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Brenda Dixon Gottschild | Writer on Dance and Culture

Writer on Dance and Culture

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Brenda Dixon Gottschild

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Brenda Dixon Gottschild

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215 ●●●●2974
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Brenda Dixon Gottschild

201 West●●●●●●●●n Avenue

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Brenda Dixon Gottschild | Writer on Dance and Culture | bdixongottschild.com Reviews

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Writer on Dance and Culture

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About Brenda | Brenda Dixon Gottschild

https://bdixongottschild.com/about

Writer on Dance and Culture. I am Professor Emerita of dance studies, Temple University. I perform with choreographer Hellmut Gottschild (my husband) in a form of somatic and research-based collaboration for which we coined the term, “movement theater discourse.” In going about my work as a cultural scholar/researcher, I use performance specifically, dance as a measure and paradigm of society. 8211; My last book,. The Black Dancing Body A Geography From Coon to Cool. The Black Dancing Body. I originated ...

2

Decentering Dance Studies | Brenda Dixon Gottschild

https://bdixongottschild.com/2013/11/26/decentering-dance-studies

Writer on Dance and Culture. Laquo; Previous Post. Priya Srinivasan, Decentering Conference Co-Coordinator, and yours truly. This is a paper I delivered Nov. 8, 2013 at the joint CORD/SDHS Conference in Riverside CA, sponsored by the Dance Program in Critical Studies, UC Riverside. The format is prepared for oral presentation:. Thoughts on Decentering Dance Studies –. I feel decentered. NOT in a good way. I’m in a corner. I’m still cornered by SYSTEMIC. Why DO we do what we do? What is dance studies?

3

Flamenco Festival, March 2014, Philadelphia | Brenda Dixon Gottschild

https://bdixongottschild.com/2014/02/03/flamenco-festival-march-2014-philadelphia

Writer on Dance and Culture. Laquo; International Association of Blacks in Dance Annual Conference, 2014. When Did the Avant-Garde Become Black? Flamenco Festival, March 2014, Philadelphia. This was posted this morning on the PhiladelphiaFlamencoFestival website. Adelante! By Way of Introduction. By Brenda Dixon Gottschild, Ph.D. February 3, 2014. I am honored to be working with Pasion y Arte. 8216;s rehearsals begin in February. I’m savoring this and looking forward to it more as a treat than a task!

4

Books | Brenda Dixon Gottschild

https://bdixongottschild.com/books

Writer on Dance and Culture. Coming in January 2012 from Palgrave Macmillan — Click on the cover for more information about and to order the book. Click on the images below for more information about each of Brenda’s other books. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out.

5

When Did the Avant-Garde Become Black? | Brenda Dixon Gottschild

https://bdixongottschild.com/2014/03/29/when-did-the-avant-garde-become-black

Writer on Dance and Culture. Laquo; Flamenco Festival, March 2014, Philadelphia. 8220;Racing” in “Place”: Dance Studies and The Academy. When Did the Avant-Garde Become Black? Century history, certain black dancers could acknowledge belonging to the dominant culture’s DEFINITION of avant-garde, but it behooves us to also acknowledge the avant-garde history embedded in and integral to AFRICANIST traditions, of which many of us may or may not be aware. Feed You can leave a response. From your own site.

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Exhibit: West Set | Black LGBT Archivists Society of Philadelphia

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Black LGBT Archivists Society of Philadelphia. Collecting, preserving and exhibiting Philadelphia's Black LGBT history. History of The West Set: The Gentlemen’s Social Club of West Philadelphia. 30th Anniversary President's Message. For thirty years we have tried to maintain a social organization of which we could be proud. The fraternal relationship that exists among our members is intense. We have succeeded in becoming a close knit unit, existing for the good of all members. Our successes w...We hope t...

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Brenda Dixon Gottschild | Writer on Dance and Culture

Writer on Dance and Culture. Where Is The Theology? On March 15, 2018 by bdixongottschild. I wrote this essay for Jaamil Olawale Kosoko’s new piece, Séancers, which premiered at tne Abrons Center (NYC), December 2017. The essay will be reprinted for his performance in Oslo, (Norway) this month (March 2018). I love working with this creatively gifted man, and look forward to appearing with him as “guest séancer” at Philly’s Fringe Arts in May, 2018. My Pew Fellowship Interview. This week, we speak to.

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