I hold space for artists and allow them the freedom to offer their richest gifts. Whether I am arranging, playing, recording, mixing, or listening, it is the skills and wisdom that I have cultivated throughout my entire life both in the recording studio and outside of it, that I bring to the table when I start a new project with an artist.
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Wisch Productions
310 Nor●●●●●●●ant Ave
Rid●●●ood , New Jersey, 07450
United States
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Ben Wisch
310 Nor●●●●●●●ant Ave
Rid●●●ood , New Jersey, 07450
United States
View this contact
Ben Wisch
310 Nor●●●●●●●ant Ave
Rid●●●ood , New Jersey, 07450
United States
View this contact
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Ben Wisch: Producer, Artist, Instructor | benwisch.com Reviews
https://benwisch.com
I hold space for artists and allow them the freedom to offer their richest gifts. Whether I am arranging, playing, recording, mixing, or listening, it is the skills and wisdom that I have cultivated throughout my entire life both in the recording studio and outside of it, that I bring to the table when I start a new project with an artist.
Jim Gilmour - Singer :: Songwriter :: Producer :: Engineer - Folk, rock, Americana
http://www.jimgilmour.com/jim_gilmour_music.php
Click here to peruse and purchase Jim's music. Visit ReverbNation to hear some of Jim's tunes:. Click on an album cover for information or to order online. Back To Square One. Too Many Years: A Benefit for Clear Path International (2005). Flatworld - Solo album, produced by Ben Wisch. Ldquo;Quarterline” - Solo album, produced by Ben Wisch. Ldquo;Back To Square One” - Acoustic duo with Duane Carleton. Aint the Same As Before - Kort McCumber. 2009, co-produced, bass, vocals. Ldquo;Dragon” - John Flynn.
Steve Krause Music: The Blog: April 2010
http://stevekrausemusic.blogspot.com/2010_04_01_archive.html
Steve Krause Music: The Blog. Friday, April 23, 2010. Recording: Days 12 and 13 (The End of the Beginning.). I find myself in a bit of a philosophical mood as I write this journal entry for Days 12 and 13 of my recording session, which are my last for this first phase of the project. And the last two days working on guitar overdubs in Ben’s NYC studio. Ben’s NYC studio space is small – just one room – and full of recording equipment of all kinds. Guitarists, Billy Masters. Billy had brought along a whole...
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Ben Wirth Licht
My lights are strongly influenced by creative processes in architecture. The illuminants LED and OLED have completely opened new ways for design. In my designs I always pay attention to harmony between content and form. What is feasible? What makes sense when working with the new technologies? In which direction are we going?
benwirthlicht
My lights are strongly influenced by creative processes in architecture. The illuminants LED and OLED have completely opened new ways for design. In my designs I always pay attention to harmony between content and form. What is feasible? What makes sense when working with the new technologies? In which direction are we going?
Benjamin Wirtz Siegel | Photography
Great Lakes Areas of Concern. Ellyn Loss Bachelors of Specialized Studies Photo by Ben Siegel.
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Ben Wisch: Producer, Artist, Instructor
Each breath is an opportunity to embrace life and offer yourself fully into each moment. If we align ourselves with the natural flow of energy, we can more easily accept what is and make choices that promote health, well-being, and balance by using all the lessons and wisdom we’ve gathered right up to this present moment.
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Crossed Lines
I'm a socially awkward Christian speculating about unknown things on graph paper … What else should I call my blog? Passion , from the Latin passio , which means to suffer. April 3, 2015. I have a song stuck in my head. It’s called 1000 Times and it’s sung by Sara Bareilles on her latest album The Blessed Unrest . Here’s a link to the song on my Google Drive. If you don’t mind video lyrics or the ad at the beginning, here’s a link to it on youtube. Back of the room. A hundred and five. And I feel it.
Ben Wise
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Released 25 August 2014. Written, performed, produced and engineered by Ben Wise. Mastered at Brotheryn Studios by Jason Mariani. Bass on Tracks 2-10 by Joey Clement. Trumpet on Tracks 2 and 9 by Taylor Haskins. Saxophone on Track 5 by Dana Nielsen. Recorded in Los Angeles at Owls Roost and The Skybox. Photography and design by Kevin McShane. All songs published by Owl In The Wood, BMI.
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