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arthistory2015.doingdh.org

Building a Digital Portfolio | DH for Art History Graduate Students

DH for Art History Graduate Students

http://arthistory2015.doingdh.org/

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Building a Digital Portfolio | DH for Art History Graduate Students | arthistory2015.doingdh.org Reviews
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Building a Digital Portfolio | DH for Art History Graduate Students | arthistory2015.doingdh.org Reviews

https://arthistory2015.doingdh.org

DH for Art History Graduate Students

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July 14: Surveying Major Digital Art Collections | Building a Digital Portfolio

http://arthistory2015.doingdh.org/week-1-tuesday

Building a Digital Portfolio. Local and Travel Information. July 14: Surveying Major Digital Art Collections. Roy Rosenzweig, Scarcity or Abundance? Preserving the Past in a Digital Era,. The American Historical Review. 108, no. 3 (2003): 735 762. http:/ chnm.gmu.edu/essays-on-history-new-media/essays/? Tim Sherratt, It’s All About the Stuff: Collections, Interfaces, Power, and People, Journal of Digital Humanities. 2013, http:/ ejohn.org/research/computer-vision-photo-archives/. What is the interpretati...

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Applications Open until March 15 | Building a Digital Portfolio

http://arthistory2015.doingdh.org/applications/applications-open-until-march-15

Building a Digital Portfolio. Local and Travel Information. February 9, 2015. Applications Open until March 15. We are now accepting applications for Building a Digital Portfolio. Building a Digital Portfolio is a digital humanities summer institute for 20 art history graduate students offered by the Roy Rosenzweig Center for History and New Media. At George Mason University. With support from the Getty Foundation. To apply, please fill out the online application form. Applications Open in February.

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July 13: Introductions | Building a Digital Portfolio

http://arthistory2015.doingdh.org/week-1-monday

Building a Digital Portfolio. Local and Travel Information. How the Internet Works in Five Minutes. 2009, https:/ youtu.be/7 LPdttKXPc. Introduction and Part I, in Debates in the Digital Humanities. Matthew K. Gold, ed., Open Access Edition (2013), http:/ dhdebates.gc.cuny.edu/debates/. Jules David Prown, The Art Historian and the Computer, in Art as Evidence: Writings on Art and Material Culture. New Haven, CT: Yale University Press, 2001), 36 51. View PDF. Opening comments and introductions. Even if yo...

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July 23: Project Planning & Grant Proposals | Building a Digital Portfolio

http://arthistory2015.doingdh.org/week-2-thursday

Building a Digital Portfolio. Local and Travel Information. July 23: Project Planning & Grant Proposals. Paige Morgan, How to Get a Digital Humanities Project Off the Ground, Paige Morgan. June 5, 2014, http:/ www.paigemorgan.net/how-to-get-a-digital-humanities-project-off-the-ground/. Lisa Spiro, Getting Started in Digital Humanities, Journal of Digital Humanities. 1, no 1 (March 10, 2012), http:/ journalofdigitalhumanities.org/1-1/getting-started-in-digital-humanities-by-lisa-spiro/. National Endowment...

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Bibliography | Building a Digital Portfolio

http://arthistory2015.doingdh.org/bibliography

Building a Digital Portfolio. Local and Travel Information. This bibliography is also available in our Zotero library. How the Internet Works in Five Minutes. 2009, https:/ youtu.be/7 LPdttKXPc. Introduction and Part I, in Debates in the Digital Humanities. Matthew K. Gold, ed., Open Access Edition (2013), http:/ dhdebates.gc.cuny.edu/debates/. Jules David Prown, The Art Historian and the Computer, in Art as Evidence: Writings on Art and Material Culture. 29, no. 1 2 (June 1, 2013): 5 13. International J...

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Roy Rosenzweig Center for History and New Media » Blog Archive » Growing the Fields

http://chnm.gmu.edu/news/growing-the-fields

Thursday, April 2nd, 2015. Recent studies conducted by Ithaka S R document how historians. Are reluctant to engage in digital methods and to integrate those methods and related tools into their teaching. The cycle perpetuates itself as these established scholars are then unable to mentor graduate students or even to point them to appropriate training opportunities. These same scholars may also dissuade junior colleagues from pursuing digital work. Despite decades of amazing work in digital. Ran in August...

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Blog | Michelle Smith Collaboratory

http://michellesmithcollaboratory.umd.edu/blog

Skip to main content. Michelle Smith Collaboratory for Visual Culture. The DIG @ Artinterp. Nexus - A Blog. College Park, Maryland 20742. It's been a long time. We've been busy! Or, Augmented Reality meets Old World European Collection at the Riversdale House Museum, Courtesy of the Collaboratory. Wednesday, April 6, 2016. A title taken from a description of the collection from one enthused visitor in a letter to her sister. In the intervening months, Nicole and I, along with Caroline Paganussi. Uses vis...

