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WORLD HAIKU REVIEW: GENRE BY GENRE<center>The Official Online Magazine of The World Haiku Club</center>
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<center>The Official Online Magazine of The World Haiku Club</center>
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WORLD HAIKU REVIEW: GENRE BY GENRE | athenaeum-genre.blogspot.com Reviews
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<center>The Official Online Magazine of The World Haiku Club</center>
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TABLE OF CONTENTS
http://athenaeum-contents.blogspot.com/2007/01/1-world-haiku-review-editorial-corner-2.html
Tuesday, 16 January 2007. 1 WORLD HAIKU REVIEW: EDITORIAL CORNER. 2 WORLD HAIKU REVIEW: GENRE BY GENRE. 3 WORLD HAIKU REVIEW: LANGUAGE BY LANGUAGE. 4 WORLD HAIKU REVIEW: SPECIAL FEATURES. 5 WORLD HAIKU REVIEW: ARTICLES and ESSAYS. 6 WORLD HAIKU REVIEW: BOOKS. 7 WORLD HAIKU REVIEW: NEWS. 8 WORLD HAIKU REVIEW: POET BY POET. 9 WORLD HAIKU REVIEW: ABOUT WHC and WHR. 10 WORLD HAIKU REVIEW: LINKS TO RESOURCES. THE R H. BLYTH AWARD (HAIKU) : HOW TO ENTER THE COMPETITION. ARCHIVE: WHR BACK NUMBERS. ABOUT THE COV...
HAIKU (WHR) 1: WHCshowcase: HAIKU (Third Installment)
http://athenaeum-haiku.blogspot.com/2007/01/whcshowcase-haiku-third-installment.html
High-standard selections of haiku poems according to WHC's three haiku areas (neoclassical, shintai and vanguard). And from various kukai and competitions. Tuesday, 9 January 2007. WHCshowcase: HAIKU (Third Installment). HYAKU-NIN IKKU (One Hudred Haiku by One Hudred Poets Project). Selection by Susumu Takiguchi, UK. The river takes stars. Il fiume porta stelle. Back from Egypt . The sand too hot. The last drop of water. In the desert I forget. Life is a camel's. I stare into the eye. I enter my own.
HAIKU (WHR) 4: January 2007
http://athenaeum-haiku4.blogspot.com/2007_01_01_archive.html
Wednesday, 10 January 2007. A Selection of haiku with commentary. By Ferris Gilli, Editor. With that of the cows. Francis Masat, US. A haiku’s resonance is created through a partnership between poet and reader. Francis Masat’s “dawn–” invites such an alliance. The poet encourages readers to discover more than one level of meaning in his careful combination of clear images. Those who look beneath the surface will find insight beyond the immediate imagery. TREETOPS, Fall/Winter 2005. A river towards me.
HAIKU (WHR) 2: THE GENTLE ART OF DISAPPEARING, PART THREE BY GABRIEL ROSENSTOCK
http://athenaeum-haiku2.blogspot.com/2007/01/gentle-art-of-disappearing-part-three.html
Tuesday, 9 January 2007. THE GENTLE ART OF DISAPPEARING, PART THREE BY GABRIEL ROSENSTOCK. Haiku, The Gentle Art of Disappearing. Gabriel Rosenstock, IR. We are pleased to present Part THREE in our serial feature from Gabriel Rosenstock’s new book: Haiku, The Gentle Art of Disappearing. In Haiku, The Gentle Art of Disappearing, Rosenstock tries to show that the reason why many haiku are superficial and unmemorable is very often because of the intrusion of the haikuist and the accompanying baggage of the ...
HAIKU (WHR) 4
http://athenaeum-haiku4.blogspot.com/2007/03/editors-welcome-this-section-of-world.html
Monday, 26 March 2007. This section of World Haiku Review features poets from around the world. While it is true that the right combinations of components create memorable haiku, the notion of what is "right" may vary from poet to poet, editor to editor. A selection of haiku with commentary. By Ferris Gilli, Editor. Does the reader's interpretation give a poem its resonance, or does the stimulating effect of the work drive the interpretation? All night long the sound. Of a click beetle. Patricia Prime, NZ.
