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bananthropology | what you see is what you get. until you peel. | bananthropology.wordpress.com Reviews
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what you see is what you get. until you peel.
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MEDIATION BETWEEN FAITH AND IDENTITY: re.FRAMING ACTIVISM | bananthropology
https://bananthropology.wordpress.com/2013/08/05/mediation-between-faith-and-identity-re-framing-activism
What you see is what you get. until you peel. MEDIATION BETWEEN FAITH AND IDENTITY: re.FRAMING ACTIVISM. August 5, 2013. LGBTQ individuals who are religious or belong to faith-based communities face stressors and obstacles that, all too often, encourage them to either remain closeted, face the threat of ostracization from their community, or willingly abandon their faith. Though unfortunately considered by some to be conflictual, faith and queer identities need not be mutually exclusive. Transcending the...
Cyborg Smörgåsbord | bananthropology
https://bananthropology.wordpress.com/2013/06/18/cyborg-smorgasbord
What you see is what you get. until you peel. June 18, 2013. How to become a cyborg: simple. Employ technologically-assisted methods to advance and multiply your abilities, including (but not limited to) sensory capabilities. There are many cases of cyborgs that (who? And not cited, but might provide interesting further reading). 2010 Kevin Warwick, World’s First Cyborg . Motherboard: Vice Online. 2010. Accessed December 10, 2012. http:/ www.vice.com/motherboard/The-Cyborg. 2010 I-cyborg: disability, aff...
An Abuse of Optimism: Musical Ammunition and Melodies of Torture | bananthropology
https://bananthropology.wordpress.com/2013/06/25/an-abuse-of-optimism
What you see is what you get. until you peel. An Abuse of Optimism: Musical Ammunition and Melodies of Torture. June 25, 2013. This 45 minute video that I found on Al Jazeera [. Please click here as I could not embed the video:. Is so heartbreaking for me and elicits even a nauseated physical reaction from me. I strongly suggest that you watch this video about torture methodologies that involve. I write often about music as ammunition. After watching, I have gone around YouTube, listening to some of my o...
Control and Structure in Obtaining Information: conducting interviews. | bananthropology
https://bananthropology.wordpress.com/2013/06/18/control-and-structure
What you see is what you get. until you peel. Control and Structure in Obtaining Information: conducting interviews. June 18, 2013. I have always wondered if being an extrovert is a necessity when it comes to being an anthropologist: since our subject of research is people and what they do, and ideally, we are passionate about the research that we do, should it not follow that every single one of us is a people person? No matter the degree of (natural? I return to what Bernard discusses in his text, Rese...
Transcending the Five Senses: Synesthesia | bananthropology
https://bananthropology.wordpress.com/2013/09/05/transcending-the-five-senses-synesthesia
What you see is what you get. until you peel. Transcending the Five Senses: Synesthesia. September 5, 2013. Please read my new article,. Transcending the Five Senses: Synesthesia as a Posthuman Sensory Action. In the University of Cambridge student anthropology journal, IMPONDERABILIA. MEDIATION BETWEEN FAITH AND IDENTITY: re.FRAMING ACTIVISM. One response to “ Transcending the Five Senses: Synesthesia. September 6, 2013 at 7:53 am. Leave a Reply Cancel reply. Enter your comment here. Send to Email Addre...
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Week 4: The Language of Photography – Whose Language? | serendipityscraps
https://serendipityscraps.wordpress.com/2013/02/19/week-4-the-language-of-photography-whose-language
A Visual Anthropology Blog. Week 4: The Language of Photography Whose Language? I have always tended to envision photography (the visual) and language (the verbal) in terms of a relationship, rather as an exchange in the sense given by Victor Burgin, in which photography is a complex of exchanges between the verbal and the visual (in Mitchell, 1994: 282-3 [1]. While browsing through the POYi (Pictures of the Year International) the 70th Winners list [2]. Which is not accompanied by language? And if you m...
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Week 6: The Fiction of Reality. Through Vertov’s ‘Kino-Eye’ | serendipityscraps
https://serendipityscraps.wordpress.com/2013/04/12/week-6-the-fiction-of-reality-through-vertovs-kino-eye
A Visual Anthropology Blog. Week 6: The Fiction of Reality. Through Vertov’s ‘Kino-Eye’. Watching Vertov’ Man with a Movie Camera. For the second time, I found it strangely ethnographic in the sense used by Vaughan (1992) [i]. Namely, Vertov in the position of a cine-anthropologist , but paradoxically not because of his neutrality in documenting ( Documentary and its obsession with realism ) but more because of his structure of reality through editing and montage. Extract from Vertov’s Manisfesto –.
