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www.artandtheory.net – claudia marion stemberger

Survivors of the twentieth century, we are all nostalgic for a time when we were not nostalgic. But there seems to be no way back. In memoriam Svetlana Boym. [Quoted from. The Future of Nostalgia. New York: Basic Books, 2001), 355.]. Wwwartandtheory.net — Claudia Marion Stemberger 2018.

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Survivors of the twentieth century, we are all nostalgic for a time when we were not nostalgic. But there seems to be no way back. In memoriam Svetlana Boym. [Quoted from. The Future of Nostalgia. New York: Basic Books, 2001), 355.]. Wwwartandtheory.net — Claudia Marion Stemberger 2018.
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www.artandtheory.net – claudia marion stemberger | artandtheory.net Reviews

https://artandtheory.net

Survivors of the twentieth century, we are all nostalgic for a time when we were not nostalgic. But there seems to be no way back. In memoriam Svetlana Boym. [Quoted from. The Future of Nostalgia. New York: Basic Books, 2001), 355.]. Wwwartandtheory.net — Claudia Marion Stemberger 2018.

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www.artandtheory.net – publications

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South African Live Art and the Representation of its Residue: On Gabrielle Goliaths Stumbling Block. Performativity in the Gallery: Staging Interactive Encounters,. Ed Marika Leino, Laura MacCulloch, Outi Remes (Oxford: Peter Lang, 2014), 221-236. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. Exhibition Catalogue: Alterating Conditions. Editor: Claudia Marion Stemberger. Interview by Portia Malatjie.

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www.artandtheory.net – about

http://artandtheory.net/about

I might specify my working approach as an open invitation for collaboration. Therefore I prefer to develop my publications and projects together with the artists. Accordingly, I emphasise a dialogue and welcome instabilities, considering new tendencies as contingent, as part of an ongoing, contradictory process. Independent curator and writer, based in Europe. Curatorial projects display her enthusiasm for emerging contemporary artists whose works address (post-) postcolonial and gender practices. Cu...

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www.artandtheory.net – projects

http://artandtheory.net/projects

Entendre localité et mondialisation en Afrique du Sud. Décoloniser l’enseignement de l’histoire de l’art. 83e Congrès de l'Acfas. Université du Québec à Rimouski. Historicizing Chance and Contingency in Performance Art: Reperforming John Cage’s 4’33’. Hypothèses Conference Series. Histoire(s) de gestes: Random Piece for Three. Musée des beaux-arts de Montréal. Salon Pavillon Jean-Noël Desmarais). 1380 Sherbrooke Street West, Montreal. 10 December 2014, 4:00 – 6:00pm. 10 - 12 July 2014. 2 - 4 December 2014.

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Eselat - art platform and calendar. 21er haus - austrian 21st century art center. University of applied arts vienna. Architekturzentrum wien - architecture center vienna. Österreichisches kulturforum - austrian cultural forum warsaw. Bundesministerium für europa, integration und äußeres - austrian federal ministry for europe, integration and foreign affairs. Kunsthalle wien - international contemporary art space. Kunstraum niederoesterreich - lower austra contemporary. Spike art quarterly - art magazine.

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Bueronardin, Viewpoints on Folklore

http://bueronardin.com/viewpoints-on-folklore

Viewpoints on Folklore entstand als Katalog zur gleichnamigen Ausstellung im Austrian Cultural Forum London. Die gezeigten Arbeiten befassen sich mit dem Konzept der Folklore, der damit verbundenen visuellen Darstellungen und den vielschichtigen Auswirkungen der Volkskulturen. Ausstellung und Katalog vereinen Videoarbeiten, Fotografien und Installationen von Johanna und Helmut Kandl, kozek hörlonski Sir Meisi und Sascha Reichstein. Kuratiert und Herausgegeben von Claudia Marion Stemberger.

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www.artandtheory.net – claudia marion stemberger

Survivors of the twentieth century, we are all nostalgic for a time when we were not nostalgic. But there seems to be no way back. In memoriam Svetlana Boym. [Quoted from. The Future of Nostalgia. New York: Basic Books, 2001), 355.]. Wwwartandtheory.net — Claudia Marion Stemberger 2018.

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