hopkinsaudiences.wordpress.com
masdubois | Hopkins' Audiences
https://hopkinsaudiences.wordpress.com/author/masdubois
Friday 4 April 2014. Research Beehive, Old Library Building, Newcastle University. I cannot think of altering anything’, Hopkins told Robert Bridges of. The Wreck of the Deutschland. Why shd. I? What are his poetry’s modes of address? How did regard or disregard for the expectations of audience shape his work? What relation has it to the difficulty of his poetry? The structure of the day will be informal, combining papers, panels, and open discussion. Martin Dubois and R.K.R. Thornton. November 28, 2013.
hopkinsaudiences.wordpress.com
Hopkins' Audiences
https://hopkinsaudiences.wordpress.com/2013/11/28/17
Friday 4 April 2014. Research Beehive, Old Library Building, Newcastle University. I cannot think of altering anything’, Hopkins told Robert Bridges of. The Wreck of the Deutschland. Why shd. I? What are his poetry’s modes of address? How did regard or disregard for the expectations of audience shape his work? What relation has it to the difficulty of his poetry? The structure of the day will be informal, combining papers, panels, and open discussion. Martin Dubois and R.K.R. Thornton. November 28, 2013.
hopkinsaudiences.wordpress.com
November | 2013 | Hopkins' Audiences
https://hopkinsaudiences.wordpress.com/2013/11
Monthly Archives: November 2013. Friday 4 April 2014. Research Beehive, Old Library Building, Newcastle University. I cannot think of altering anything’, Hopkins told Robert Bridges of. The Wreck of the Deutschland. Why shd. I? What are his poetry’s modes of address? How did regard or disregard for the expectations of audience shape his work? What relation has it to the difficulty of his poetry? The structure of the day will be informal, combining papers, panels, and open discussion. November 28, 2013.
northeast19thcentury.org
North East Nineteenth Century: April 2013
http://www.northeast19thcentury.org/2013_04_01_archive.html
Moving Towards Science - 12 Sept 2012. Friday, 12 April 2013. Making a Darkness Visible': British Academy series. 8216;Making a Darkness Visible: The Literary Moment 1820-1840’. The next three instalments of this British Academy series are as follows:. Dr John Gardner (Anglia Ruskin) on 'Radicalism after Peterloo'. Friday 19 April, 5-7pm, Newcastle-upon-Tyne Literary and Philosophical Society. Dr Gregory Dart (UCL) on early Dickens. Friday 24 May, 5-7pm, Birley Room, Hatfield College, Durham University.
northeast19thcentury.org
North East Nineteenth Century: Members
http://www.northeast19thcentury.org/p/members.html
Moving Towards Science - 12 Sept 2012. My research focuses on representations of laughter in the writing of Charlotte Brontë (and in literary culture 1830-60). This may seem an unlikely project, yet – from the crass guffaws of. S curates to the 'low, slow ha! Find me on Academia. My PhD is on Robert Louis Stevenson in relation to Bakhtin's chronotope theory, and the post-romantic imagination. My wider research interests include Victorian and fin-de-siècle. There it goes again. My wider interests include ...
northeast19thcentury.org
North East Nineteenth Century: June 2013
http://www.northeast19thcentury.org/2013_06_01_archive.html
Moving Towards Science - 12 Sept 2012. Sunday, 16 June 2013. Reading Group Report: ‘Words for Remembering’: Twentieth Century Propaganda and Nineteenth-Century England. Led by Kate Katigbak (Durham). The focus of this session was to question the ways in which cultural thinkers construct definitions of ‘Britishness’ in both the late nineteenth and early twentieth centuries. We opened the session by watching a short propaganda film made by Humphrey Jennings, entitled ‘Words for Battle’. We thus commented o...
navsa.blogspot.com
Of Victorian Interest: January 2014
http://navsa.blogspot.com/2014_01_01_archive.html
If you have a Victorian-related event, CFP, or other item that you believe would interest NAVSA's members, please e-mail. Follow NAVSA on Twitter. NINES: Nineteenth-Century Scholarship Online. CFP: AAL Conference 2014 “Literature and Affect” (. CFP: MLA 2015 Dickens: Surface, Depth, Close, Dis. CFP Edited Collection: Sensationalism and the Gene. CFP: Detecting Objects: The Material Item and Dete. Reminder: Tennyson Essay Prize 2013 (7/31/2014). Grant: The Historians of British Art Publication G. CFP: Obj...
northeast19thcentury.org
North East Nineteenth Century: March 2014
http://www.northeast19thcentury.org/2014_03_01_archive.html
Moving Towards Science - 12 Sept 2012. Sunday, 16 March 2014. Reading Group Report: 'The Misguided Imaginations of Men’: Adam Smith, Jeremy Bentham and the Principle of Self in Shelley’s Speculations on Morals and Metaphysics. The first session of the newly organised NENC saw members meet at Newcastle University on Tuesday 11. Questions and discussion followed on the composition and publication of the fragments, the movement in recent criticism away from the Victorian perception of Shelley as Matthew Arn...
concertlifeproject.com
19th-Century London Concert Life Project: Links
http://www.concertlifeproject.com/links.html
Concert Life in 19th-Century London. Database and Research Project. Leeds Centre for Victorian Studies. British Association for Victorian Studies. Leeds University Centre for English Music. University of Cardiff and the Royal College of Music. North American British Music Studies Association. British Library Newspapers Collection. Arts and Humanities Data Service. Royal Holloway's Golden Pages. Centre for the History of Music in Britain, the Empire and the Commonwealth. Institute of Historical Research.
northeast19thcentury.org
North East Nineteenth Century: May 2014
http://www.northeast19thcentury.org/2014_05_01_archive.html
Moving Towards Science - 12 Sept 2012. Tuesday, 13 May 2014. Reading Group Report: 'Melodramatic Monster Villains in Early-Nineteenth-Century Theatre'. Sarah Winter, Northumbria University. May saw NENC members meet for our penultimate session at Durham University, with this session delving back into the 1820s to explore two stage adaptations of Mary Shelley’s 1818 Frankenstein. And Henry Milner’s 1826 The Man and the Monster; or The Fate of Frankenstein. Subscribe to: Posts (Atom). Find us on Facebook.
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