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AUDIO STAGE | audiostage.guerrillasemiotics.com Reviews

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Audio Stage is back!, season 2, ep.1: Patricia Cornelius & Melissa Reeves | guerrilla semiotics

http://guerrillasemiotics.com/2015/06/audio-stage-is-back-season-2-ep-1-patricia-cornelius-melissa-reeves

Things I have liked. Audio Stage is back! Season 2, ep.1: Patricia Cornelius & Melissa Reeves. I’ve never believed the bullshit about how audiences don’t like risk. They actually really do. I’ve seen it. I’ve been in enough audiences that are asleep and I’ve seen them wake up when there is something that unsettles them I think an audience is dying to be offended. Discussed in this episode:. Telling real-life stories: ‘how did you know my first wife was a hair-dresser? Diane Brimble; identifying with char...

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Theatre | guerrilla semiotics

http://guerrillasemiotics.com/category/art/theatre-2/theatre

Things I have liked. Audio Stage, s.4, ep.2: Rachel Perks, and some thoughts. Feminism is still, in most circles, seen as radical What you’re really saying is, misogyny is equatable with normativity. What is interesting about the contemporary queer performance in Australia is that it diverges significantly from the queer historical canon. Our episode with Zvonimir Dobrović. How do you have sex? No one is going to prosecute this person. How do we deal with this situation? My only answer was, let’s j...

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Podcast | guerrilla semiotics

http://guerrillasemiotics.com/category/format/podcast

Things I have liked. Audio Stage, s.4, ep.2: Rachel Perks, and some thoughts. Feminism is still, in most circles, seen as radical What you’re really saying is, misogyny is equatable with normativity. What is interesting about the contemporary queer performance in Australia is that it diverges significantly from the queer historical canon. Our episode with Zvonimir Dobrović. How do you have sex? No one is going to prosecute this person. How do we deal with this situation? My only answer was, let’s j...

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PERFORMANCE | guerrilla semiotics

http://guerrillasemiotics.com/category/art/theatre-2

Things I have liked. Dance criticism, writing, and discourse. I’ve just realised that a video exists of the panel I joined, at Australian Dance Forum 2015, with the brilliant Matt Day, Jordan Beth Vincent, and Vicki van Hout, to discuss the relationship between dance and writing. Chair Ashley Dyer navigated us fantastically, and we had a really good time. All the really thorny questions get raised – can you review dance is you can’t dance? What is the value of a review? Can dance professionals write?

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Dance | guerrilla semiotics

http://guerrillasemiotics.com/category/art/theatre-2/dance

Things I have liked. Dance criticism, writing, and discourse. I’ve just realised that a video exists of the panel I joined, at Australian Dance Forum 2015, with the brilliant Matt Day, Jordan Beth Vincent, and Vicki van Hout, to discuss the relationship between dance and writing. Chair Ashley Dyer navigated us fantastically, and we had a really good time. All the really thorny questions get raised – can you review dance is you can’t dance? What is the value of a review? Can dance professionals write?

guerrillasemiotics.com guerrillasemiotics.com

guerrilla semiotics

http://guerrillasemiotics.com/artsalive

Things I have liked. Audio Stage, s.4, ep.2: Rachel Perks, and some thoughts. Feminism is still, in most circles, seen as radical What you’re really saying is, misogyny is equatable with normativity. What is interesting about the contemporary queer performance in Australia is that it diverges significantly from the queer historical canon. Our episode with Zvonimir Dobrović. How do you have sex? No one is going to prosecute this person. How do we deal with this situation? My only answer was, let’s j...

guerrillasemiotics.com guerrillasemiotics.com

ART | guerrilla semiotics

http://guerrillasemiotics.com/category/art

Things I have liked. Dance criticism, writing, and discourse. I’ve just realised that a video exists of the panel I joined, at Australian Dance Forum 2015, with the brilliant Matt Day, Jordan Beth Vincent, and Vicki van Hout, to discuss the relationship between dance and writing. Chair Ashley Dyer navigated us fantastically, and we had a really good time. All the really thorny questions get raised – can you review dance is you can’t dance? What is the value of a review? Can dance professionals write?

guerrillasemiotics.com guerrillasemiotics.com

Performance | guerrilla semiotics

http://guerrillasemiotics.com/category/art/theatre-2/performance

Things I have liked. Audio Stage, s.4, ep.1: Zvonimir Dobrovic. This year, we splice up our seasons: to our season of conversations on value and price of dance performance, we are adding one that has been on our minds for some time, one that we have been keen to discuss. What is not queer? How does queer exist in performance? How does queer performance exist in the world? What is its political power, and what its aesthetic urgency? Discussed in this episode:. Jerome Bel makes queer art! Or listen on the ...

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AUDIO STAGE

JOLYON JAMES and SONYA SUARES / RESPONSIBILITY IN ACTING. Http:/ media.blubrry.com/audiostage/p/content.blubrry.com/audiostage/Episode 5-Sonya Suares Jolyon James.mp3. There’s a consciousness that needs to be put around the way that we behave. We can’t just keep patting ourselves on the back or excusing it: ‘We’re creating art! It is also really happening to somebody. 8211; Sonya Suares. JOLYON JAMES and SONYA SUARES / RESPONSIBILITY IN ACTING. ANDREW HAYDON / NATIONAL IDENTITY. 8211; Andrew Haydon.

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