of the work that Christ did not feel good in terms of the physical torment that he underwent. This is because Ang’s expressionist technique always led him to heavy symbolism that provides layer upon layer of critiques on the hardships of existence. Lighting is brightest at t...
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Kyle Buencamino: The Jackson
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Friday, March 14, 2008. Hiram Powers (1805–1873). Marble; 34 3/4 x 23 1/2 x 15 1/2 in. (88.3 x 59.7 x 39.4 cm). This sculpture, arguably Powers's finest, commenced his career. With the sponsorship provided by his. Patron Nicholas Longworth and letters of introduction that provided him access to President Andrew Jackson, Powers went to. In the fall of 1834. Along with other portrait busts of statesmen, was translated into marble after Powers settled in. Subscribe to: Post Comments (Atom).
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Roman Loveria: On James Joyce’s A Portrait of the Artist as a Young Man
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Criticisms" of Art by the aforementioned writer. Friday, March 14, 2008. On James Joyce’s A Portrait of the Artist as a Young Man. Almost every review of A Portrait of the Artist as a Young Man. Hereafter, A Portrait. Does not fail to note the autobiographical significance of the novel. But if one if to see as Joyce’s primary aim for the novel as a means to share his life, then perhaps the novelist has failed to a great extent. From the technical viewpoint, A Portrait. Century novelists, the psychologica...
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Roman Loveria: Fernando Amorsolo: Rediscovering the Filipina
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Criticisms" of Art by the aforementioned writer. Friday, March 14, 2008. Fernando Amorsolo: Rediscovering the Filipina. In art, in literature and painting most especially, the feminine ideal is something that is rationally arrived at rather than something existent and accepted. Too frequently, the artistic and social female falls slave to fad and other fleeting notions that do not really define her. Fernando Amorsolo, in portraying the Filipina in works such as Princess Urduja. In his paintings of Filipi...