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A E SUNDSTRÖM

For I'm held hostage. UNDERWATER TEST SHOOT II. UNDERWATER TEST SHOOT I. IN THE DARK: WHERE WE UNFOLD. In the Dark: Where We Unfold. For Memories as Reflections. For this opens up the dark hole. Not the one that creates but transforms. To see what it is for. Gives so much more. I should be grateful to whom tore it open. For I share with the pain this immense eternity. Where time is blind. And the wind is wild. For we do not wish an eternity here. Where rest is not enough. We thrill at the thought of death.

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A E SUNDSTRÖM | asundstrom.blogspot.com Reviews
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For I'm held hostage. UNDERWATER TEST SHOOT II. UNDERWATER TEST SHOOT I. IN THE DARK: WHERE WE UNFOLD. In the Dark: Where We Unfold. For Memories as Reflections. For this opens up the dark hole. Not the one that creates but transforms. To see what it is for. Gives so much more. I should be grateful to whom tore it open. For I share with the pain this immense eternity. Where time is blind. And the wind is wild. For we do not wish an eternity here. Where rest is not enough. We thrill at the thought of death.
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A E SUNDSTRÖM | asundstrom.blogspot.com Reviews

https://asundstrom.blogspot.com

For I'm held hostage. UNDERWATER TEST SHOOT II. UNDERWATER TEST SHOOT I. IN THE DARK: WHERE WE UNFOLD. In the Dark: Where We Unfold. For Memories as Reflections. For this opens up the dark hole. Not the one that creates but transforms. To see what it is for. Gives so much more. I should be grateful to whom tore it open. For I share with the pain this immense eternity. Where time is blind. And the wind is wild. For we do not wish an eternity here. Where rest is not enough. We thrill at the thought of death.

INTERNAL PAGES

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1

A E SUNDSTRÖM: UNDERWATER PRESS IMAGES

http://www.asundstrom.blogspot.com/2011/04/underwater-press-images.html

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2

A E SUNDSTRÖM: 13-Nov-2010

http://www.asundstrom.blogspot.com/2010_11_13_archive.html

IMAGES and RITUAL I. The heart is to tear apart somebody else’s heart. Key becomes a weapon, each conquest a lesson. A quality to leave, a weakness to grief. Subscribe to: Posts (Atom). IMAGES and RITUAL I.

3

A E SUNDSTRÖM: 29-May-2010

http://www.asundstrom.blogspot.com/2010_05_29_archive.html

WHY ARE YOU CRYING. WHY ARE YOU CRYING. Language and the senses/The sensuous language. What words do you want to hear? Are they the ones that make you cry or put you to sleep? I am looking at the sensuous language and how it is used in film and theatre, working with a set that is dramatically concentrated both in time and space. To touch an audience, how would one build a successful set? What will be communicated and what would be left out? Mark M. Smith explores the history of the senses in. And you wil...

4

A E SUNDSTRÖM: 27-Apr-2011

http://www.asundstrom.blogspot.com/2011_04_27_archive.html

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A E SUNDSTRÖM: UNDERWATER TEST SHOOT II

http://www.asundstrom.blogspot.com/2011/02/underwater-test-shoot-ii.html

UNDERWATER TEST SHOOT II. Subscribe to: Post Comments (Atom). UNDERWATER TEST SHOOT II. UNDERWATER TEST SHOOT I.

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ART FICTION: 53rd Venice Biennale

http://artandfiction.blogspot.com/2009/10/53rd-venice-biennale.html

Freed from the illegible scrawl of my notebook, the blog is a place for my thoughts and ideas, usually those that occur whilst looking at art. I am drawn to writing about art in a non-academic, personal way. Sunday, 4 October 2009. As to some of the other exhibits, well the Nordic pavilion was an all round favorite amongst my contingent. Bruce Nauman provided a show of greatest hits in the American pavilion but his outside exhibits provided more interest. A new sound piece,. We Make Money Not Art.

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ART FICTION: Rain

http://artandfiction.blogspot.com/2009/10/rain.html

Freed from the illegible scrawl of my notebook, the blog is a place for my thoughts and ideas, usually those that occur whilst looking at art. I am drawn to writing about art in a non-academic, personal way. Sunday, 4 October 2009. The only camera I had with me that day was a very out of date disposable. Due to the low light levels this was the only photo that came out, somehow managing to double expose. I like the graininess though. Subscribe to: Post Comments (Atom). We Make Money Not Art.

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ART FICTION: "We are only human sculptures in that...

http://artandfiction.blogspot.com/2009/10/we-are-only-human-sculptures-in-that.html

Freed from the illegible scrawl of my notebook, the blog is a place for my thoughts and ideas, usually those that occur whilst looking at art. I am drawn to writing about art in a non-academic, personal way. Tuesday, 13 October 2009. We are only human sculptures in that. 160;     . Subscribe to: Post Comments (Atom). We Make Money Not Art. We are only human sculptures in that. Anish Kapoor @ The Royal Academy. Camberwell, London, United Kingdom. View my complete profile.

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ART FICTION: FRIEZE

http://artandfiction.blogspot.com/2009/10/frieze.html

Freed from the illegible scrawl of my notebook, the blog is a place for my thoughts and ideas, usually those that occur whilst looking at art. I am drawn to writing about art in a non-academic, personal way. Monday, 26 October 2009. So I trudged on, staggering through a trendy fashion shoot and unnerving an acquaintance I had bumped into by grabbing hold of their arm for support. Subscribe to: Post Comments (Atom). We Make Money Not Art. We are only human sculptures in that. View my complete profile.

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ART FICTION: October 2009

http://artandfiction.blogspot.com/2009_10_01_archive.html

Freed from the illegible scrawl of my notebook, the blog is a place for my thoughts and ideas, usually those that occur whilst looking at art. I am drawn to writing about art in a non-academic, personal way. Monday, 26 October 2009. So I trudged on, staggering through a trendy fashion shoot and unnerving an acquaintance I had bumped into by grabbing hold of their arm for support. Tuesday, 13 October 2009. We are only human sculptures in that. 160;     . Sunday, 4 October 2009. When I am Pregnant.

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ART FICTION: Anish Kapoor @ The Royal Academy

http://artandfiction.blogspot.com/2009/10/anish-kapoor-royal-academy.html

Freed from the illegible scrawl of my notebook, the blog is a place for my thoughts and ideas, usually those that occur whilst looking at art. I am drawn to writing about art in a non-academic, personal way. Sunday, 4 October 2009. Anish Kapoor @ The Royal Academy. There is a work in the first room,. When I am Pregnant. The closer one is to the work, the less one can see it. . Subscribe to: Post Comments (Atom). We Make Money Not Art. We are only human sculptures in that. Anish Kapoor @ The Royal Academy.

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A E SUNDSTRÖM

For I'm held hostage. UNDERWATER TEST SHOOT II. UNDERWATER TEST SHOOT I. IN THE DARK: WHERE WE UNFOLD. In the Dark: Where We Unfold. For Memories as Reflections. For this opens up the dark hole. Not the one that creates but transforms. To see what it is for. Gives so much more. I should be grateful to whom tore it open. For I share with the pain this immense eternity. Where time is blind. And the wind is wild. For we do not wish an eternity here. Where rest is not enough. We thrill at the thought of death.

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