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Art as Inspiration and Source of Meaning

Art as Inspiration and Source of Meaning. Friday, April 30, 2010. 8220;Good artists borrow. Great artists steal.” Pablo Picasso. Thursday, April 29, 2010. Simon Ushakov's "Virgin With Child" (Mid 16th Century) and Viktor Deni's "Village Virgin" (1919). 1 Machmut-Jhashi, Tamara. 2003. Between matter and spirit: russian icon painting. Meadow Brook Art Gallery: Oakland University. Wednesday, April 28, 2010. Tuesday, April 27, 2010. Monday, April 26, 2010. Pularly discussed work of art. 1 Valkenier, Elizabet...

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Monday, May 23, 2011. Posted by 7Ω#9 on 7:42 AM. STILL LIFE - Adaptation in 20th century Indian Art. THE NAKED LINE - Drawings by 12 Artists. POETRY AND PATRIOTIC FERVOUR - An Exhibition of Indian Art Pre Independence. CHANGING IMAGES - An Exhibition of 20th Century Indian Art. FACE OFF - An Exhibition of Indian Old Maters and Moderns. Exhibition of Drawings, Linocuts and Woodcuts. Exhibition dedicated to Anniversary of his Birthday. Exhibition dedicated to Anniversary of his Birthday. 1995 'Exhibition o...

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Virginia's Art Blog

Supplemental For Week 5. View my complete profile. Thursday, July 23, 2009. HOW HAS THE PAST SIX WEEKS WITH ART AFFECTED OR CHANGED ME, or WHAT DOES ART MEAN TO ME NOW? Saturday, July 18, 2009. Supplemental For Week 5. I love Mary Cassatt's mother and child theme, the closeness and tenderness she expressed in them. The Maternal Kiss where the mother gives her daughter a kiss is my favorite. I also like the painting "Portrait of Monsieur and Madame Manet". Why is there a wall covering. Or is he bored?

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Rebuilding the Portfolio: DH for Art Historians | A Summer Institute at RRCHNM

Rebuilding the Portfolio: DH for Art Historians. July 29, 2014. Art Historians, Rebuilding their Portfolios. RRCNHM hosted an enthusiastic group of 22 art historians, librarians, and museum professionals for Rebuilding the Portfolio,. A digital art history institute sponsored by the Getty Foundation. The self-identified novice participants began the institute on July 8, 2014 nervous and worried about the workload, but emerged two weeks later as confident, digital ambassadors. Supported by the Getty Found...

arthistory2015.doingdh.org arthistory2015.doingdh.org

Building a Digital Portfolio | DH for Art History Graduate Students

Building a Digital Portfolio. Local and Travel Information. October 7, 2015. End of Institute Wrap-Up. Hosted the second Getty Foundation-sponsored institute. For digital art history, Building a Digital Portfolio. By the end of the two weeks, the cohort successfully registered their own web domain; installed WordPress. Personal reflections of Building a Digital Portfolio. Participants were aggregated and are available on the course website, with the help of RRCHNM’s PressForward. June 3, 2015. We are now...

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Art History 2051: Miami Dade College Wolfson

Art History 2051: Miami Dade College Wolfson. Thursday, April 23, 2009. Film resources on the internet. As I mentioned in class, there are a wealth of resources about avant-garde and influential film and video on the internet. The trick is, of course, finding the stuff that is important. . Here are some resources:. UBUWEB -  a large web-based educational resource for  avant-garde. 160;material available on the internet, founded in 1996 by poet  Kenneth Goldsmith. Expanding to include  film. Two good coll...

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Art History III (Modern Art) |

Art History III (Modern Art). COURSE CATALOG DESCRIPTION: History of art from the rise of Modernism to present. Theories of art history and seminal writings are explored.

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Rutgers, Department of Art History, Undergraduate & Graduate Programs

Department of Art History. New Brunswick, NJ 08901. Catherine Puglisi, Chairperson. Andres Zervigon, Acting Undergraduate Director. John Kenfield, Acting Graduate Program Director. Cathy Pizzi, Department Administrator. Geralyn Colvil, Student Coordinator. We are proud to announce and congratulate our graduate students:. Recipient of the Jacob K. Javits Fellowship, administered by the U.S. Department of Education. Catherine will be continuing her study in New Brunswick. Laureate of the first André...

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National Parks, Landscape Art & American Imagination | ART 327 and ES 300 at the University of Montevallo

National Parks, Landscape Art and American Imagination. ART 327 and ES 300 at the University of Montevallo. Skip to primary content. Skip to secondary content. December 11, 2012. National Parks Class: Let met echo what Kelly said in her previous post. I hope you all thought that the skill of blogging was a valuable one to learn. Each of you has developed the ability to participate in public discussions. One shout out goes to Jack Vest, whose “ Where the Wild Things Are”. December 10, 2012. A reindeer in ...

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Art History 3V03

Studies in Venetian Art and Theory 1400 - 1600. Friday, May 25, 2012. Please find below the links for the group accommodations in Italy. In Venice we will be staying at the Albergo Marin (and its apartments). Our hotel in Florence is the Hotel Mario's and in Rome we are at the Residence Candia. The links are below:. Http:/ www.albergomarin.it/en/. Http:/ www.hotelmarios.com/. Http:/ www.residencecandia.it/index.php? Posted by Greg Davies. And Here We Go! Well this it it. The day has arrived! During the l...