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Art or Artifice? | Thoughts on media

Thoughts on media

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Art or Artifice? | Thoughts on media | artorartifice.wordpress.com Reviews
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Art or Artifice? | Thoughts on media | artorartifice.wordpress.com Reviews

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1

Movie Review: Vanishing of the Bees | Art or Artifice?

https://artorartifice.wordpress.com/2011/04/14/movie-review-vanishing-of-the-bees

Larr; Movie Review: Planeat. On Narrativity and the Structure of the Temporal. Movie Review: Vanishing of the Bees. April 14, 2011. In case you haven’t heard, Whole Foods is running a film festival that they’re distributing throughout the country by partnering up with local cinemas and some of the films actually look interesting including the one I’m reviewing here which I saw two nights ago at Real Art Ways. Some of the films are pure propaganda which I may or may not get into in a separate review later.

2

Schooling the World Review: How Many Elephants Can You Fit in One Room? | Art or Artifice?

https://artorartifice.wordpress.com/2012/02/11/schooling-the-world-review-how-many-elephants-can-you-fit-in-one-room

Larr; Jeff: The Literal Obsessive. The Skin I Live In: A Story of Disavowals (spoilers). Schooling the World Review: How Many Elephants Can You Fit in One Room? February 11, 2012. Technology ends up being another important but unconsidered issue in this film. Technology is what allowed this film to be made and to consequently broadcast this message. Technology is what made me aware of this screening in the first place. What role, then, is technology to have in native culture? Leave a Reply Cancel reply.

3

On Narrativity and the Structure of the Temporal | Art or Artifice?

https://artorartifice.wordpress.com/2011/04/12/on-narrativity-and-the-structure-of-the-temporal

Larr; Movie Review: Vanishing of the Bees. On the Medium Specificity of the Digital. On Narrativity and the Structure of the Temporal. April 12, 2011. I, however, am not a collaborator or a story-writer and so I do not see myself as going forward into any narrative organization of my work except inasmuch as it may function as a temporal alibi but is this the only option for a temporal alibi that serves to move someone through time? Je Vous Salue Marie. Especially) and Dusan Makavejev as always. On the Me...

4

The Skin I Live In: A Story of Disavowals (spoilers) | Art or Artifice?

https://artorartifice.wordpress.com/2011/12/05/the-skin-i-live-in-a-story-of-disavowals-spoilers

Larr; Schooling the World Review: How Many Elephants Can You Fit in One Room? Thoughts on Melancholia: Control Flanked by Depression and Anxiety (spoilers). The Skin I Live In: A Story of Disavowals (spoilers). December 5, 2011. The Skin I Live In is a film about an obsessional doctor (Robert) who kidnaps the boy who raped his deceased daughter (Vincente, later Vera) and keeps him captive while he transforms his body into that of a female’s through various surgical procedures. Leave a Reply Cancel reply.

5

jingo | Art or Artifice?

https://artorartifice.wordpress.com/author/jelris

On the Psychosis of The Love Witch. May 10, 2016. The love witch at tea time. The mounting evidence of her involvement in the death of her previous lover makes it impossible for Grif to continue participating in the romance. He refuses her spell and disengages from her completely; an action which clearly infuriates and perplexes the love witch. Jeff: The Literal Obsessive. April 29, 2012. Is the act of making Dahmer as evil and inexplicable as possible useful or just facile? February 11, 2012. Technology...

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Art or Artifice? | Thoughts on media

On the Psychosis of The Love Witch. May 10, 2016. The love witch at tea time. The mounting evidence of her involvement in the death of her previous lover makes it impossible for Grif to continue participating in the romance. He refuses her spell and disengages from her completely; an action which clearly infuriates and perplexes the love witch. Jeff: The Literal Obsessive. April 29, 2012. Is the act of making Dahmer as evil and inexplicable as possible useful or just facile? February 11, 2012. Technology...

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