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In Quintessence

Friday, September 23, 2011. Day 5: September 12. I’m afraid I don’t have much to say about Miss Bala. Apparently Gerardo Naranjo’s breakout work, and to my mind, his weakest by a mile. Tentative boy-girl interplay infused the violence of Naranjo’s previous effort, I’m Gonna Explode. Is not what I’d hoped to win him mainstream recognition. D. The opening of Joseph Cedar’s Footnote. But so much academic filibustering is a bad fit for Cedar’s TV-style direction and talking head setups, substituting br...

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In Quintessence | baaabtiff.blogspot.com Reviews
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Friday, September 23, 2011. Day 5: September 12. I’m afraid I don’t have much to say about Miss Bala. Apparently Gerardo Naranjo’s breakout work, and to my mind, his weakest by a mile. Tentative boy-girl interplay infused the violence of Naranjo’s previous effort, I’m Gonna Explode. Is not what I’d hoped to win him mainstream recognition. D. The opening of Joseph Cedar’s Footnote. But so much academic filibustering is a bad fit for Cedar’s TV-style direction and talking head setups, substituting br...
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2 recalls certified copy
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In Quintessence | baaabtiff.blogspot.com Reviews

https://baaabtiff.blogspot.com

Friday, September 23, 2011. Day 5: September 12. I’m afraid I don’t have much to say about Miss Bala. Apparently Gerardo Naranjo’s breakout work, and to my mind, his weakest by a mile. Tentative boy-girl interplay infused the violence of Naranjo’s previous effort, I’m Gonna Explode. Is not what I’d hoped to win him mainstream recognition. D. The opening of Joseph Cedar’s Footnote. But so much academic filibustering is a bad fit for Cedar’s TV-style direction and talking head setups, substituting br...

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In Quintessence: September 2011

http://baaabtiff.blogspot.com/2011_09_01_archive.html

Friday, September 23, 2011. Day 5: September 12. I’m afraid I don’t have much to say about Miss Bala. Apparently Gerardo Naranjo’s breakout work, and to my mind, his weakest by a mile. Tentative boy-girl interplay infused the violence of Naranjo’s previous effort, I’m Gonna Explode. Is not what I’d hoped to win him mainstream recognition. D. The opening of Joseph Cedar’s Footnote. But so much academic filibustering is a bad fit for Cedar’s TV-style direction and talking head setups, substituting br...

2

In Quintessence: Well, that didn't work out so well.

http://baaabtiff.blogspot.com/2009/10/well-that-didnt-work-out-so-well.html

Wednesday, October 7, 2009. Well, that didn't work out so well. In other news, I'm about to finish putting together a cut of my movie. Feature? More like 34 minutes. I guess the downgrade should bum me out, but given that it calls for cheaper festival submission fees and that I'd very much like to forget about the excised footage, I'm happy with how things are going. Really looking forward to seeing your work, Sky. Keep me apprised. October 9, 2009 at 10:48 AM. Best of luck on the production front.

3

In Quintessence: Day 1: September 8

http://baaabtiff.blogspot.com/2011/09/day-1-september-8.html

Friday, September 9, 2011. Day 1: September 8. Ruben Ostlund is no more or less than Michael Haneke armed with a Psychology textbook and a book of matches, but is that a bad thing? And the closing dance number? Östlund’s films are worthy of serious consideration—this, his previous feature and Incident by a Bank. Are essential viewing—but I have to give his latest my Uncle Boonmee Award for unsatisfying brilliance. Subscribe to: Post Comments (Atom). Day 5: September 12. Day 4: September 11.

4

In Quintessence: May 2009

http://baaabtiff.blogspot.com/2009_05_01_archive.html

Monday, May 25, 2009. Some notes, and a possible hiatus. Hey all. Remember that feature I mentioned in the last post? Eric Rohmer, 1967). King Vidor, 1931). GW Pabst, 1931). Dover Koshashvili, 2003). The Scout’s Exploit. Boris Barnet, 1947). Frank Capra, 1931). GW Pabst, 1931). This looks like propaganda in retrospect, but without turning a blind eye to the dangerous appeal of sentiment. A precursor to today’s correctives (cf. Lost) to war-time xenophobia: Germans come off worse, unduly res...Utterly con...

