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The Bodhi Tree and the Orchid | a symposium in honor of Catherine B. Asher and Frederick M. Asher

...in honor of the careers of Frederick Asher and Catherine Asher, and their innumerable, generous contributions to the study of South Asian and Islamic Art. On February 15, 2014 in Chicago, please join us for a day-long symposium followed by a celebratory dinner to toast the Ashers. A focused commitment to questioning canonical epistemologies anchors…

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The Bodhi Tree and the Orchid | a symposium in honor of Catherine B. Asher and Frederick M. Asher | ashers2014.wordpress.com Reviews

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...in honor of the careers of Frederick Asher and Catherine Asher, and their innumerable, generous contributions to the study of South Asian and Islamic Art. On February 15, 2014 in Chicago, please join us for a day-long symposium followed by a celebratory dinner to toast the Ashers. A focused commitment to questioning canonical epistemologies anchors…

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The Bodhi Tree and the Orchid | a symposium in honor of Catherine B. Asher and Frederick M. Asher | ashers2014.wordpress.com Reviews

https://ashers2014.wordpress.com

...in honor of the careers of Frederick Asher and Catherine Asher, and their innumerable, generous contributions to the study of South Asian and Islamic Art. On February 15, 2014 in Chicago, please join us for a day-long symposium followed by a celebratory dinner to toast the Ashers. A focused commitment to questioning canonical epistemologies anchors…

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ashers2014.wordpress.com

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Gallery | The Bodhi Tree and the Orchid

https://ashers2014.wordpress.com/gallery

The Bodhi Tree and the Orchid. A symposium in honor of Catherine B. Asher and Frederick M. Asher. Catherine B. Asher. Frederick M. Asher. This slideshow requires JavaScript. February 15, 2014. Held in conjunction with the College Art Association meetings, Chicago, IL. Create a free website or blog at WordPress.com.

2

Program | The Bodhi Tree and the Orchid

https://ashers2014.wordpress.com/program

The Bodhi Tree and the Orchid. A symposium in honor of Catherine B. Asher and Frederick M. Asher. Catherine B. Asher. Frederick M. Asher. Starting at 8:30 am. With opening remarks by Geri Malandra. Knowledge, Spectacle, Pedagogy. Sugata Ray Shangri La: The Archive-Museum and the Spatial Topologies of Islamic Art History. Radha Dalal Placing the Spectator on the Scene of Conquest: Istanbul’s Panorama 1453 History Museum. Shifting Objects, Geographies, Histories. Materiality, Experience, and Collaboration.

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Catherine B. Asher | The Bodhi Tree and the Orchid

https://ashers2014.wordpress.com/cba

The Bodhi Tree and the Orchid. A symposium in honor of Catherine B. Asher and Frederick M. Asher. Catherine B. Asher. Frederick M. Asher. Catherine B. Asher. She has completed a term as the College Art Association’s Vice President for Publications as well as a ten-year term as the Chair of the Committee on Art and Archaeology of the American Institute of Indian Studies. India before Europe,. With Cynthia Talbot, Cambridge University Press, 2006. The Architecture of Mughal India. LXIX,2 (2009), 247-58.

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Ashers in India | The Bodhi Tree and the Orchid

https://ashers2014.wordpress.com/ashers-in-india

The Bodhi Tree and the Orchid. A symposium in honor of Catherine B. Asher and Frederick M. Asher. Catherine B. Asher. Frederick M. Asher. This slideshow requires JavaScript. February 15, 2014. Held in conjunction with the College Art Association meetings, Chicago, IL. Create a free website or blog at WordPress.com.

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Abstracts | The Bodhi Tree and the Orchid

https://ashers2014.wordpress.com/abstracts

The Bodhi Tree and the Orchid. A symposium in honor of Catherine B. Asher and Frederick M. Asher. Catherine B. Asher. Frederick M. Asher. Temporal Transformations: Terracotta, Textile, Trash. Rebecca M. Brown, Johns Hopkins University. Of the over eighty exhibitions in the US Festival of India (1985-86) several focused on material as a pivotal and sometimes determinative element. Not just raw material but its. Assertive Gifts: Art and Diplomacy in the Age of the Ottoman-Safavid Conflict. In the 1954 film.

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Curatorial | Rebecca M. Brown

https://rebeccambrown.com/curatorial

Rebecca M. Brown. South Asian Visual Culture and Politics. Modern and Contemporary Indian Art. Working with both private collectors and public collections, my curatorial projects involve exhibitions of Indian, Pakistani, Bangladeshi and transnational visual culture, across the 20th century and working in comparison with earlier periods. All media, from painting to architecture, as well as popular visual culture. Experience lecturing and teaching in museum contexts, as well as lecture tours in India.

