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asidenotes | asidenotes.wordpress.com Reviews
https://asidenotes.wordpress.com
(by Eoin Price)
asidenotes.wordpress.com
Eoin Price – asidenotes
https://asidenotes.wordpress.com/author/eoinprice
Renaissance drama: then, now and sometimes in between. How to Know a Good Play From a Bad. August 10, 2016. August 19, 2016. How do we know if a play is good? But what happens when a play is performed repeatedly and is still not successful? This is what I have been thinking about, having watched the RSC’s The Alchemist. My problem with the RSC Alchemist. Few Renaissance plays get multiple chances. The City Madam. And The Witch of Edmonton. The World Beaumont Congress. August 3, 2016. Mdash; Tracey Hill (...
#FletcherCan – asidenotes
https://asidenotes.wordpress.com/2015/06/28/fletchercan
Renaissance drama: then, now and sometimes in between. June 28, 2015. April 9, 2016. I’m writing this post on the long train back from Canterbury, where I’ve spent the last few days at John Fletcher: A Critical Reappra. Sial, a really productive conference at Canterbury Christ Church University, organised by José Pérez Díez. Some of us live tweeted the conference and you can read about it on Twitter by searching the hashtag #FletcherCan. The Woman’s Prize. And for Gordon McMullan’s. Discussion. I was...
Vasty Fields – asidenotes
https://asidenotes.wordpress.com/2015/08/11/vasty-fields
Renaissance drama: then, now and sometimes in between. August 11, 2015. April 9, 2016. Last week, I saw Passion in Practice’s. Original Pronunciation production of. Last year I saw the company’s OP. And was interested in what was, for me, a strange listening experience which allowed for some interesting ways of re-conceiving elements of the play. That review is available here. For whatever reason, my experience of. Posted in Henry V. Willow, Willow, Willow. Leave a Reply Cancel reply. Follow Blog via Ema...
Willow, Willow, Willow – asidenotes
https://asidenotes.wordpress.com/2015/07/27/willow-willow-willow
Renaissance drama: then, now and sometimes in between. Willow, Willow, Willow. July 27, 2015. April 9, 2016. Last week I was browsing the excellent Touchstone ‘Shakespeare in Performance’. Page, looking for Shakespeare shows in London for a visit in early August. I was a bit annoyed to find that our travel dates do not coincide with the Globe’s production of. When, to my surprise, I saw a production of the play at a place called ‘ The Willow Globe. Contains a wealth of information about the theatre and t...
asidenotes – Page 2 – Renaissance drama: then, now & sometimes in between
https://asidenotes.wordpress.com/page/2
Renaissance drama: then, now and sometimes in between. April 2, 2016. April 13, 2016. A couple of weeks ago, I gave a paper at Beaumont400. Entitled Beginning Beaumont. I decided I’d post it here. April 2, 2016. April 9, 2016. Anyway, there have been some useful reflections written on SAA 2016 already. Steve Mentz. Has written about communities; Joseph Wallace. I was pleasantly surprised to find so many panels and seminars placing Shakespeare in direct dialogue with other Renaissance authors. This wa...
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Early Modern Commons :: Blogs » drama
http://commons.earlymodernweb.org/tag/drama
The Early Modern Commons. How to Know a Good Play From a Bad. The World Beaumont Congress. Tweets to the Tweet. More details ». Visit blog ». New web post with #shakes400chi. A perfect shrew to celebrate Shakespeare at Krannert. Country Matters: Spoony Bard Shakespeare’s Hamlet. More details ». Visit blog ». Embracing Shakespearean Conversation in A Digital Age. Charlecote Park event, 7th September. A brief interview with Chloe Malendewicz, site manager of Shakespeare’s New Place. More details ». Early E...
PhD? Oh yes, that is a thing now. – letters from a patchwork wizard
https://emeramchugh.wordpress.com/2014/09/25/phd-oh-yes-that-is-a-thing-now
Letters from a patchwork wizard. Writing about nothing in particular. Oh yes, that is a thing now. September 25, 2014. GREETINGS wordpress. I haven’t written much in the last several months (April doesn’t count). I thought it was time I’d log in and actually write an update of some sort. A real one. I moved from Stratford back to Galway. You already knew that. I finished my master’s with Distinction overall (hoorah! This is hardly a bad thing. But seriously everyone, what am I doing? But that’s how...
February 2015 – thepaperstage
https://thepaperstage.wordpress.com/2015/02
8220;The Play of Adam”, trans Carol Symes (Kenneth Pickering). February 26, 2015. Wonderful to see and hear a new generation discovering the sheer vitality of Medieval Drama at a reading of ‘The Play of Adam’ at the Paper Stage! Corruption and power, evil and knowledge: the lethal mix of our lives! 8216;I see a voice’: Recording of Pyramus and Thisbe in Shakespeare’s “A Midsummer Night’s Dream”, 21 Oct 2014. February 23, 2015. Paper Stage recording – Pyramus and Thisbe. A Midsummer Night’s Dream. It̵...
