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Ascención: A Dramatic Ethno-historic Cantata

Inspired by Ascención Solórsano de Cervantes’ oral history taken down by Smithsonian ethnologist J. P. Harrington, this multi-media cantata honors the life of Ascención Solórsano de Cervantes (1854-1930), the last of the California Amah-Mutsun (San Juan) tribal band to retain complete linguistic and cultural fluency of her people.

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Ascención: A Dramatic Ethno-historic Cantata | ascencionproject.com Reviews
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Inspired by Ascención Solórsano de Cervantes’ oral history taken down by Smithsonian ethnologist J. P. Harrington, this multi-media cantata honors the life of Ascención Solórsano de Cervantes (1854-1930), the last of the California Amah-Mutsun (San Juan) tribal band to retain complete linguistic and cultural fluency of her people.
<META>
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1 Ascencion
2 Ascención
3 Ascención Solórsano
4 Ascencion Solorsano
5 J. P. Harrington
6 Amah
7 Mutsun
8 San Juan
9 tribe
10 indians
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Ascención: A Dramatic Ethno-historic Cantata | ascencionproject.com Reviews

https://ascencionproject.com

Inspired by Ascención Solórsano de Cervantes’ oral history taken down by Smithsonian ethnologist J. P. Harrington, this multi-media cantata honors the life of Ascención Solórsano de Cervantes (1854-1930), the last of the California Amah-Mutsun (San Juan) tribal band to retain complete linguistic and cultural fluency of her people.

INTERNAL PAGES

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1

Ascención: A Dramatic Ethno-historic Cantata - Booking Information

http://www.ascencionproject.com/video.html

Fresno State Focus News Feature.

2

Ascención: A Dramatic Ethno-historic Cantata - Photos

http://www.ascencionproject.com/photos.html

Ascención Solórsano de Cervantes (1856-1930), in her burial dress. Photograph by J. P. Harrington. Helene Joseph-Weil, mezzo-soprano, Ascención Project originator and librettist, with Composer Benjamin Boone. Dr Martha Macri, UC Davis NAL Department Professor, Rumsey (Yocha-Di-Hi) Endowed Chair in California Indian Studies with Helene Joseph-Weil. Composer Benjamin Boone and pianist Hatem Nadim after the premiere.

3

Ascención: A Dramatic Ethno-historic Cantata - Program

http://www.ascencionproject.com/program.html

Download the Ascención Program (PDF).

4

Ascención: A Dramatic Ethno-historic Cantata - Booking Information

http://www.ascencionproject.com/music.html

The Music of Ascención. Scene II. Arrival. Ascención s joyful greeting when J. P. Harrington arrives is quoted Dios es muy grande . He has come to save the language of the San Juaneños. Ascención used the Spanish term when referring to the Indians from the San Juan Bautista area. Her quoted phrase dead and finished recurs in later scenes, each time with a different sub-text. English translation of original Spanish by Dr. Manuel Peña. Helene Joseph-Weil, mezzo-soprano; Hatem Nadim, piano. Heard in Scene I...

5

Ascención: A Dramatic Ethno-historic Cantata - Press

http://www.ascencionproject.com/press.html

J P Harrington Database Project Newsletter. An authoritative review of Ascención (PDF). KQED's The California Report. Native American Opera (Real Audio). Fri, February 22, 2008 - 4:30pm. Host: Scott Shafer Reporters: Sasha Khokha. KQED's The California Report. A Native American's Last Testament: Opera. VIDEO - Fresno State Focus. Ascención Cantata (Video Link).

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Ascención: A Dramatic Ethno-historic Cantata

Inspired by Ascención Solórsano de Cervantes oral history taken down by Smithsonian ethnologist J. P. Harrington, this multi-media cantata honors the life of Ascención Solórsano de Cervantes (1854-1930), the last of the California Amah-Mutsun (San Juan) tribal band to retain complete linguistic and cultural fluency of her people.

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Ascención: A Dramatic Ethno-historic Cantata

Inspired by Ascención Solórsano de Cervantes oral history taken down by Smithsonian ethnologist J. P. Harrington, this multi-media cantata honors the life of Ascención Solórsano de Cervantes (1854-1930), the last of the California Amah-Mutsun (San Juan) tribal band to retain complete linguistic and cultural fluency of her people.

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Ascención: A Dramatic Ethno-historic Cantata

Inspired by Ascención Solórsano de Cervantes oral history taken down by Smithsonian ethnologist J. P. Harrington, this multi-media cantata honors the life of Ascención Solórsano de Cervantes (1854-1930), the last of the California Amah-Mutsun (San Juan) tribal band to retain complete linguistic and cultural fluency of her people.

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