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Teaching | Rebecca M. Brown

https://rebeccambrown.com/teaching

Rebecca M. Brown. South Asian Visual Culture and Politics. Readings in Modern and Contemporary Asian Art. Politics and Visual Culture. The Epistemology of Photography. Modern and Contemporary South Asian Art. Global Modernism: Critical Engagements. Readings in Material Culture (with Elizabeth Rodini). Global Modern Art: Africa, Asia, the Pacific, and the Americas. The Epistemology of Photography. The Politics of Display in South Asia. Key Moments in East Asian Politics and Visual Culture since 1850.

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Colonial Rhythms | Rebecca M. Brown

https://rebeccambrown.com/2012/04/07/colonial

Rebecca M. Brown. South Asian Visual Culture and Politics. This project examines painting in India at the turn of the 19th century and photography in India in the later 19th century. What did paintings and photographs, particularly of people, produce during this period? What kinds of epistemologies and temporalities do they communicate and construct? CAA 2011, article. Visual Anthropology ( see cv. Image: Victoria and Albert Museum, Fish Women, Patna, 1826, IS.28-1964. And tagged 19th century.

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Festival of India | Rebecca M. Brown

https://rebeccambrown.com/2012/04/07/foi

Rebecca M. Brown. South Asian Visual Culture and Politics. 1 book chapter, 1 journal article, 1 journal article forthcoming, book manuscript in progress. At ACSAA 2011, National Museum of Korea 2011, Walters Art Museum 2012, University of Virginia Museum 2012, The Long 1980s conference. AIIS Delhi) 2012, CAA 2013, Ashers’ Symposium. 2014, Syracuse Folk Art Symposium. Image: Installation, National Museum of Natural History, Washington DC, Aditi exhibition. Bryn Mawr College, Center for Visual Culture,.

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Colonial Patna | Rebecca M. Brown

https://rebeccambrown.com/2012/04/06/colonial-patna

Rebecca M. Brown. South Asian Visual Culture and Politics. Publications: 5 articles, book proposal under review. Image: Golghar, Patna, by FWA De Fabeck, 1888, V&A. This entry was posted on April 6, 2012 by rmbrown47. Bryn Mawr College, Center for Visual Culture,. College Art Association,. New York, February 2017. Submit scholarly articles and art projects click the image for details. AIIS Long 1980s Conference. Modernity and Visual Culture. And AJ Open Bookshelf. Art for a Modern India.

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Film & TV | Rebecca M. Brown

https://rebeccambrown.com/2012/04/04/film-tv

Rebecca M. Brown. South Asian Visual Culture and Politics. Film and TV provide rich texts for understanding shifts in cultural politics, from questions of Orientalism to understandings of modernity and constructions of the past. These smaller projects examine individual films or TV series to address particular questions of interest, usually intersecting with theoretical frames also developed in the other three research areas. Publications: 2 articles, 1 co-authored piece in development.

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Modernity & Visual Culture | Rebecca M. Brown

https://rebeccambrown.com/2012/04/06/modernity

Rebecca M. Brown. South Asian Visual Culture and Politics. Modernity and Visual Culture. Examining the interconnections among fine art, architecture, photography, and vernacular visual culture after Independence, this research provides a new, overarching examination of this crucial period in Indian art history. Monograph, 4 articles, 3 book chapters, 1 catalog essay and 5 artist entries; 2 book chapters forthcoming. 2: Akhoury and Rubin Collections (2009), Rubin Collection, with catalog (2011-12). Gandhi...

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Genealogy of Spinning | Rebecca M. Brown

https://rebeccambrown.com/2012/04/05/spinning

Rebecca M. Brown. South Asian Visual Culture and Politics. In an anti-colonial move toward Indian self-sufficiency, Gandhi in 1909 decided to revive the hand-spinning of cotton into thread. Gandhi’s programme of spinning (as practice) and deployment of the spinning wheel (as icon) represents one of the most significant unifying elements of the nationalist movement in India. Monograph, 1 article, 1 book chapter (forthcoming), 1 article in development. This entry was posted on April 5, 2012 by rmbrown47.

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The Bodhi Tree and the Orchid | a symposium in honor of Catherine B. Asher and Frederick M. Asher

The Bodhi Tree and the Orchid. A symposium in honor of Catherine B. Asher and Frederick M. Asher. Catherine B. Asher. Frederick M. Asher. 8230;in honor of the careers of Frederick Asher and Catherine Asher, and their innumerable, generous contributions to the study of South Asian and Islamic Art. On February 15, 2014 in Chicago, please join us for a day-long symposium followed by a celebratory dinner to toast the Ashers. February 15, 2014. Blog at WordPress.com.

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