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freeform jazz will destroy the world

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be.jazz | be-jazz.blogspot.com Reviews

https://be-jazz.blogspot.com

freeform jazz will destroy the world

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be.jazz: listening notes: ella fitzgerald and louis armstrong, ella and louis

http://be-jazz.blogspot.com/2007/10/listening-notes-ella-fitzgerald-and.html

Freeform jazz will destroy the world. Tuesday, October 09, 2007. Listening notes: ella fitzgerald and louis armstrong, ella and louis. Like a rusty dagger dragged across new silk, each makes the other seem more miraculous: how does the former not fall apart? How can the latter even exist in the first place? Usual gender roles are inverted: the trumpeter's frailty makes his every move appear daring, while the singer provides infallible strength. Or maybe those are. Posted by Moandji Ezana.

2

be.jazz: The Bad Plus - 14/10/2007@N9, Eeklo

http://be-jazz.blogspot.com/2007/11/bad-plus-14102007n9-eeklo.html

Freeform jazz will destroy the world. Tuesday, November 13, 2007. The Bad Plus - 14/10/2007@N9, Eeklo. Ethan Iverson - p ( blog. Reid Anderson - b. David King - d. Yes, this post is almost a month overdue. Consider it a prelude to The Bad Plus's return to Belgium on the 15th. I'll be seeing Brad Mehldau that day, but you should go. If you can.]. Perhaps it wasn't obvious with their first couple albums, but having "Street Woman" on Give. To the list), a point emphatically made as "Heart of Glass" (my favo...

3

be.jazz: viewing notes: spike lee, bamboozled

http://be-jazz.blogspot.com/2007/10/viewing-notes-spike-lee-bamboozled.html

Freeform jazz will destroy the world. Wednesday, October 17, 2007. Viewing notes: spike lee, bamboozled. Was shot in Digital Video, which makes the image flat, shiny, cheap-looking. Devoid of texture, it loses gravitas. Without really gaining intimacy. I got past this, eventually, but it brought up the question of the importance of texture and its role in conveying meaning, in music and in general. And only talk about what it looked. This last point goes beyond texture alone, but most players regarded as...

4

be.jazz: Othin Spake vs. Nozzle Slag

http://be-jazz.blogspot.com/2006/02/othin-spake-vs-nozzle-slag.html

Freeform jazz will destroy the world. Thursday, February 02, 2006. Othin Spake vs. Nozzle Slag. Teun Verbruggen has long been a member of many local groups, some of which are among my very favourite: Pascal Schumacher. Quartet, Jef Neve. Trio, Quatre, Bruno Vansina. S VVG Trio (which I've never seen live, but their CD is great), Alexi Tuomarila Quartet, Peter Vermeersch's (from X-Legged Sally) Flat Earth Society. And, more recently, Rackham. Othin Spake - 27/01/2006, Brussels. Dumoulin is well-known in j...

5

be.jazz: Tied + Tickled - 05/10/2007@Ancienne Belgique, Bruxelles

http://be-jazz.blogspot.com/2007/11/tied-tickled-05102007ancienne-belgique.html

Freeform jazz will destroy the world. Thursday, November 01, 2007. Tied Tickled - 05/10/2007@Ancienne Belgique, Bruxelles. Any band with two girls (cellist/xylophonist and keyboardist, plus some guy on drums) has my immediate sympathy, but, in this case, that dissipated very quickly. The unannounced opener, which remained anonymous throughout a brief set that seemed too long anyway, was undoubtedly among the worst concerts I've attended. Perhaps the worst. I haven't yet re-listened to refresh my memory, ...

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musicalcrematorium.blogspot.com musicalcrematorium.blogspot.com

The Musical Crematorium: 08/22/2004 - 08/29/2004

http://musicalcrematorium.blogspot.com/2004_08_22_archive.html

This is the class blog for DePauw University's First Year Seminar on Understanding Music: Critical Reading and Writing. Feel free to comment. Saturday, August 28, 2004. Compound meter is simply: "A meter that contains a triple subdivision within the beat, i.e. 6/8" ( The Harvard Dictionary of Music. So that previous definition was very confusing- probably because I myself didn't really understand compound meter. I have found another source ( www.fact-index.com. And everything has become clear to me!

musicalcrematorium.blogspot.com musicalcrematorium.blogspot.com

The Musical Crematorium: Music in Everyday Life

http://musicalcrematorium.blogspot.com/2004/12/music-in-everyday-life.html

This is the class blog for DePauw University's First Year Seminar on Understanding Music: Critical Reading and Writing. Feel free to comment. Tuesday, December 07, 2004. Music in Everyday Life. The problem with the aforementioned studies is that they lack a focus upon the participants. The experiments have often chosen the music, the situations and the possible responses. The study that we will be focusing upon today asks five main questions; Who are people with when they listen to music? The when questi...

chaambaland.blogspot.com chaambaland.blogspot.com

Chaambaland: April 2006

http://chaambaland.blogspot.com/2006_04_01_archive.html

Wednesday, April 26, 2006. Prenoms une mouche, nommons-la Fulgence. Voyons près d'elle deux autres mouches, semblables apparemment. Considérons leur vol ensemble comme une danse, tâchons de discerner des affinités, un couple en formation. Fulgence marque une pause, s'éteint exactement à un angle du plafond. Observe-t-elle? Envie-t-elle les deux autres plus proches? Posted by ibnchaamba at 10:18 AM. Tuesday, April 25, 2006. A l'assaut des jardins. Les saisons sont partout à la fois. Et la solitude bavarde.

