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Benedict Ernst / Home | benedicternst.com Reviews

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Benedict Ernst / Works

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Benedict Ernst / Exhibitions

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08112014 to 14.12.2014. Substation Contemporary Art Prize. 16082014 to 12.10.2014. Woollahra Small Sculpture Prize. 26102013 to 10.11.2013. The Visitors Gift (a Contemporary Re-Imagining of the Tale of Sen no Rikyú and the Daimyo). 18082012 to 30.09.2012. Helle Schattenwelt (Bright Shadow World). 10082012 to 08.09.2012. 18072012 to 22.07.2012. There Is No Land (but the land). 26052012 to 08.07.2012. The Sunflower Project (VIDEO/PRESENTATION). 26082011 to 17.09.2011. 07032011 to 08.05.2011.

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Benedict Ernst / Links

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242 Victoria St, Brunswick, Melbourne 3056. The Substation Centre For Art and Culture. Newport, Melbourne 3015. Gippsland Art Gallery, Sale. Port of Sale Civic Centre, Sale 3850. Lvl1 225 Bourke St., Melbourne 300. Hidden - A Rookwood Sculpture Walk. Rookwood Cemetery, Sydney 2141. 110 Franklin St, Melbourne 3000. Kings Artist Run Initiative. 1/171 King St, Melbourne 3000. 2 George St, Brisbane 4000. Linden Centre for Contemporary Arts. 26 Acland St, St kilda 3182. 100 Barkley St, Fitzroy North 3068.

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Benedict Ernst / Home

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Benedict Ernst / Publications

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By Benedict Ernst [catalogue essay]. There Is No Land (but the land). By Simon Gregg [catalogue essay]. By Gary Hickey [Art Monthly Australia # 236]. Pebble Botanica and (There Will be a) New Garden. By Justine Grace [un Magazine # 4.2]. Golden World (the Wall and the Door). By Benedict Ernst [GOLDEN WORLD - catalogue essay]. Pebble Botanica/(It Will be a) New Garden - Review. By Dan Rule [The Melbourne Age, A2]. Tips For Anxious Gardeners - Review. By Penny Modra [The Sunday Age]. Keep off the grass.

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Inkblot: August 2011

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Monday, August 22, 2011. The Devil had a Daughter. Tony Garifalakis, Cover ups, 2008. Joyce Nissan Collection, Melbourne. This exhibition title, The Devil had a Daughter. Speak of the hubris of Icarus. In Greig’s work Icarus hand glides in a giant old man’s head—literally flying in-the-face of his father’s warnings. There is also the haunting Phaedra in Phaedra Chain. She is bearded like a witch from Macbeth. The slippery alien tongues at the foot of tight white pants also evoke a secret now revealed&#46...

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Inkblot: October 2011

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Tuesday, October 18, 2011. My love isn’t good enough. It’s unwanted. I left it on the windowsill and now it’s gone off, spoiled, fly-blown, encased with scar tissue. All my photos have become diseased. Glenn Sloggett’s exhibition Filthy. A white trash (lost) love story. Accompanying the exhibition is a mixed tape of pain songs that range from the Johnny Cash version of Hurt. To Hope there’s someone. In works like Amputee Op-Shop Bride. In love I have no style. Friday, October 14, 2011. Patrick Pound desc...

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Inkblot: July 2011

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Wednesday, July 27, 2011. Brook Andrew’s exhibition Paradise. Stings of sharp irony from the outset. The first work we see Union Jack. In the same titled Paradise. 8221; We imagine the humiliated subjects of these postcards “feel the pain of those big things rolling on our country”. This is particularly evident in the artwork, The Flow Chart. All images are courtesy of Tolarno Galleries. Tuesday, July 12, 2011. Dan Bell's diagonal cross section of angora aurora, 365 split crumbs. Thursday, July 7, 2011.

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Inkblot: June 2011

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Monday, June 27, 2011. Paul Knight’s works in the exhibition Without Words. However, the fold in the photo acts as a dark void. It suggests that moments in relationships that no longer have a need for words are as deep and relaxing and as comfortable as sleep. In John Donne’s Song. A poem about leaving a lover for a time and trying to convince her not to worry about him—he concludes by saying:. But think that we. Are but turned aside to sleep;. They who one another keep. Alive, ne’er parted be. Catching ...

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Inkblot: March 2012

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Saturday, March 24, 2012. Is a project that consists of landscapes painted on uniform boards that can be matched together to produce panoramic landscape tableaux. These paintings all depict an Arcadian scene and are all painted in an improvised classical style; they all have the same non-determined horizon line. The work invites play as there is no prescribed order in which to arrange these boards. Clark has been painting Myriorama. That the project is ongoing, asks some philosophical questions about the...

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Inkblot: May 2011

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Thursday, May 19, 2011. A Party at Balfron Tower. A crowd of people storm up stadium steps on Sunday and on Monday the steps are deserted. Just the railings and the concrete remain. People whirl around a turquoise dance floor and have blurry memories of a girl’s hair and an amber light that haloed her in the morning. Simon Terrill’s exhibition Phantom. Labels: Simon Terrill. Sutton Gallery. Tuesday, May 10, 2011. Deborah White's installation Ghosts of the near future. In the video, the scene of the youth...

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Inkblot: September 2011

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Thursday, September 22, 2011. In the Octopus 11 – The Matter of Air. Exhibition at Gertrude Contemporary. Creates a magic space, even with all the parts of its construction exposed. The walls of the gallery are painted Yves Klein blue. Two smoke machines pump smoke into a cubby-like house through little windows. The viewer must climb a ladder to get inside. The smoke fills the floor of the house to create an illusion of infinite depth. Tuesday, September 20, 2011. Thursday, September 15, 2011. In his abi...

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Contributors | Unthunk

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Experiences and perceptions of city space. ISSUE TWO – (HI)STORIES. Issue One Launch Event. Edinburgh Glasgow Dundee London Cologne Buenos Aires. Glasgow Edinburgh heresthesoundimade.tumblr.com/. Vienna Holstebro Copenhagen Glasgow. Wwwpedersenpia.blogspot.co.at. Paris Glasgow Newcastle Bordeaux. Melbourne www.melanieupton.com. Paul Sayer Glasgow Edinburgh Paulanthonysayer@gmail. Https:/ david-banks-cp.squarespace.com/. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

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Inkblot: February 2012

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Tuesday, February 28, 2012. Rob Miller's Odysseus and the Sirens. The shimmering backdrop and the enclosed space of the water feature gives the sculptures and the space an aedicula like quality. With this association in mind, there is sense of the work relaying a parable that through narrative can circle around abstract desires. In Miller's Odysseus and the Sirens. Leans precariously towards temptation. This Odysseus, in this gilded foyer, seems a reminder of the perils of hubris. The female gaze has bee...

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Benedict Ernst / Home

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Benedict Ernst

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..from the corner of my mind..

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