belart.se
Galerie Bel'Art - Stockholm
http://www.belart.se/about_the_gallery
Catalogues, Books and Prints. Established in 1975,. Galerie Bel’Art soon emerged as one of the major galleries for modern art in Sweden. The Gallery opened on April 24th 1975 with a retrospective of paintings by Victor Vasarely. Over the years the owner Kent Belenius has built a close personal relationship with artists like Max Ernst, Dorothea Tanning, Roberto Matta, Henry Moore, Max Bill, Victor Vasarely, Antonio Saura, Conroy Maddox, Mimmo Paladino, Ivan Tovar. Working directly with artists, artists' e...
przemekpyszczek.com
_ : Przemek Pyszczek
http://przemekpyszczek.com/index.php/project
Featured in the current issue of Border Crossings. Solo exhibition at Belenius - Stockholm, SE. Power & Architecture at Calvert 22 Foundation. Harness Your Hiraeth at Periclo/Oriel Wrescam. Solo presentation with Nicodim Gallery - SP-Arte - São Paulo, BR. Father Figures Are Hard To Find - NGBK - Berlin, DE. Sandomir - Nicodim Gallery - Los Angeles, US. Powerful Babies - Spritmuseum - Stockholm, SE. Muscle Memory - Peres Projects - Berlin, DE. Rio - Office Baroque - Brussels, BE.
galeriebelart.se
Galerie Bel'Art - Stockholm
http://www.galeriebelart.se/about_the_gallery
Established in 1975,. Galerie Bel’Art soon emerged as one of the major galleries for modern art in Sweden. The Gallery opened on April 24th 1975 with a retrospective of paintings by Victor Vasarely. Over the years the owner Kent Belenius has built a close personal relationship with artists like Max Ernst, Dorothea Tanning, Roberto Matta, Henry Moore, Max Bill, Victor Vasarely, Antonio Saura, Conroy Maddox, Mimmo Paladino, Ivan Tovar. Working directly with artists, artists' estates, colleagues and private...
timothycrisp.com
About - Timothy Crisp
http://www.timothycrisp.com/About
B 1981, Stockholm, Sweden. The works of Timothy Crisp resemble delayed postcards. Memories of abandoned and forgotten places, that suddenly emerge, many years after they were forgotten. It is a remembrance that has nothing to do with Paul Ricoeur’s joyful small miracle of recognition . Rather it is a memory haunting us. The landscape depicted is loaded with guilt. Timothy Crisp turns the gallery space into a memorial site, anchoring the past in the present and the present in the past. But what has ha...
SOCIAL ENGAGEMENT