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Week 9 Play and Revelation: Rouch’s Chronique d’un été and Mads Brügger’s Ambassador | serendipityscraps
https://serendipityscraps.wordpress.com/2013/04/14/week-9-play-and-revelation-rouchs-chronique-dun-ete-and-mads-bruggers-ambassador
A Visual Anthropology Blog. Week 9 Play and Revelation: Rouch’s Chronique d’un été and Mads Brügger’s Ambassador. In this film, the anthropologist, Jean Rouch, and the sociologist, Edgar Morin, explore the ground of cin. Specifically it can be claimed that the movie is an etno-fiction because of the open script that explores this central motive of acting naturally or challenging the naturalness in front of the camera. This leads to a second point of view, which is the revelation. Although, this veils the...
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Week 5: Ways of seeing. Photo Wallahs | serendipityscraps
https://serendipityscraps.wordpress.com/2013/03/10/week-5-ways-of-seeing-photo-wallahs
A Visual Anthropology Blog. Week 5: Ways of seeing. Photo Wallahs. MacDougall’s text opened up many viewpoints on photography’s ‘play’ with the ways of seeing. Specifically, imagined as a mirror that doubles us, photography is considered a form of representation that lacks mediation but still, it becomes hard to tell if the represented self is the real lasting one or just temporary that re-identify us. Within these lines, MacDougall mentions two types of photographies. On the ‘cemetery culture’ in Ukrain...
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Week 8 Observational Cinema: Tim Ash, Maysles Brothers, Frederick Wiseman | serendipityscraps
https://serendipityscraps.wordpress.com/2013/04/14/week-8-observational-cinema-tim-ash-maysles-brothers-frederick-wiseman
A Visual Anthropology Blog. Week 8 Observational Cinema: Tim Ash, Maysles Brothers, Frederick Wiseman. This was by far my favorite session in the Visual Anthropology class because of the screenings’ ‘marathon’ that began from the same start line: the debate around cinéma verité. Or the observational cinema, understood mainly as direct cinema or being without a narrator’ voice. After the Ax Fight , we watched some extracts from Salesman. 2003) and The Yes Men Fix the World. Leave a Reply Cancel reply.
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Photographs of the Soviet Union in WWII | serendipityscraps
https://serendipityscraps.wordpress.com/2013/01/23/photographs-of-the-soviet-union-in-wwii
A Visual Anthropology Blog. Photographs of the Soviet Union in WWII. One thought on “ Photographs of the Soviet Union in WWII. June 21, 2013 at 3:28 pm. Thanks for your personal marvelous posting! I quite enjoyed reading it, you’re a great author.I will always bookmark your blog and will come back at some point. I want to encourage you continue your great job, have a nice day! Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Follow Blog via Email.
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Week 3: Between exoticizing and documenting: photography as ethnography? | serendipityscraps
https://serendipityscraps.wordpress.com/2013/01/26/week-3-between-exoticizing-and-documenting-photography-as-ethnography
A Visual Anthropology Blog. Week 3: Between exoticizing and documenting: photography as ethnography? To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder – a soft murder, appropriate to a sad, frightened time. Susan Sontag, On Photography. 3 thoughts on “ Week...
iuliafvacaroiu | ethnisual
https://ethnisual.wordpress.com/author/iuliafvacaroiu
A critical lens on visual anthropology. What stillness cannot evoke. January 25, 2013. My post on Leni Riefenstahl’s photos of the Nuba can be found at the following link. WordPress keeps erasing it when I try to post it here. Posted in Weekly entries. January 20, 2013. Coming from a University with an important background in social aid or, rather, teaching about social aid, you only ever get one perspective of the homeless. It’s always. Are the ones who are hungry,. Nanook meets North Korea. His acclaim...
Final project | Being Visual
https://beingvisual.wordpress.com/2013/04/19/final-project
April 19, 2013. The final version of my very first documentary is here:. My ethnographic movie experiment is about an old shoemaker, who runs a tiny shop in Budapest. This entry was posted in Budapest. A local about locals. On why the public transport system in Brussels made me a proud Central European citizen. One response to “. April 21, 2013 at 22:34. Reblogged this on Visual Anthro@CEU Blog. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.
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bananthropology | what you see is what you get. until you peel.
What you see is what you get. until you peel. Transcending the Five Senses: Synesthesia. September 5, 2013. Synesthesia is a curious condition in which the boundaries between the five human sensory abilities taste, touch, sight, hearing, and smell are bridged and blurred. Occurrences of synesthesia […]. Read Article →. MEDIATION BETWEEN FAITH AND IDENTITY: re.FRAMING ACTIVISM. August 5, 2013. Read Article →. Let’s Call the Whole Thing Off: You Say Tomato, I say Police Terror. July 23, 2013. June 25, 2013.
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