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David de Rozas - Filmmaker and cultural producer

Filmmaker and cultural producer

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CONTACTS AT AWAYABOUTSOMETHING.COM

David De Rozas

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David De Rozas

Po D●●●●●s 123

Ma●●id , M, 28045

ES

34.6●●●●6869
da●●●●●●●●@gmail.com

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David de Rozas - Filmmaker and cultural producer | awayaboutsomething.com Reviews
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Filmmaker and cultural producer
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1 film
2 cultural work
3 inventory
4 david de rozas
5 give
6 the open boat
7 standard
8 depicting cinema s
9 true story film
10 stigmart 10
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film,cultural work,inventory,david de rozas,give,the open boat,standard,depicting cinema s,true story film,stigmart 10,frames of reference,from tomorrow everything,rule and exception,act iii,act ii,act i,a curtis,davidderoz at gmail dot com,city,education
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David de Rozas - Filmmaker and cultural producer | awayaboutsomething.com Reviews

https://awayaboutsomething.com

Filmmaker and cultural producer

INTERNAL PAGES

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1

Culture/es - A Way About Something

http://www.awayaboutsomething.com/category/culture

Film & Video. A Way About Something. David de Rozas Archives. Film & Video. Ethnic Notions, Marlon Riggs 1986. Lejos de los árboles, Jacinto Esteva (1963-1971). Manakamana, Stephanie Spray and Pacho Velez (2013). Nots for a new -and expanded- Choreography. The Arbor, Clio Barnard (2010). 36 Views of Mount Fuji. Artoons; Pablo Helguera. Brutalität in Stein (Brutality in Stone), 1961, Alexander Kluge. Démolition d’un mur (1896), Auguste & Louis Lumière. Advice For Filmmakers, Cheryl Dunye. Film & Video.

2

Act II - A Way About Something

http://www.awayaboutsomething.com/portfolio/all-is-number

Film & Video. A Way About Something. David de Rozas Archives. Film & Video. Project / Rehearse for a spatial intervention. 2006 Mini-DV. Color and sound. 33′. The orientation should be east to west in order to be lit most of the day, avoiding shadows in the morning and afternoon. The ideal temperature is around twenty and twenty-nine degrees, and a constant and high humidity, eighty percent or more. Finally, one must be cautious in regard to care against predators. Within five days happens. ”. 8220;Se re...

3

IF ELVIS PRESLEY WAS THE KING, WHO WAS JAMES BROWN? - A Way About Something

http://www.awayaboutsomething.com/portfolio/portfolio-1

Film & Video. A Way About Something. David de Rozas Archives. Film & Video. IF ELVIS PRESLEY WAS THE KING, WHO WAS JAMES BROWN? A Group Exhibition with Senalka Mcdonald, Alex Wang, Carolina Caycedo, John Leaños, Rafael Suarez, Martin Sammy Gardea, Mark Benson, Neil Rivas, Casie Thornton, and Colleo. If Elvis Presley was the King, who was James Brown? If Elvis Presley was the King, who was James Brown? Fred Alvarado and David de Rozas. Based on Amiri Baraka’s. In the Funky World. ONE IN WHICH WE ARE.

4

Act I - A Way About Something

http://www.awayaboutsomething.com/portfolio/shave-it

Film & Video. A Way About Something. David de Rozas Archives. Film & Video. 2005 Mini-DV. Color and sound. 22 21. More City FILM and Video Histories Public Space. Visual Lectures About Location. Visual Lectures About Location. ONE IN WHICH WE ARE. ONE IN WHICH WE ARE. IF ELVIS PRESLEY WAS THE KING, WHO WAS JAMES BROWN? IF ELVIS PRESLEY WAS THE KING, WHO WAS JAMES BROWN? They Want to Give it a Name. They Want to Give it a Name. De la SANGRE, la VOLUPTUOSIDAD y el AMOR (I). I’m My Language.

5

It’s difficult to say what this really is, and what’s going on.. - A Way About Something

http://www.awayaboutsomething.com/portfolio/lake-kachess

Film & Video. A Way About Something. David de Rozas Archives. Film & Video. It’s difficult to say what this really is, and what’s going on. 2011 HDV. Color, no sound. 3′. Documentary essay that reflects upon symbols, the repetition of gestures, and the figure of the tourist as a strange continuing agent of cultural rites. More City Excerpts FILM and Video Humor Private Space Public Space. Visual Lectures About Location. Visual Lectures About Location. ONE IN WHICH WE ARE. ONE IN WHICH WE ARE.

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David de Rozas - Filmmaker and cultural producer

Filmmaker and cultural producer. Visual Lectures About Location. Visual Lectures About Location. ONE IN WHICH WE ARE. ONE IN WHICH WE ARE. CINEMA AND THE MARITIME IMAGINARY. CINEMA AND THE MARITIME IMAGINARY. IF ELVIS PRESLEY WAS THE KING, WHO WAS JAMES BROWN? IF ELVIS PRESLEY WAS THE KING, WHO WAS JAMES BROWN? They Want to Give it a Name. They Want to Give it a Name. De la SANGRE, la VOLUPTUOSIDAD y el AMOR (I). De la SANGRE, la VOLUPTUOSIDAD y el AMOR (I). I’m My Language. I’m My Language.

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