5

In Quintessence: January 2009

http://baaabtiff.blogspot.com/2009_01_01_archive.html

Friday, January 30, 2009. Better late than never. A month after the close of 2008, I feel at least vaguely qualified to do top tens for two media. Before the task gets any more embarrassingly belated, here they are. 1 Lorna’s Silence (Jean-Pierre and Luc Dardenne). 2 Ballast (Lance Hammer). 3 Revanche (Gotz Spielmann). 4 Happy-Go-Lucky (Mike Leigh). 5 Sarabande (Nathaniel Dorsky). 6 Boogie (Radu Muntean). 7 Synecdoche, New York (Charlie Kaufman). 8 Burn After Reading (Joel and Ethan Coen). Finally: a wri...

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Bentclouds @ TIFF: 08/01/2006 - 09/01/2006

http://tiffclouds.blogspot.com/2006_08_01_archive.html

Tuesday, August 29, 2006. Thu Sep 7, 8:30 PM - VARSITY 4. 12:08 East of Bucharest. Fri Sep 8, 9:00 AM - PARAMOUNT 2. Fri Sep 8, 11:15 AM - PARAMOUNT 2. Fri Sep 8, 3:00 PM – RYERSON. Brand Upon the Brain! Fri Sep 8, 6:00 PM - VISA SCREENING ROOM (ELGIN). Chronicle of an Escape. Fri Sep 8, 9:15 PM - PARAMOUNT 4. Fri Sep 8, 11:59 PM – RYERSON. Sat Sep 9, 9:00 AM - PARAMOUNT 3. The Wind That Shakes the Barley. Sat Sep 9, 12:00 PM - VISA SCREENING ROOM (ELGIN). Sat Sep 9, 3:00 PM - VISA SCREENING ROOM (ELGIN).

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Bentclouds @ TIFF: 09/01/2006 - 10/01/2006

http://tiffclouds.blogspot.com/2006_09_01_archive.html

Sunday, September 17, 2006. White Palms (Szabolcs Hajdu) 64. Flanders (Bruno Dumont) 67. Invisible Waves (Pen-ek Ratanaruang) ZZZ. Big Bang Love, Juvenile A (Takashi Miike) 38. Lights in the Dusk (Aki Kaurismaki) 62. The Black Dahlia (Brian de Palma) 61. Friday, September 15, 2006. Day Night Day Night (Julia Loktev) 63. August Days (Marc Recha) 51. Summer Palace (Lou Ye) 45. Syndromes and a Century (Apichatpong Weerasethakul) 65. Belle Toujours (Manoel de Oliverira) 41. Fantasma (Lisandro Alonso) W/O.

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Bentclouds @ TIFF: Day Six: Grades

http://tiffclouds.blogspot.com/2007/09/day-six-grades.html

Tuesday, September 11, 2007. Silent Light (2007, Carlos Reygadas) 67. Paranoid Park (2007, Gus Van Sant). Sukiyaki Western Django (2007, Takashi Miike). Subscribe to: Post Comments (Atom). My Own Personal) Festival Awards. The Last Day: Grades. The Man From London (2007, Bela Tarr) 43 Tarrs s. Le Voyage du Ballon Rouge (2007, Hou Hsiao-Hsien. The Mourning Forest (2007, Naomi Kawase) 48 I nev. Les Amours D Astree et de Celadon (2007, Eric Ro. Mother of Tears: The Third Mother (2007, Dario Ar.

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Bentclouds @ TIFF: Day Seven: Grades

http://tiffclouds.blogspot.com/2007/09/day-seven-grades.html

Wednesday, September 12, 2007. Cassandra's Dream (2007, Woody Allen) 52. Redacted (2007, Brian De Palma) 40. Import/Export (2007, Ulrich Seidl). Subscribe to: Post Comments (Atom). My Own Personal) Festival Awards. The Last Day: Grades. The Man From London (2007, Bela Tarr) 43 Tarrs s. Le Voyage du Ballon Rouge (2007, Hou Hsiao-Hsien. The Mourning Forest (2007, Naomi Kawase) 48 I nev. Les Amours D Astree et de Celadon (2007, Eric Ro. Mother of Tears: The Third Mother (2007, Dario Ar.

