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Australian Opera Review

Thursday, October 15, 2009. Peter Grimes, 2009-10-15, SOH. A better Grimes would be hard to find. Reviewed by Peter McCallum. AT THE heart of Britten's Peter Grimes. Lies a metaphor for the human condition that in part explains its status as one of the enduring modernist operas. With which Grimes interrupts the venal pleasures of the locals in the storm-swept pub. Skelton shambles, smiles, loses control, flashes with anger and becomes possessed by the vision that destroys him in a performance that could ...

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Australian Opera Review | australianoperareview.blogspot.com Reviews
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Thursday, October 15, 2009. Peter Grimes, 2009-10-15, SOH. A better Grimes would be hard to find. Reviewed by Peter McCallum. AT THE heart of Britten's Peter Grimes. Lies a metaphor for the human condition that in part explains its status as one of the enduring modernist operas. With which Grimes interrupts the venal pleasures of the locals in the storm-swept pub. Skelton shambles, smiles, loses control, flashes with anger and becomes possessed by the vision that destroys him in a performance that could ...
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Australian Opera Review | australianoperareview.blogspot.com Reviews

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Thursday, October 15, 2009. Peter Grimes, 2009-10-15, SOH. A better Grimes would be hard to find. Reviewed by Peter McCallum. AT THE heart of Britten's Peter Grimes. Lies a metaphor for the human condition that in part explains its status as one of the enduring modernist operas. With which Grimes interrupts the venal pleasures of the locals in the storm-swept pub. Skelton shambles, smiles, loses control, flashes with anger and becomes possessed by the vision that destroys him in a performance that could ...

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Australian Opera Review: Fidelio, Conservatorium Theatre - Brisbane, July 12, 2009

http://australianoperareview.blogspot.com/2009/07/fidelio-conservatorium-theatre-brisbane.html

Sunday, July 12, 2009. Fidelio, Conservatorium Theatre - Brisbane, July 12, 2009. By Ludwig van Beethoven. Conservatorium Theatre, South Bank. Written by Jason Whittaker. Sunday, 12 July 2009. Is a dark, dour work. We are drawn into the murky shadows, squinting almost to make out the politically persecuted left to rot in their underground hell. Is on death row; his executioner, prison governor. Holds a vengeful grudge against the man for exposing his crimes. But Florestan’s wife. Painstaking score. T...

2

Australian Opera Review: Cosi fan tutte - SOH - 9.17.2009

http://australianoperareview.blogspot.com/2009/09/cosi-fan-tutte-soh-9172009.html

Thursday, September 17, 2009. Cosi fan tutte - SOH - 9.17.2009. Bride dolls … Tiffany Speight (Despina) with Sian Pendry (Dorabella) and Rachelle Durkin (Fiordiligi) who embody different ideals of the desirable. (. Reviewed by Peter McCallum. September 21, 2009. Opera Australia, September 17, 2009. HAD librettist Lorenzo da Ponte written a more coherent ending, Cosi fan tutte. Opera Australia's Mozart productions have been mixed in recent years, and this one deserves to endure. View my complete profile.

3

Australian Opera Review: Aida - Sydney Opera House - July 9, 2009

http://australianoperareview.blogspot.com/2009/08/aida-tamara-wilson-in-graeme-murphys.html

Thursday, July 9, 2009. Aida - Sydney Opera House - July 9, 2009. Tamara Wilson in Graeme Murphy's production of. Reviewed by Peter McCallum. July 9, 2009. Opera House, July 7. Risk falling into a colossal self-parody. Graeme Murphy's deft new creation sidesteps this with grace and humour, reinforcing Verdi's singular musical and dramatic structure rather than capriciously undermining it. With a solid performance as Amneris's father. Michael Lewis sang Amonasro, the fierce Ethiopian king, with flashi...

4

Australian Opera Review: Fidelio, SOH, 10 Aug 2009

http://australianoperareview.blogspot.com/2009/08/fidelio-soh-10-aug-2009.html

Monday, August 10, 2009. Fidelio, SOH, 10 Aug 2009. OPERA: Beethoven’s Fidelio. WHEN: Until August 29. With its openness, warm, clear lighting and Napoleonic garb, Michael Hampe’s production of Fidelio (first staged by Opera Australia in 1992) celebrates fundamental tenets of the Age of Enlightenment: righteous determination rewarded and triumph over political persecution. Her intensity crystallised during the great second-act duet that sees Leonore finally reunited with her beloved Florestan. Julian Gav...

5

Australian Opera Review: I Capuleti - SOH - 13/8/09

http://australianoperareview.blogspot.com/2009/08/i-capuleti-soh-13809.html

Thursday, August 13, 2009. I Capuleti - SOH - 13/8/09. I Capuleti E I Montecchi. Reviewed by Peter McCallum. August 13, 2009. ACCORDING to Groves Dictionary, Franz Liszt found Bellini's I Capuleti e i Montecchi. Intolerably old-fashioned". Those who booed at the end of Act 1 of Orpha Phelan's modernised production probably wished it were more so. The assertive disconnection between music and drama thus embodies the love-and-hate dichotomy at the heart of the Romeo and Juliet story.

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Australian Opera Review

Thursday, October 15, 2009. Peter Grimes, 2009-10-15, SOH. A better Grimes would be hard to find. Reviewed by Peter McCallum. AT THE heart of Britten's Peter Grimes. Lies a metaphor for the human condition that in part explains its status as one of the enduring modernist operas. With which Grimes interrupts the venal pleasures of the locals in the storm-swept pub. Skelton shambles, smiles, loses control, flashes with anger and becomes possessed by the vision that destroys him in a performance that could ...

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