HAIKU (WHR) 1: FROM THE FALLEN LEAVES (SHU-I-SHU: PART THREE)
http://athenaeum-haiku.blogspot.com/2007/01/from-fallen-leaves-shu-i-shu-part-three.html
High-standard selections of haiku poems according to WHC's three haiku areas (neoclassical, shintai and vanguard). And from various kukai and competitions. Tuesday, 9 January 2007. FROM THE FALLEN LEAVES (SHU-I-SHU: PART THREE). Susumu Takiguchi, UK. Poets featured in this issue:. James W. Hackett, US. Stanford Forrester, US. James W. Hackett, US. Searching on the wind,. Is the shape of its beak. Come, lie in this stream. All the sun of summer gone. Is within its flow. Deep within the stream. On the ivy,...
HAIKU (WHR) 1: January 2007
http://athenaeum-haiku.blogspot.com/2007_01_01_archive.html
High-standard selections of haiku poems according to WHC's three haiku areas (neoclassical, shintai and vanguard). And from various kukai and competitions. Tuesday, 9 January 2007. There have been misunderstandings and confusion about these aims of WHC's haiku classification. Such misunderstandings or confusion must not be allowed to stand in the way of poets' creation. And these are problems of the poets' own creation and therefore problems for themselves to solve. Editor WHChaiku, WHR. Each category ha...
HAIKU (WHR) 1: MAIN HAIKU SELECTIONS
http://athenaeum-haiku.blogspot.com/2007/01/main-haiku-selections.html
High-standard selections of haiku poems according to WHC's three haiku areas (neoclassical, shintai and vanguard). And from various kukai and competitions. Tuesday, 9 January 2007. There have been misunderstandings and confusion about these aims of WHC's haiku classification. Such misunderstandings or confusion must not be allowed to stand in the way of poets' creation. And these are problems of the poets' own creation and therefore problems for themselves to solve. Editor WHChaiku, WHR. Each category ha...
HAIKU (WHR) 3: The Quest for Hard Haiku
http://athenaeum-haiku3.blogspot.com/2007/01/quest-for-hard-haiku.html
Tuesday, 9 January 2007. The Quest for Hard Haiku. Hard haiku is one of the projects pursued at WHCvanguard. It is an area where difficult subjects such as war, atrocities, death, tragedy or natural disasters are treated in haiku. Though this criticism is not quite accurate, it has a point. So, at WHCvanguard possibility of writing good haiku poems dealing with hard themes is sought. In this column, we will try to show some examples of that pursuit. SAMPLE ONE ] : Project 'Four Years On: 9/11'. 9/11 is a...
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athenaeum-editorial.blogspot.com
WORLD HAIKU REVIEW: EDITORIAL CORNER
WORLD HAIKU REVIEW: EDITORIAL CORNER. The Official Online Magazine of The World Haiku Club. Tuesday, 9 January 2007. PURPOSES CROSSED, SEMANTICS CONFUSED AND CONTEXT IGNORED. What Are We to Do with the So-called Haiku 'Rules'? When talking about haiku it does not normally seem in Japan that a Japanese word equivalent to English 'rule' is used. Should that be the case, would it mean that there is no such thing in Japan's haiku world as is meant by this English word? Talking about different meanings of a p...
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Le site web demandé n'est pas configuré ou n'existe pas. Nous proposons des hébergements sous Linux de première qualité. Nos serveurs tournent tous sous Debian et sont mis à jour avec les dernières versions d'apache, php, mysql. Les serveurs web, mail, ftp, antispam sont sur des serveurs distincts, redondants et hébergés dans notre propre data center sécurisé en Suisse. [plus]. Hébergement ASP .Net. Notre data center vous propose l'hébergement de votre infrastructure physique. Nous pouvons héberger v...