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Bentclouds @ TIFF: 08/01/2009 - 09/01/2009

http://tiffclouds.blogspot.com/2009_08_01_archive.html

Tuesday, August 25, 2009. TIFF 2009 is coming to get you. My TIFF Schedule before the lottery decides my fate. 6:00 – An Education (Ryerson). 9:00 – Antichrist (Ryerson). 9:30 – The Happiest Girl in the World (Scotiabank 3). 12:15 – Huacho (Scotiabank 3). 2:30 – I Am Not Your Friend (AMC 6). 6:00 – Hadewijch (Varsity 8 ). 9:00 – Fish Tank (Scotiabank 2). 9:30 – Broken Embraces (Scotiabank 3). 12:45 – Independencia (Scotiabank 3). 2:30 – Irene (AMC 4). 5:15 – The White Ribbon (Scotiabank 1). 4:30 – ...

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Bentclouds @ TIFF: 08/01/2007 - 09/01/2007

http://tiffclouds.blogspot.com/2007_08_01_archive.html

Tuesday, August 28, 2007. Here is how my festival is shaping up this year:. EDIT TO REPLACE ATONEMENT WITH M). 8:00 STARTING OUT IN THE EVENING (Varsity 6). 11:59 THE MOTHER OF TEARS (Ryerson). 9:30 LES AMOURS D’ASTREE ET DE CELADON (Scotiabank 1). 12:00 THE MOURNING FOREST (Scotiabank 4). 2:45 LE VOYAGE DU BALLON ROUGE (Ryerson). 6:00 THE MAN FROM LONDON (Scotiabank 4). 9:00 THE BANISHMENT (Scotiabank 14). 12:15 MY KID COULD PAINT THAT (Scotiabank 2). 4:30 4 MONTHS, 3 WEEKS AND 2 DAYS (Wintergarden).

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Bentclouds @ TIFF: Day Nine: Grades

http://tiffclouds.blogspot.com/2007/09/day-nine-grades.html

Friday, September 14, 2007. Back on track after a couple days sick:. Glory to the Filmmaker! 2007, Takeshi Kitano) 53. In The City of Sylvia (2007, José Luis Guerín). A Girl Cut in Two (2007, Claude Chabrol). Son of Rambow (2007, Garth Jennings). Good Riddance (1980, Francis Mankiewicz). Ain't much of a gamble considerin' that you know you'll be able to see the Haynes sometime this year. Maybe swapping. That will be putting all your eggs in one Cypriot basket. Really is That Good, huh?

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Bentclouds @ TIFF: The Last Day: Grades

http://tiffclouds.blogspot.com/2007/09/last-day-grades.html

Saturday, September 15, 2007. The Last Day: Grades. Smiley Face (2007, Gregg Araki) 65. Before the Devil Knows You're Dead (2007, Sidney Lumet) 44. The Edge of Heaven (2007, Fatih Akin). It's a Free World . (2007, Ken Loach). Inside (2007, Alexandre Bustillo and Julien Maury). Subscribe to: Post Comments (Atom). My Own Personal) Festival Awards. The Last Day: Grades. The Man From London (2007, Bela Tarr) 43 Tarrs s. Le Voyage du Ballon Rouge (2007, Hou Hsiao-Hsien. Pre-Fest: Lars and the Real Girl.

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Bentclouds @ TIFF: (My Own Personal) Festival Awards

http://tiffclouds.blogspot.com/2007/09/my-own-personal-festival-awards.html

Sunday, September 16, 2007. My Own Personal) Festival Awards. Best Movie: No Country For Old Men. José Luis Guerín - In The City of Sylvia. Best Actor: Josh Brolin - No Country For Old Men. Best Actress: Anna Faris - Smiley Face. Runner up: Asia Argento - The Last MIstress). Best Scene: Cafe Faces - In The City of Sylvia. Subscribe to: Post Comments (Atom). My Own Personal) Festival Awards. The Last Day: Grades. The Man From London (2007, Bela Tarr) 43 Tarrs s. Pre-Fest: Lars and the Real Girl.

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In Quintessence

Friday, September 23, 2011. Day 5: September 12. I’m afraid I don’t have much to say about Miss Bala. Apparently Gerardo Naranjo’s breakout work, and to my mind, his weakest by a mile. Tentative boy-girl interplay infused the violence of Naranjo’s previous effort, I’m Gonna Explode. Is not what I’d hoped to win him mainstream recognition. D. The opening of Joseph Cedar’s Footnote. But so much academic filibustering is a bad fit for Cedar’s TV-style direction and talking head setups, substituting br...

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