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BENJAMIN GORDON | Official Homepage for Conductor Benjamin Gordon

Seven Lieder from Schwanengesang”. Under Benjamin Gordon’s watchful eye the contrasting characters of the vigorous and taut Scherzo and the glorious and heroic third movement were distinctfully and thoroughly sculpted. The dynamic nuances essential for Beethoven’s consolidation of the motivic material came off especially well. The listener pratically had goose bumps during the monumental Finale with its heroic and hymnal Ode to Joy. (Gerd Klingeberg, Weser Kurier, 12.13.12). This adaptation is much more ...

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BENJAMIN GORDON | Official Homepage for Conductor Benjamin Gordon | benjamingordon.de Reviews
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Seven Lieder from Schwanengesang”. Under Benjamin Gordon’s watchful eye the contrasting characters of the vigorous and taut Scherzo and the glorious and heroic third movement were distinctfully and thoroughly sculpted. The dynamic nuances essential for Beethoven’s consolidation of the motivic material came off especially well. The listener pratically had goose bumps during the monumental Finale with its heroic and hymnal Ode to Joy. (Gerd Klingeberg, Weser Kurier, 12.13.12). This adaptation is much more ...
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BENJAMIN GORDON | Official Homepage for Conductor Benjamin Gordon | benjamingordon.de Reviews

https://benjamingordon.de

Seven Lieder from Schwanengesang”. Under Benjamin Gordon’s watchful eye the contrasting characters of the vigorous and taut Scherzo and the glorious and heroic third movement were distinctfully and thoroughly sculpted. The dynamic nuances essential for Beethoven’s consolidation of the motivic material came off especially well. The listener pratically had goose bumps during the monumental Finale with its heroic and hymnal Ode to Joy. (Gerd Klingeberg, Weser Kurier, 12.13.12). This adaptation is much more ...

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1

BENJAMIN GORDON | Director de orquesta y compositor

http://benjamingordon.de/es

Páginas en español. Se están actualizando. Premiere 03.07.2014.

2

Pinocchio | BENJAMIN GORDON

http://benjamingordon.de/en/operas/pinocchio

Seven Lieder from Schwanengesang”. Opera in two acts by Pierangelo Valtinoni. Libretto by Paolo Madron based on “The Adventures of Pinocchio” by Carlo Collodi. English Version by Benjamin Gordon. Over the past decade children’s operas have established a foothold in dozens of the medium and larger German houses. Every few years an opera comes along which stands out from all the rest, raising the bar by which all other children’s operas are judged. In 2006 Pierangelo Valtinoni’s. The lesson is clear: Adult...

3

Seven Lieder from Schwanengesang for Baritone and String Orchestra | BENJAMIN GORDON

http://benjamingordon.de/en/schubert/rellstab

Seven Lieder from Schwanengesang”. Seven Lieder from Schwanengesang for Baritone and String Orchestra. Schubert Lieder Arranged for Orchestra. Seven Lieder from Schwanengesang for Baritone and String Orchestra. VI In der Ferne. Duration: ca. 30 minutes. Performing materials on hire. Perusal Score on Request. Seven Lieder from Schwanengesang. For Baritone and String Orchestra. Text by Ludwig Rellstab.

4

The Snow Queen | BENJAMIN GORDON

http://benjamingordon.de/en/operas/the-snow-queen

Seven Lieder from Schwanengesang”. Grandmother / The Flower Lady /. The Crow’s Wife. First Child, Second Child, First Bird, Second Bird, Hyacinth, Lily, Princess, Prince, The Robber’s Daughter. Playmates, The White Hens, Birds, The River, Flowers, Servants, Robbers, Chorus of Devils, Army of Snowflakes. Stage Director: Nicola Panzer. Set Design: Ingrid Irene Wachsmann. Opera in two acts by Pierangelo Valtinoni. Libretto by Paolo Madron based on “The Snow Queen” by Hans Christian Andersen.

5

Schubert Lieder Arranged for Orchestra | BENJAMIN GORDON

http://benjamingordon.de/en/schubert

Seven Lieder from Schwanengesang”. Schubert Lieder Arranged for Orchestra. Schubert Lieder Arranged for Orchestra. For Soprano and Orchestra. I Rastlose Liebe (Johann Wolfgang von Goethe). II Ganymed (Johann Wolfgang von Goethe). III Suleika II (Marianne von Willemer). IV Nähe des Geliebten (Johann Wolfgang von Goethe). V Suleika I (Marianne von Willemer). For Tenor and Orchestra. I Der Wanderer an den Mond D870. II Am Fenster D878. IV Das Zügenglöcklein D871. V Im Freien D880. VI Bei Dir D866.

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BENJAMIN GORDON | Official Homepage for Conductor Benjamin Gordon

Seven Lieder from Schwanengesang”. Under Benjamin Gordon’s watchful eye the contrasting characters of the vigorous and taut Scherzo and the glorious and heroic third movement were distinctfully and thoroughly sculpted. The dynamic nuances essential for Beethoven’s consolidation of the motivic material came off especially well. The listener pratically had goose bumps during the monumental Finale with its heroic and hymnal Ode to Joy. (Gerd Klingeberg, Weser Kurier, 12.13.12). This adaptation is much more ...

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