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artintelligence | thinking about contemporary art

thinking about contemporary art

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artintelligence | thinking about contemporary art | artintelligence.wordpress.com Reviews
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artintelligence | thinking about contemporary art | artintelligence.wordpress.com Reviews

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thinking about contemporary art

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1

May | 2007 | artintelligence

https://artintelligence.wordpress.com/2007/05

May 17, 2007. Candice Breitz: Identity in the Cutting Room. 8212; Graham Coulter-Smith @ 4:17 pm. The 51st Venice Biennale, 2005, commissioned a work from Breitz and she created the double video. Haven’t I been a good mother? One of the reasons why Becoming could easily morph into a game is due to the technology Breitz is using: it is a relatively short step from video art to interactive video art. The next instance of contemporary installation I will examine steps even closer to attaining such a goa...

2

CHANGE OF ADDRESS | artintelligence

https://artintelligence.wordpress.com/2007/06/13/change-of-address

June 13, 2007. 8212; Graham Coulter-Smith @ 9:07 am. This artblog has moved to http:/ artintelligence.net/review. Leave a Comment ». Feed for comments on this post. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Not If But When.

3

Nan Goldin: The Self as Photo-graphed | artintelligence

https://artintelligence.wordpress.com/2007/06/01/nan-goldin-the-self-as-photo-graphed

June 1, 2007. Nan Goldin: The Self as Photo-graphed. 8212; Graham Coulter-Smith @ 2:33 pm. Nan Goldin, Rise and Monty on the lounge chair, NYC, 1988. From the series Ballad of Sexual Dependency. Colour print, silver dye bleach (Cibachrome) process, 39.4 x 59.7 cm. George Eastman House, Still Photograph Archive. The Ballad of Sexual Dependency. Leave a Comment ». Feed for comments on this post. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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Eija-Lisa Ahtila: Narratives of Self | artintelligence

https://artintelligence.wordpress.com/2007/06/01/eija-lisa-ahtila-narratives-of-self

June 1, 2007. Eija-Lisa Ahtila: Narratives of Self. 8212; Graham Coulter-Smith @ 1:58 pm. 1999 (read in columns). The more one walked from one darkened room to another in the Tate Modern survey exhibition the more we find that Ahtila’s fiction functions as a species of hallucination in a manner that distinguishes itself radically from the American dreams that Hollywood predominantly purveys. Anne, Aki and God. And the hallucinatory aspect of Ahtila’s work melds with its narrative/counter-narrative play&#...

5

Ellen Gallagher: DeLuxe | artintelligence

https://artintelligence.wordpress.com/2007/06/06/ellen-gallagher-deluxe

June 6, 2007. 8212; Graham Coulter-Smith @ 6:47 am. Reportedly, Gallagher was drawn to the wig advertisements because of their grid-like structure and this is reflected in her mode of display. Later she became influenced by the ‘narratives’ accompanying such advertisements. She explains:. Her identity. She meditates, for example, on the actual people who modelled for the advertisements that she uses, she notes:. Gallagher appears to be stressing that her manipulations of her appropriated images is not de...

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artintelligence | thinking about contemporary art

June 13, 2007. 8212; Graham Coulter-Smith @ 9:07 am. This artblog has moved to http:/ artintelligence.net/review. June 9, 2007. Andreas Slominski: Playing with the Viewer. 8212; Graham Coulter-Smith @ 8:48 am. Andreas Slominsky, Bucket of Water, 1998. We can begin with Slominski’s installation. 1998 The basic aim of this work is simple, to place a bucket of water in an art museum’s shop. But Slominski goes about achieving this task in a most convoluted manner. He commissioned a plumber:. 2001) In contras...

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