musicalcrematorium.blogspot.com musicalcrematorium.blogspot.com

The Musical Crematorium: The Horn Call and The Instrumentalist

http://musicalcrematorium.blogspot.com/2004/11/horn-call-and-instrumentalist.html

This is the class blog for DePauw University's First Year Seminar on Understanding Music: Critical Reading and Writing. Feel free to comment. Tuesday, November 30, 2004. The Horn Call and The Instrumentalist. Coping with Stage Fright. Goode, Michael. Coping with Stage Fright. The Instrumentalist. Stevens, Paul. Playing! Wth Ease. The Horn Call. Posted by cmw at 6:23 PM. Saxophone Journal and Keyboard Companion. Lip Care and Orff. Stravinsky and Le Sacre du Printemps. The Sound of Silence.

musicalcrematorium.blogspot.com musicalcrematorium.blogspot.com

The Musical Crematorium: Life and Death United; An Intimate Portrait of a Man named Miles Davis

http://musicalcrematorium.blogspot.com/2004/11/life-and-death-united-intimate.html

This is the class blog for DePauw University's First Year Seminar on Understanding Music: Critical Reading and Writing. Feel free to comment. Sunday, November 21, 2004. Life and Death United; An Intimate Portrait of a Man named Miles Davis. The events in Miles childhood against his race left a deep impact on him and most likely fuelled his anger for years to come. Miles Davis; a Definitive Biography. The very first thing I remember in my early childhood is a flame, a blue flame jumping off a gas stove so...

jazzword.blogspot.com jazzword.blogspot.com

JazzWord: April 2006

http://jazzword.blogspot.com/2006_04_01_archive.html

Opinions, Observations, etc. Monday, April 24, 2006. Check out Armen's Post. Please read this, by Armen Nalbandian. This touches on some of the things I write about below. Click the title of this post to read. Posted by devadmin at 5:32 PM. Wednesday, April 19, 2006. When having a recent talk with a musician friend of mine, we were complaining about the lack of quality music played by the school bands. Why do all the arrangements have to be from the same Woody Herman/Stan Kenton stock? KXJZ used to be de...

musicalcrematorium.blogspot.com musicalcrematorium.blogspot.com

The Musical Crematorium: Perceiving Acoustic Source Orientation in Three-Dimensional Space

http://musicalcrematorium.blogspot.com/2004/12/perceiving-acoustic-source-orientation.html

This is the class blog for DePauw University's First Year Seminar on Understanding Music: Critical Reading and Writing. Feel free to comment. Tuesday, December 07, 2004. Perceiving Acoustic Source Orientation in Three-Dimensional Space. Experiment conducted by John G. Neuhoff from the College of Wooster Department of Psychology. The subjects for all of the parts of the experiment were 18 to 25-year-old undergraduate students. They all said that they had normal hearing. Posted by cmw at 2:04 PM.

henrykuntz.free-jazz.net henrykuntz.free-jazz.net

» Evan Parker ElectroAcoustic Septet: Seven sax & stories by henry kuntz

http://henrykuntz.free-jazz.net/tag/evan-parker-electroacoustic-septet-seven

Sax and stories by henry kuntz. Henry Kuntz Bio and Audio and Video. Evan Parker ElectroAcoustic Septet: Seven. Evan Parker ElectroAcoustic Septet: Seven. Trompette piccolo, trompette, Okkyung Lee. Violoncelle, George Lewis. Électroniques, trombone, Ikue Mori. Électroniques, Sam Pluta. Électroniques, Ned Rothenberg. Clarinette basse, clarinette, shakuhachi, Evan Parker. Recorded: Live at the 30th Festival International de Musique Actuelle de Victoriaville May 18th, 2014. Much of the edginess of Seven.

oceanbound.com oceanbound.com

Music On Cruise Ships Blog - Oceanbound Entertainment

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Jobs & Auditions. We’re looking Steel Pan Drummers. August 1, 2016. We are looking for Steel Pan Drummers for some upcoming job openings. Please submit video of 10-12 samples with full repertoire list, bio and photos to info@oceanbound.com. Looking for orchestra musicians. July 20, 2016. We are still looking for orchestra musicians for some upcoming openings. We have outlined the audition procedure on our jobs & auditions page. All you need to do is apply and we’ll get you out there. Talk to you soon.

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I Hear A New World

http://ihearanewworld.blogspot.com/2007_02_01_archive.html

I Hear A New World. Wednesday, February 14, 2007. For ultra-quixotic, and therefore probably somewhat embarassing, reasons, I penned some lines about the Wu-Tang Clan, which I thought I would share with you, my people. Since a computer crash eightysixed an earlier and loopier version of this post (best line that no longer makes sense: "don't despair karma, you are not what they say you are! I verbally assault with my tongue Goodbye Short 20th Century. Posted by the sad billionaire @ 10:49 AM. Adorno, eve...

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Freeform jazz will destroy the world. Wednesday, January 09, 2008. After reading about matisse (blue stool on radiator). Posted by Moandji Ezana. Sunday, November 18, 2007. It says more about the author than the music. A frequent response to negative criticism, but one I don't really understand. Obviously, if music's artistic space could be fully duplicated (in words, painting, film, etc.), it wouldn't have much reason to exist. Posted by Moandji Ezana. Wednesday, November 14, 2007. Michel Debrulle - d.

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