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Art! (for art's sake)

Monday, February 7, 2011. Woman Eating, or, Too Close for Comfort. Duane Hanson. Woman Eating. 1971. Regardless of how many Duane Hanson works I see, or text labels I read, I still feel uncomfortable getting too close. As I lean over to read the headline of this woman’s newspaper, my head knows her body is made of synthetics. My body, however, still gets slightly nervous; what if she turns to wipe the mayonnaise off of her mouth and sees me? How will I explain myself? Smithsonian American Art Museum.

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Art! (for art's sake) | artsforarts.blogspot.com Reviews
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Monday, February 7, 2011. Woman Eating, or, Too Close for Comfort. Duane Hanson. Woman Eating. 1971. Regardless of how many Duane Hanson works I see, or text labels I read, I still feel uncomfortable getting too close. As I lean over to read the headline of this woman’s newspaper, my head knows her body is made of synthetics. My body, however, still gets slightly nervous; what if she turns to wipe the mayonnaise off of her mouth and sees me? How will I explain myself? Smithsonian American Art Museum.
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Art! (for art's sake) | artsforarts.blogspot.com Reviews

https://artsforarts.blogspot.com

Monday, February 7, 2011. Woman Eating, or, Too Close for Comfort. Duane Hanson. Woman Eating. 1971. Regardless of how many Duane Hanson works I see, or text labels I read, I still feel uncomfortable getting too close. As I lean over to read the headline of this woman’s newspaper, my head knows her body is made of synthetics. My body, however, still gets slightly nervous; what if she turns to wipe the mayonnaise off of her mouth and sees me? How will I explain myself? Smithsonian American Art Museum.

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Art! (for art's sake): February 2011

http://artsforarts.blogspot.com/2011_02_01_archive.html

Monday, February 7, 2011. Woman Eating, or, Too Close for Comfort. Duane Hanson. Woman Eating. 1971. Regardless of how many Duane Hanson works I see, or text labels I read, I still feel uncomfortable getting too close. As I lean over to read the headline of this woman’s newspaper, my head knows her body is made of synthetics. My body, however, still gets slightly nervous; what if she turns to wipe the mayonnaise off of her mouth and sees me? How will I explain myself? Smithsonian American Art Museum.

2

Art! (for art's sake): South, or, Yellow Gray

http://artsforarts.blogspot.com/2011/02/south-or-yellow-gray_01.html

Tuesday, February 1, 2011. South, or, Yellow Gray. Alexis Rockman. South. 2008 Oil and Wax on Gessoed paper. 75x358.75 in. The Smithsonian American Art Museum. Decided to skip that day. While the skyline of the above image appears primarily, well, gray, the original painting reveals strong hints of dingy yellow readily disbursed throughout the clouds. There is no better color combination to demonstrate and exaggerate the vast bleakness contained within this polar landscape. February 1, 2011 at 10:23 PM.

3

Art! (for art's sake): Response to South

http://artsforarts.blogspot.com/2011/02/response-to-south.html

Wednesday, February 2, 2011. This question was asked of me:. T or F: Monumental work is nearly always impressive by merit of its sheer size. How would your impression of this work change if it were small(er)? Is the answer that artists should go back to painting machine sized canvases? After reading this question, I spent the morning discussing it amongst, well, myself. This is what I decided:. 8221; while roaming through a museum? Unless your name is James Swensen. Subscribe to: Post Comments (Atom).

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Art! (for art's sake): Woman Eating, or, Too Close for Comfort

http://artsforarts.blogspot.com/2011/02/woman-eating-or-too-close-for-comfort.html

Monday, February 7, 2011. Woman Eating, or, Too Close for Comfort. Duane Hanson. Woman Eating. 1971. Regardless of how many Duane Hanson works I see, or text labels I read, I still feel uncomfortable getting too close. As I lean over to read the headline of this woman’s newspaper, my head knows her body is made of synthetics. My body, however, still gets slightly nervous; what if she turns to wipe the mayonnaise off of her mouth and sees me? How will I explain myself? Smithsonian American Art Museum.

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Discrete?: February 2011

http://tantetonto.blogspot.com/2011_02_01_archive.html

Monday, February 28, 2011. Dear Lady Gaga,. You know I love you. I do. But please NEVER let me see you do that again. I don't care if you were born that way, it was terrible. Thursday, February 24, 2011. My water bottle has suddenly started tasting all weird and plasticy. no bueno. Wednesday, February 23, 2011. Friday, February 18, 2011. Thursday, February 17, 2011. And this song is dedicated to how I feel about warm weather. Wednesday, February 16, 2011. Monday, February 14, 2011. Too many for one go.

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The Canon: February 2011

http://thecanon2010.blogspot.com/2011_02_01_archive.html

A forum for the Utah art community. Tuesday, February 15, 2011. Guerilla Girls Speak up in NYC. After having the honored opportunity of listening to a founder of the Guerilla Girls, specifically "Frida Kahlo," I have decided to share some of her words of wisdom in hopes of encouraging participation and maybe even debate concerning her thoughts in the move for equality for the female race. Fellow BYU students with the Guerilla Girl. Her message was called,. Guerilla Girls guide to being a bad girl". I sta...

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The Canon: Art! (for art's sake)

http://thecanon2010.blogspot.com/2011/02/art-for-arts-sake.html

A forum for the Utah art community. Tuesday, February 1, 2011. Dear fellow art lovers,. I started an art blog. I know, I should be posting to The Canon instead, however my current situation allows me to be completely surrounded by fantastic art nearly 24/7. I realize that my thoughts on this may not always be as academic as The Canon tends to be, and so, I started. And I would love if you all read it.and commented, too. Subscribe to: Post Comments (Atom). Email submissions to thecanon2010@gmail.com.

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Art! (for art's sake)

Monday, February 7, 2011. Woman Eating, or, Too Close for Comfort. Duane Hanson. Woman Eating. 1971. Regardless of how many Duane Hanson works I see, or text labels I read, I still feel uncomfortable getting too close. As I lean over to read the headline of this woman’s newspaper, my head knows her body is made of synthetics. My body, however, still gets slightly nervous; what if she turns to wipe the mayonnaise off of her mouth and sees me? How will I explain myself? Smithsonian American Art Museum.

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