September 2014 – thepaperstage
https://thepaperstage.wordpress.com/2014/09
The Paper Stage: Consulting the Public Voice (Harry Newman). September 7, 2014. Just thought I’d post a short piece I wrote about The Paper Stage for the newsletter of Kent Uni’s Centre for Medieval and Early Modern Studies. Those walking by the Gulbenkian Café at about 10pm on the mild evening of 19 May were surprised to see a tightly huddled circle of 27 seated bodies all gripping books, reading out-loud the end of. The Jew of Malta. To be added to the email list. Usa on “Arden of Faversham&helli...
Il Palcoscenico di Carta, or ‘The Stage of Paper’ – thepaperstage
https://thepaperstage.wordpress.com/2015/05/09/il-palcoscenico-di-carta-or-the-stage-of-paper
Il Palcoscenico di Carta, or ‘The Stage of Paper’. May 9, 2015. This month The Paper Stage’s sister society in Mantua, Italy is having its first play-reading, split into three evenings on the 7th, 14th and 21st of May. Inspired by our blog, Clara Prezzavento has set up Il Palcoscenico di Carta (‘The Stage of Paper’), and is collaborating with the Theatre Academy Campogalliani on an exciting new series of readings of early modern plays in Italian translations. Their first play? Leave a Reply Cancel reply.
earlymoderndomestic.wordpress.com
Call for Papers | earlymoderndomestic
https://earlymoderndomestic.wordpress.com/2014/08/04/call-for-papers
An edited collection exploring the politics of domestic drama. August 4, 2014. Domestic Drama and Political Culture. We invite contributions that will investigate the place of domestic drama in the political culture of the sixteenth and seventeenth centuries. What, we want to know, can drama tell us about domestic politics? What can domestic politics tell us about drama? A Woman Killed with Kindness. And Iman Sheeha ( iman.sheeha@warwick.ac.uk. How do domestic plays deal with gender relations? What can b...
earlymoderndomestic.wordpress.com
About the Editors | earlymoderndomestic
https://earlymoderndomestic.wordpress.com/about
An edited collection exploring the politics of domestic drama. And The Map of Early Modern London. He is a contributor to. The Year’s Work in English Studies. And a regular theatre reviewer for Reviewing Shakespeare. He blogs about Renaissance drama here. And can be found on twitter @eoin price. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out.
“The Play of Adam” project: Using the Paper Stage for practice-based research (Francisca Stangel and Tamara Haddad) – thepaperstage
https://thepaperstage.wordpress.com/2015/03/06/194
8220;The Play of Adam” project: Using the Paper Stage for practice-based research (Francisca Stangel and Tamara Haddad). March 6, 2015. Our research and performance project of staging the twelfth century. Lends itself nicely to this type of project because the manuscript text gives us great insight into early performance practices. Excitingly, this play includes detailed and sometimes quite lengthy stage directions which is something that is very rare in both medieval an. Leave a Reply Cancel reply.
May 2015 – thepaperstage
https://thepaperstage.wordpress.com/2015/05
Il Palcoscenico di Carta, or ‘The Stage of Paper’. May 9, 2015. This month The Paper Stage’s sister society in Mantua, Italy is having its first play-reading, split into three evenings on the 7th, 14th and 21st of May. Inspired by our blog, Clara Prezzavento has set up Il Palcoscenico di Carta (‘The Stage of Paper’), and is collaborating with the Theatre Academy Campogalliani on an exciting new series of readings of early modern plays in Italian translations. Their first play? Blog at WordPress.com.
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Остаться или же уйти? April 13th, 21:30. Остаться или же уйти? В раздумье медлишь у порога,. Когда «счастливого пути». Звучит как «скатертью дорога»,. Немудрено с ума сойти,. Душе на части разорваться. Виновен если вдруг уйти,. Виновен если всё ж остаться. В неведеньи невинном и счастливом.". April 10th, 22:30. В неведеньи невинном и счастливом. До лет преклонных мирно доживёшь,. И дифирамбы будет петь стыдливо. Нарядная, припудренная ложь. А как быть мне, кому открылась правда. April 9th, 21:00. До исто...
asidenotes
Skip to primary content. Skip to secondary content. August 11, 2015. Last week, I saw Passion in Practice’s. Original Pronunciation production of. Last year I saw the company’s OP. And was interested in what was, for me, a strange listening experience which allowed for some interesting ways of re-conceiving elements of the play. That review is available here. For whatever reason, my experience of. Willow, Willow, Willow. July 27, 2015. 8216; (Y Glôb Byw) in Llanwrthwl, near Llandrindod Wells. Intrigu...
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We work first to understand your needs and your vision, and then work with you to formulate the most effective, successful marketing solutions strategy. The very heart of FOD. Is its Solutions and Technologies. After all, as an internet marketing business, we see innovation and exploration as the elements that most define our success. What works for you will be different from what works for someone else, and FOD. Is made up of:. In addition to our experts in. Furthermore, we use only the latest, and most...
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