artrecess.blogspot.com
P.F.S. Post: March 2006
http://artrecess.blogspot.com/2006_03_01_archive.html
David Prater (Australia): Two Poems. Sing/ a song of/exes and. Zeroes/ just one/ now. Down a maple lane/we. Looks that kill or maim/. What will we remember/. Where will we be/in. See you round/the trap/. Or by a traffic light/some. Oh hi/me again/want to. A hole before stepping/. In it/close the door/&/. Sing /with me /xx /oo. Oh god yeah god my god my oh. Yes james joyce ulysses yes yes. Penguin modern classics yeah. My god yes yes and a penguin oh. I'm coming over many penguins. From Are We Not Drawn.
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P.F.S. Post: Kelley White (New Hampshire, USA): Two Poems
http://artrecess.blogspot.com/2009/05/kelley-white-new-hampshire-usa-two.html
Kelley White (New Hampshire, USA): Two Poems. ART OF THE AMERICAS. Lay on the table beneath a single dangling bulb. Always to the tight black-lined woodcut. It is said that Crazy Horse ate Custer’s heart. This is not true. Buffalo liver, perhaps. Throw the rib-shell over the priest’s shoulder. This flabby old muscle. Red and growing darker. One smooth green stone. I’ll give you water,. Wants a dollar,. Give him four bits). Henry carved a green stone heart. On a brass stand and marble base. To your touch,.
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P.F.S. Post: Jeffrey Side (London, UK): The Semantic Limitations of Visual Poetry
http://artrecess.blogspot.com/2009/12/jeffrey-side-uk-semantic-limitations-of.html
Jeffrey Side (London, UK): The Semantic Limitations of Visual Poetry. In The Reader, the Text, the Poem. Says: ‘The poem, then, must be thought of as an event in time. It is not an object or an ideal entity. It happens during a coming-together, a co-penetration, of a reader and a text’. She later elaborates:. Has said, ‘concerned only with representing its own mechanisms’. These elements of artifice are, like painting. In my poems, I. Frequently use opaque and nonabsorbable. Elements, digressions &.
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P.F.S. Post
http://artrecess.blogspot.com/2006_06_01_archive.html
Adam Fieled (editor, Philadelphia, USA): Two Poems. Jordan Stempleman (Iowa, USA): But the tail end i. Adam Fieled (editor, Philadelphia, USA): Two Poems. Mary Walker Graham (Boston, USA): Kissing in Cars. Kristen Orser (Chicago, USA): Three Poems. Steve Halle (Illinois, USA): from Cessation Covers. Adam Fieled (editor, Philadelphia, Pa): Sonnet fo. Stacy Blair (Indiana, USA): Two Poems. Andrew Lundwall (Illinois, USA): Chicago. Stacy Blair (Indiana, USA): Two Poems. Drugstore.com Coupon Code.
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P.F.S. Post: Jason Bredle (Chicago, USA): Three Poems
http://artrecess.blogspot.com/2009/05/jason-bredle-chicago-usa-three-poems.html
Jason Bredle (Chicago, USA): Three Poems. What if all of my interactions with others are a figment of my imagination. And I’m actually completely insane. Is kind of an unsettling thought I had one day. So I wrote to you. Lately I’ve been struggling with reality. And put reality in quotes. To emphasize the struggle. But I didn’t think struggle was the right sentiment. So I looked in a thesaurus but couldn’t find a better word. But did find give the old college try. And I was completely insane. The way nur...
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P.F.S. Post: October 2005
http://artrecess.blogspot.com/2005_10_01_archive.html
Featured Poet: Chris McCabe (London, UK), author, "The Hutton Inquiry". The emergence of Chris McCabe on the UK poetry stage heralds the arrival of a significant voice, one that is not afraid to be young, express "young" virtues- spontaneity, nerve, daring, humor (both coarse and refined), all balanced with an unflinching precision which validates the whole package. To obtain a copy, and it can be ordered from any Barnes and Noble. Below is a six-poem "sampler". Here. See you next time he said I said not.
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P.F.S. Post: Adam Fieled (Philadelphia, USA): from
http://artrecess.blogspot.com/2010/02/adam-fieled-philly-usa-from-apparition.html
Adam Fieled (Philadelphia, USA): from Apparition Poems. Wood-floored bar on Rue St. Catharine. You danced, I sat, soused as Herod,. Sipped vodka tonic, endless bland. Medley belting out of the jukebox. You smiling, I occupied keeping you happy,. Un-frazzled suddenly sounds behind us,. The bar wasn’t crowded and a patron. Rakish, whisker-flecked big mouth). Lifted a forefinger at beer-bellied. Bartender bitching back, soon a real. Fight, violence in quiet midnight,. I, scared, got you out of there. Gazed ...
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P.F.S. Post: Mark Young (Rockhampton, Australia): from
http://artrecess.blogspot.com/2009/05/mark-young-rockhampton-australia-from.html
Mark Young (Rockhampton, Australia): from Geographies. The black hats draw on the. Testimony of French combatants. In order to place the object in. A logical relationship to the rest. Of the sentence. Mick Jagger. Is no exception even though. He appears as an absent image. All dharmas are ultimately empty. Of any distinction that would. Separate one dharma from. Another. China looms large,. Offering free audio pronunciation. Reviews. There are no rail-. Ways The beavers must die. It was the spatial.
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P.F.S. Post: Adam Fieled (Philadelphia, USA): from
http://artrecess.blogspot.com/2009/05/adam-fieled-philly-usa-two-sonnets.html
Adam Fieled (Philadelphia, USA): from Apparition Poems. What’s this about making moves, said. I’ve got irons in the fire. With all these pieces, isn’t that enough? To have mastered how the fire works,. So that each piece burns right down: it’s. Not the only move that matters, but as. I just made a line of rooks rather than. Pawns, what else could possibly get my. The master heard this, appearing. Limber, but quite chained to the voices. That were taking away the tools he used. In space for I. Drugstore&#...
