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Main : ATWOB

Life is a Crime. The blue down jacket. To unboil an egg. What was it I thought I heard I. What was it I thought I heard II.

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Life is a Crime. The blue down jacket. To unboil an egg. What was it I thought I heard I. What was it I thought I heard II.
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1 atwob
2 about us
3 work
4 fausto coppi
5 everything
6 potato performance
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8 corner piece
9 the world
10 end song
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Main : ATWOB | atwob.org Reviews

https://atwob.org

Life is a Crime. The blue down jacket. To unboil an egg. What was it I thought I heard I. What was it I thought I heard II.

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atwob.org atwob.org
1

About us : ATWOB

http://www.atwob.org/index.php/about-us

Life is a Crime. The blue down jacket. To unboil an egg. What was it I thought I heard I. What was it I thought I heard II. AtwoB is an artist's group that was formed in 2012 by Lise Haurum, Anne-Liis Kogan, Ellakajsa Nordström and Ami Kohara. CONTACT US ON: everyone@atwob.org. Is a writer and an artist who lives and works in Aarhus. She primarily works with text, artist’s books, installations and performance. Her main theme is nature - more specifically the oceans.

2

The blue down jacket : ATWOB

http://www.atwob.org/index.php/work/the-blue-down-jacket

Life is a Crime. The blue down jacket. To unboil an egg. What was it I thought I heard I. What was it I thought I heard II. THE BLUE DOWN JACKET.

3

Residency : ATWOB

http://www.atwob.org/index.php/events/residency--al-no-march-2013

Life is a Crime. The blue down jacket. To unboil an egg. What was it I thought I heard I. What was it I thought I heard II. ARTIST'S RESIDENCY IN ÅL (NO).

4

Life is a Crime : ATWOB

http://www.atwob.org/index.php/work/life-is-a-crime

Life is a Crime. The blue down jacket. To unboil an egg. What was it I thought I heard I. What was it I thought I heard II. LIFE IS A CRIME. Performance, 25 minuter. Sommer i nORD, Saeby (DK).

5

What was it I thought I heard I : ATWOB

http://www.atwob.org/index.php/events/what-was-it-i-thought-i-heared-i

Life is a Crime. The blue down jacket. To unboil an egg. What was it I thought I heard I. What was it I thought I heard II.

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LINKS TO THIS WEBSITE

amikohara.com amikohara.com

Links | Ami Kohara

http://amikohara.com/links-2

X2303; Top of the page. Site updated the : March 05 2015, powered by: WordPress.

anneliiskogan.com anneliiskogan.com

Anne-Liis Kogan

http://www.anneliiskogan.com/wwwroot/nationalanthem1.html

THE RITUAL OF COMING BACK. ONE DIVIDES INTO TWO (.). I USED TO PLAY THE SAX (.). ONE IS A VISITOR (.). THE STREETS ARE EMPTY. SCENE 1 and SCENE 2. HOW LONG HAVE YOU BEEN HERE. JEG VIL IKKE (.). DV-Pal 16:9, 2009. In this project I invited 13 participants to react/respond to their own national anthem unknowing of this beforehand. They were alone in the room free to react as they wished. The participants were from various cultural backgrounds. Views from exhibition installations.

anneliiskogan.com anneliiskogan.com

Anne-Liis Kogan

http://www.anneliiskogan.com/untitled1.html

THE RITUAL OF COMING BACK. ONE DIVIDES INTO TWO (.). THE STREETS ARE EMPTY. IS THIS A TEST? SCENE 1 and SCENE 2. HOW LONG HAVE YOU BEEN HERE. JEG VIL IKKE (.). Extract from full length video 02:30 min. HD video, 2011. View from exhibition installation at the student gallery, Konstfack.

