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Making of Mad Max Fury Road with John Seale & David Burr by ACS » thefilmbook - edited by Benjamin B

http://thefilmbook.net/2015/05/making-of-mad-max-fury-road-with-john-seale-david-burr-by-acs

Cinema art and technology edited by Benjamin B – version 3. Making of Mad Max Fury Road with John Seale & David Burr by ACS. Great in-depth presentation by the Mad Max : Fury Road. Director of photography, John Seale,. ACS ASC, and the second unit cinematographer, David Burr. ACS about the making of this old-school film. Watch this on vimeo. Click to share on Twitter. Click to share on Google. Click to share on Tumblr. Click to share on Pinterest. Click to email this to a friend. You may use these.

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education » thefilmbook - edited by Benjamin B

http://thefilmbook.net/category/education

Cinema art and technology edited by Benjamin B – version 3. Interview with Roger Deakins about lighting SICARIO. I posted an interview with cinematographer Roger Deakins about a few of the lighting set-ups in Sicario, the film he shot for director Denis Villeneuve. The interview features video, frame grabs and a lighting diagram, and covers: 1. Villeneuve 2. Sicario Raid Scene Video 3. The Raid Set 4. Space Lights & Sunlight 5. [.]. Tagged with: Roger Deakins. Kress Lighting Workshop part 3. 8212; My pos...

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Ultra Panavision 70 projected at Cinegear » thefilmbook - edited by Benjamin B

http://thefilmbook.net/2015/06/ultra-panavision-70-projected-at-cinegear

Cinema art and technology edited by Benjamin B – version 3. Ultra Panavision 70 projected at Cinegear. Test footage in Ultra Panavision 70mm for. Was presented by Panavision’s Dan Sasaki. With moderator David Heuring. At the Cinegear show on June 6. The footage was shot in anamorphic 65mm and projected in 70mm film. The 1.25 anamorphosis results in a stunning 2.76:1 aspect ratio. 8220;Quentin wanted an epic Western, something that hasn’t been seen in forever, that would really wow people”. THE 70MM Road ...

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writings » thefilmbook - edited by Benjamin B

http://thefilmbook.net/category/writings

Cinema art and technology edited by Benjamin B – version 3. Quotes from Philippe Rousselot’s book. 8211; I translated and posted some excerpts from Philippe Rousselot’s book on cinematography, on my blog on theasc.com link http:/ bit.ly/ascRousselotSBook. I broke down the complex workflow for the film GRAVITY into 14 steps for the American Cinematographer. You can read about the workflow online here. INSIDE LLEWYN DAVIS article on line. Jaron Lanier on our media world. The ever brilliant Jaron Lanier lin...

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movies » thefilmbook - edited by Benjamin B

http://thefilmbook.net/category/films

Cinema art and technology edited by Benjamin B – version 3. Batman v Superman – Sad Affleck meme. A funny take on the actor turned superhero during an obligatory press junket interview. Despite very bad reviews, the DC movie is breaking box office records. watch on YouTube. 2015 in Review, 6 Trends. Interview with Roger Deakins about lighting SICARIO. Tagged with: Roger Deakins. Making of Mad Max Fury Road with John Seale & David Burr by ACS. 8212; Great in-depth presentation by the Mad Max : Fury Road d...

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français » thefilmbook - edited by Benjamin B

http://thefilmbook.net/category/francais

Cinema art and technology edited by Benjamin B – version 3. Paris drive shot with Phantom Flex. Our friends at Photocinerent shot with a high-speed Phantom Flex as they drove through Paris, and posted their video on vimeo. The combination of frozen people and a moving camera is eerie. I’m guessing that the video was shot in HQ mode at 1275 fps, which means they were driving pretty quickly Link http:/ bit.ly/1iMjUJu [.]. Jacques Delacoux’ French Legion of Honor. Je viens de recevoir cet ouvrage élégant de...

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Audiard » thefilmbook - edited by Benjamin B

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Cinema art and technology edited by Benjamin B – version 3. Palme d’or winner Jacques Audiard. 8212; What interested me in this was the Other. How do we see him and perceive him, how does he perceive us? How do we perceive the people who sell us roses at a café terrace, and who we send away without looking at them? They come from some place. That was what interested me. [.]. Best film lists (1). Some Like It Hot (1). Strangers on a Train (2). On the set (17). Blue is the Warmest Color.

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Cannes » thefilmbook - edited by Benjamin B

http://thefilmbook.net/category/events/cannes

Cinema art and technology edited by Benjamin B – version 3. Palme d’or winner Jacques Audiard. 8212; What interested me in this was the Other. How do we see him and perceive him, how does he perceive us? How do we perceive the people who sell us roses at a café terrace, and who we send away without looking at them? They come from some place. That was what interested me. [.]. 8211; Cinematographers at Cannes 2015. Teaser for WILD TALES by Damián Szifrón. My Palme d’Or: BLUE IS THE WARMEST COLOR. Abdelatif...

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film etc » thefilmbook - edited by Benjamin B

http://thefilmbook.net/category/film-etc

Cinema art and technology edited by Benjamin B – version 3. US Theater Attendance Down. 8212; Variety and others report some disturbing US box office trends: 1. Movie theater attendance went down 6% in 2014 from 2013 2. Young people are going to the movies much less Link: Variety article: http:/ bit.ly/1xaGKlk. Jacques Delacoux’ French Legion of Honor. 7 Magnificent Movies in 2013. BBC finally accepts Super 16 again. 8212;— Thanks to a lengthy campaign by British filmmakers and friends, the BBC has...

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directors » thefilmbook - edited by Benjamin B

http://thefilmbook.net/category/filmmakers/directors

Cinema art and technology edited by Benjamin B – version 3. Palme d’or winner Jacques Audiard. 8212; What interested me in this was the Other. How do we see him and perceive him, how does he perceive us? How do we perceive the people who sell us roses at a café terrace, and who we send away without looking at them? They come from some place. That was what interested me. [.]. Emmanuel Lubezki thanks Alejandro Iñarritu. 8211; Interview with Xavier Dolan about MOMMY. My interview with Luc Besson part 2.