WORLD HAIKU REVIEW: ABOUT WHC & WHR
WORLD HAIKU REVIEW: ABOUT WHC and WHR. The Official Online Magazine of The World Haiku Club. Sunday, 14 January 2007. This SECTION displays information about the World Haiku Club, World Haiku Review and any other useful information on its activities. Subscribe to: Posts (Atom). HOW TO SUBMIT YOUR WORKS. GO TO WHC HOME PAGE. ARCHIVE: WHR BACK NUMBERS. This SECTION displays information about the World . GO BACK TO CONTENTS PAGE.
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Athenaeum
Friday, June 22, 2012. I have a lot to catch up on with my blogging venture! I have been without internet and/or time for a while as i've been hunting for an affordable and still lovely place to live in the bay area. FOUND IT! I hope to talk about her and all the other talented people that have inspired me over the years in future posts. still new to this! So much to say. new home, people being born in and out of this world, PRIDE! Tuesday, May 15, 2012. Subscribe to: Posts (Atom).
WORLD HAIKU REVIEW: GENRE BY GENRE
WORLD HAIKU REVIEW: GENRE BY GENRE. The Official Online Magazine of The World Haiku Club. Subscribe to: Posts (Atom). HAIBUN (WHR) 1 ed. by Ray Rasmussen. The Gentle Art of Disappearing, Part Four, by Gabriel Rosenstock. HAIKU (WHR) 1 MAIN HAIKU SELECTIONS. HAIKU (WHR) 2 THE GENTLE ART OF DISAPPEARING, PART THREE BY GABRIEL ROSENSTOCK. HAIKU (WHR) 3 The Quest for Hard Haiku. HAIKU (WHR) 4 TREETOPS OF FERRIS GILLI. GO BACK TO CONTENTS PAGE.
WHR: HAIBUN
Thursday, 22 February 2007. If you would like to know more about haibun composition or start writing in the genre, I suggest that you expand your reading of contemporary haibun by visiting the WHR archives and other online haibun journals like Simply Haiku and Contemporary Haibun Online. Special thanks to my partners Johnye Strickland and Carol Raisfeld for their help in preparing this section of the World Haiku Review. THE SURFACE OF LAST SCATTERING. Marjorie Buettner, US. Looking for your grave. We loo...
HAIKU (WHR) 1
High-standard selections of haiku poems according to WHC's three haiku areas (neoclassical, shintai and vanguard). And from various kukai and competitions. Tuesday, 9 January 2007. There have been misunderstandings and confusion about these aims of WHC's haiku classification. Such misunderstandings or confusion must not be allowed to stand in the way of poets' creation. And these are problems of the poets' own creation and therefore problems for themselves to solve. Editor WHChaiku, WHR. Each category ha...
HAIKU (WHR) 2
Tuesday, 9 January 2007. THE GENTLE ART OF DISAPPEARING, PART THREE BY GABRIEL ROSENSTOCK. Haiku, The Gentle Art of Disappearing. Gabriel Rosenstock, IR. We are pleased to present Part THREE in our serial feature from Gabriel Rosenstock’s new book: Haiku, The Gentle Art of Disappearing. In Haiku, The Gentle Art of Disappearing, Rosenstock tries to show that the reason why many haiku are superficial and unmemorable is very often because of the intrusion of the haikuist and the accompanying baggage of the ...
HAIKU (WHR) 3
Tuesday, 9 January 2007. The Quest for Hard Haiku. Hard haiku is one of the projects pursued at WHCvanguard. It is an area where difficult subjects such as war, atrocities, death, tragedy or natural disasters are treated in haiku. Though this criticism is not quite accurate, it has a point. So, at WHCvanguard possibility of writing good haiku poems dealing with hard themes is sought. In this column, we will try to show some examples of that pursuit. SAMPLE ONE ] : Project 'Four Years On: 9/11'. 9/11 is a...
HAIKU (WHR) 4
Monday, 26 March 2007. This section of World Haiku Review features poets from around the world. While it is true that the right combinations of components create memorable haiku, the notion of what is "right" may vary from poet to poet, editor to editor. A selection of haiku with commentary. By Ferris Gilli, Editor. Does the reader's interpretation give a poem its resonance, or does the stimulating effect of the work drive the interpretation? All night long the sound. Of a click beetle. Patricia Prime, NZ.