anneliiskogan.com anneliiskogan.com

Anne-Liis Kogan

http://www.anneliiskogan.com/wwwroot/subwaystories1.html

THE RITUAL OF COMING BACK. ONE DIVIDES INTO TWO (.). I USED TO PLAY THE SAX (.). ONE IS A VISITOR (.). THE STREETS ARE EMPTY. SCENE 1 and SCENE 2. HOW LONG HAVE YOU BEEN HERE. JEG VIL IKKE (.). HD video, 2012. 20 min / 14 min. This work emerged from observations from my everyday life. I focused on the subtle violence that often goes unnoticed as we are coexisting and inhabiting the public realm. View from the installation at Konstfack Spring Exhibition.

anneliiskogan.com anneliiskogan.com

Anne-Liis Kogan

http://www.anneliiskogan.com/wwwroot/onedivides.html

THE RITUAL OF COMING BACK. ONE DIVIDES INTO TWO (.). I USED TO PLAY THE SAX (.). ONE IS A VISITOR (.). THE STREETS ARE EMPTY. SCENE 1 and SCENE 2. HOW LONG HAVE YOU BEEN HERE. JEG VIL IKKE (.). One divides into two, two doesn't merge into one. Collaboration with Ellakajsa Nordström. Collaboration with singers Mari Seilskjær, Sara Frostmo Faraj and Gro-Marthe Vaaseth Dickson. Performance at Kulturnatt, Oslo, 2015. Sound installation at One Night Only, Kunstnernes Hus, Oslo, 2014.

anneliiskogan.com anneliiskogan.com

Anne-Liis Kogan

http://www.anneliiskogan.com/wwwroot/iusedto.html

THE RITUAL OF COMING BACK. ONE DIVIDES INTO TWO (.). I USED TO PLAY THE SAX (.). ONE IS A VISITOR (.). THE STREETS ARE EMPTY. SCENE 1 and SCENE 2. HOW LONG HAVE YOU BEEN HERE. JEG VIL IKKE (.). Title: I used to play the saxophone.

anneliiskogan.com anneliiskogan.com

Anne-Liis Kogan

http://www.anneliiskogan.com/wwwroot/koondatutekunstikeskus1.html

THE RITUAL OF COMING BACK. ONE DIVIDES INTO TWO (.). I USED TO PLAY THE SAX (.). ONE IS A VISITOR (.). THE STREETS ARE EMPTY. SCENE 1 and SCENE 2. HOW LONG HAVE YOU BEEN HERE. JEG VIL IKKE (.). Title: Koondatute kunsti keskus. Documentary of Art Center for Dismissed Employees. 33:57 min.

anneliiskogan.com anneliiskogan.com

Anne-Liis Kogan

http://www.anneliiskogan.com/wwwroot/oneisavisitor.html

THE RITUAL OF COMING BACK. ONE DIVIDES INTO TWO (.). I USED TO PLAY THE SAX (.). ONE IS A VISITOR (.). THE STREETS ARE EMPTY. SCENE 1 and SCENE 2. HOW LONG HAVE YOU BEEN HERE. JEG VIL IKKE (.). Title: One is a visitor or visited One goes or stays One conquers or is conquered. Documentation from Cigarrvägen 13, Stockholm.

anneliiskogan.com anneliiskogan.com

Anne-Liis Kogan

http://www.anneliiskogan.com/wwwroot/mattornaberattar1.html

THE RITUAL OF COMING BACK. ONE DIVIDES INTO TWO (.). I USED TO PLAY THE SAX (.). ONE IS A VISITOR (.). THE STREETS ARE EMPTY. SCENE 1 and SCENE 2. HOW LONG HAVE YOU BEEN HERE. JEG VIL IKKE (.). Extract from full length video 05:11 min. HD video, 2012. MATTORNA BERÄTTAR (The rugs tell). 2012, Installation consisting of video, fanzine and 2 rugs made by Hatice Inal. Gävle Konstcentrum, Sweden. My aim was to raise questions concerning what public art could be in Gävle and discuss the importance of this part...

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