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Bach's Cello Suites, Editor's Notes

Bach's Cello Suites, Editor's Notes. Of its newest and the most radical edition. Sep 18, 2014. The finale (6th suite: Gigue). 6th Suite in D major BWV 1012. 4th note: Most editions show e. According to Anna Magdalena (and Sources C and D):. But it is probably a mistake. Because the 7th chord of next bar requires c-sharp. As a preparation of suspension. Only Bach Ausgabe (1879) take c-sharp. Bach Ausgabe (but the chord of next bar is a mistake since Paris first edition):. Some editions take e, c-charp, e.

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Bach's Cello Suites, Editor's Notes | bachcellonotes.blogspot.com Reviews
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Bach's Cello Suites, Editor's Notes. Of its newest and the most radical edition. Sep 18, 2014. The finale (6th suite: Gigue). 6th Suite in D major BWV 1012. 4th note: Most editions show e. According to Anna Magdalena (and Sources C and D):. But it is probably a mistake. Because the 7th chord of next bar requires c-sharp. As a preparation of suspension. Only Bach Ausgabe (1879) take c-sharp. Bach Ausgabe (but the chord of next bar is a mistake since Paris first edition):. Some editions take e, c-charp, e.
<META>
KEYWORDS
1 preface
2 notes
3 scores
4 links
5 gigue
6 according to kellner
7 2nd half
8 kellner
9 posted by
10 shin itchiro yokoyama
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preface,notes,scores,links,gigue,according to kellner,2nd half,kellner,posted by,shin itchiro yokoyama,no comments,email this,blogthis,share to twitter,share to facebook,share to pinterest,labels 6th suite,in sarabande,not g,c sharp,not c,in gavotte 1
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Bach's Cello Suites, Editor's Notes | bachcellonotes.blogspot.com Reviews

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Bach's Cello Suites, Editor's Notes. Of its newest and the most radical edition. Sep 18, 2014. The finale (6th suite: Gigue). 6th Suite in D major BWV 1012. 4th note: Most editions show e. According to Anna Magdalena (and Sources C and D):. But it is probably a mistake. Because the 7th chord of next bar requires c-sharp. As a preparation of suspension. Only Bach Ausgabe (1879) take c-sharp. Bach Ausgabe (but the chord of next bar is a mistake since Paris first edition):. Some editions take e, c-charp, e.

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1

Bach's Cello Suites, Editor's Notes: Three times? (3rd Suite: Gigue)

http://www.bachcellonotes.blogspot.com/2014/09/three-times.html

Bach's Cello Suites, Editor's Notes. Of its newest and the most radical edition. Sep 1, 2014. 3rd Suite in C major BWV 1009. Here, Kellner (and Source C and D are the same) writes as follows. But I have chosen Anna Magdalena's copy:. Because I think Bach has changed these notes later for avoid to repeat three times the same rhythm. Between bar 9 and 20. We find the same figuration as Anna Magdalena. But if you prefer Kellner's figuration, of course, you can play it. Subscribe to: Post Comments (Atom).

2

Bach's Cello Suites, Editor's Notes: Errata of the New Bärenreiter Urtext

http://www.bachcellonotes.blogspot.com/2014/09/errata-of-new-barenreiter-urtext.html

Bach's Cello Suites, Editor's Notes. Of its newest and the most radical edition. Sep 2, 2014. Errata of the New Bärenreiter Urtext. There are some errors (sometimes grave) in the "Scholarly Critical Performing Edition". Of the New Bärenreiter Urtext (2000) of Bach's Cello Suites. This edition shows the differences among all the 4 manuscripts and Paris first edition, such as:. This idea is very good, but the gravest error of this edition is to be too arbitrary. 1st Suite in G major BWV 1007. From bar 33,.

3

Bach's Cello Suites, Editor's Notes: Preface

http://www.bachcellonotes.blogspot.com/p/blog-page_30.html

Bach's Cello Suites, Editor's Notes. Of its newest and the most radical edition. When I saw Anna Magdalena Bach's manuscript of J.S. Bach's Cello Suites, I noticed a strange half-bar. In its Gigue of the 1st suite:. I have never seen such half-bar in any published scores! I omitted all slurs except "ties" because it is too difficult to determine them. First of all I wanted to concentrate on the problem of notes. But after finished this "without slurs" work, I will begin "with slurs" edition. But curiousl...

4

Bach's Cello Suites, Editor's Notes: The 6th Suite isn't difficult

http://www.bachcellonotes.blogspot.com/2014/09/the-6th-suite-isnt-difficult.html

Bach's Cello Suites, Editor's Notes. Of its newest and the most radical edition. Sep 4, 2014. The 6th Suite isn't difficult. The 6th suite was written for 5-string instrument tuned in c-g-d-a-e. Therefore it is too difficult to play it with normal 4-string cello. So I transposed it in G major, fifth lower than original. Now, the 6th Suite isn't difficult. Let's try it! 6th Cello Suite transposed in G major (without slurs) edited by Shin-Itchiro Yokoyama PDF. Subscribe to: Post Comments (Atom).

5

Bach's Cello Suites, Editor's Notes: The finale (6th suite: Gigue)

http://www.bachcellonotes.blogspot.com/2014/09/the-finale-6th-suite-gigue.html

Bach's Cello Suites, Editor's Notes. Of its newest and the most radical edition. Sep 18, 2014. The finale (6th suite: Gigue). 6th Suite in D major BWV 1012. 4th note: Most editions show e. According to Anna Magdalena Bach (AMB) (and Sources C and D):. But it is probably a mistake. Because the 7th chord of next bar requires c-sharp. As a preparation of suspension. Only Bach Gesellschaft Ausgabe (BGA/1879) take c-sharp. BGA (but the chord of next bar is a mistake since Paris first edition):.

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Bach's Cello Suites, Editor's Notes

Bach's Cello Suites, Editor's Notes. Of its newest and the most radical edition. Sep 18, 2014. The finale (6th suite: Gigue). 6th Suite in D major BWV 1012. 4th note: Most editions show e. According to Anna Magdalena (and Sources C and D):. But it is probably a mistake. Because the 7th chord of next bar requires c-sharp. As a preparation of suspension. Only Bach Ausgabe (1879) take c-sharp. Bach Ausgabe (but the chord of next bar is a mistake since Paris first edition):. Some editions take e, c-charp, e.

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