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Berimbau Realisations

My realisations of all things related to the berimbau. Monday, May 22, 2006. The sound of the berimbau improves with care and use. The sound of the berimbau improves with care and use. the sound will actually deepen and become fuller and richer with care, maintenance and use. Posted by luke searra @ 6:22 AM. Wednesday, March 22, 2006. PHI as related to the tuning and sound of the berimbau. It is interesting the role that the number PHI and its proportions might play as related to the sound of the berimbau.

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Berimbau Realisations | berimbau-realisations.blogspot.com Reviews
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My realisations of all things related to the berimbau. Monday, May 22, 2006. The sound of the berimbau improves with care and use. The sound of the berimbau improves with care and use. the sound will actually deepen and become fuller and richer with care, maintenance and use. Posted by luke searra @ 6:22 AM. Wednesday, March 22, 2006. PHI as related to the tuning and sound of the berimbau. It is interesting the role that the number PHI and its proportions might play as related to the sound of the berimbau.
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3 stages of progression
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Berimbau Realisations | berimbau-realisations.blogspot.com Reviews

https://berimbau-realisations.blogspot.com

My realisations of all things related to the berimbau. Monday, May 22, 2006. The sound of the berimbau improves with care and use. The sound of the berimbau improves with care and use. the sound will actually deepen and become fuller and richer with care, maintenance and use. Posted by luke searra @ 6:22 AM. Wednesday, March 22, 2006. PHI as related to the tuning and sound of the berimbau. It is interesting the role that the number PHI and its proportions might play as related to the sound of the berimbau.

INTERNAL PAGES

berimbau-realisations.blogspot.com berimbau-realisations.blogspot.com
1

Berimbau Realisations: forefinger and thumb grip

http://www.berimbau-realisations.blogspot.com/2006/03/forefinger-and-thumb-grip.html

My realisations of all things related to the berimbau. Sunday, March 19, 2006. Forefinger and thumb grip. Playing the berimbau by grabbing the vaquetta between your forefinger and thumb so that it can easily move will create a tireless, fast way of playing the berimbau, with quick agile, rhythmical movements. But does not seem to lend itself well to extremely fast movements. Posted by luke searra @ 4:25 PM. Niteroi, Icarai, Rio de Janeiro, Brazil. View my complete profile. Touch . . .

2

Berimbau Realisations: Warping of the berimbau wood

http://www.berimbau-realisations.blogspot.com/2006/02/warping-of-berimbau-wood.html

My realisations of all things related to the berimbau. Tuesday, February 21, 2006. Warping of the berimbau wood. DO NOT leave your berimbau in your car (where it will be in the sun for many hours), especially in humid climates. More importantly do not leave STRUNG in your car! It will warp almost indefinetely and the sound will change. Posted by luke searra @ 5:41 PM. Niteroi, Icarai, Rio de Janeiro, Brazil. View my complete profile. Details in the berimbaus sound.

3

Berimbau Realisations: March 2006

http://www.berimbau-realisations.blogspot.com/2006_03_01_archive.html

My realisations of all things related to the berimbau. Wednesday, March 22, 2006. PHI as related to the tuning and sound of the berimbau. It is interesting the role that the number PHI and its proportions might play as related to the sound of the berimbau. Posted by luke searra @ 6:03 PM. The berimbau player will go through stages of progression or levels as a player, these change the more he experiments and plays with the berimbau. These realisations range from tuning to the もち方of the berimbau itself.

4

Berimbau Realisations: February 2006

http://www.berimbau-realisations.blogspot.com/2006_02_01_archive.html

My realisations of all things related to the berimbau. Wednesday, February 22, 2006. Touch . . . When playing the berimbau, 自然のほうがいい。 Playing very naturally and softly is better. Try not to use a lot of strength. This leads to your arms not being tired. Also try to use your wrist as a point from where most of your torque comes, after that use your arm from your elbow as opposed to your whole arm. Posted by luke searra @ 4:47 PM. Tuesday, February 21, 2006. Warping of the berimbau wood. After 2.6 Years.

5

Berimbau Realisations: recoil potential, using it to improve

http://www.berimbau-realisations.blogspot.com/2006/03/recoil-potential-using-it-to-improve.html

My realisations of all things related to the berimbau. Sunday, March 19, 2006. Recoil potential, using it to improve. The recoil potential of the arame determines how fast the berimbau can be played. Finding a natural しぜんのバランス balance between using the momentum of the motion of the vaquetta, and rhythm, you will become a good berimbau player. Posted by luke searra @ 4:25 PM. Niteroi, Icarai, Rio de Janeiro, Brazil. View my complete profile. Regardless of the Cabça size. changing Gunga to .

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capoeirarealisations.blogspot.com capoeirarealisations.blogspot.com

Capoeira Realisations: March 2006

http://capoeirarealisations.blogspot.com/2006_03_01_archive.html

Realisations about the nature of the art of capoeira. Sunday, March 19, 2006. Manipulation of matter is part of what it means to be civilised. Difference between Japanese Capoeira and non-Japanese capoeira is that capoeira culture and Japanese culture basically hold culturally oppositional ideas. The ideas of alterior motives (malandragem), and Japans consideration of none from the honour system of the Samurai Jidai. Posted by luke searra at 4:35 PM. Niteroi, Icarai, Rio de Janeiro, Brazil. I am, I am not.

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Capoeira Realisations: February 2006

http://capoeirarealisations.blogspot.com/2006_02_01_archive.html

Realisations about the nature of the art of capoeira. Monday, February 27, 2006. NEVER teach for free. Always, some sort of exchange or compensation is IN order. Posted by luke searra at 3:48 PM. As a teacher, you are never wrong. Posted by luke searra at 3:45 PM. Sunday, February 26, 2006. I am, I am not. I am not Regional, I am not Angola, I am Capoeira.". Posted by luke searra at 9:12 PM. Wednesday, February 22, 2006. The nature of Capoeira. Posted by luke searra at 7:40 PM. View my complete profile.

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Capoeira Facts: February 2006

http://capoeirafacts.blogspot.com/2006_02_01_archive.html

Tuesday, February 28, 2006. The differences between louvação/chula, quadra/corrido and ladainha. This article also contains information on:. What instruments play in the batteria during the ladainha. When the other instruments enter into the batteria. When the player enters the roda.). Well, see you in troubles. Here is a fragment of the book of mestre João Pequeno. The translate was made it by me, and sure have some mistakes. The beginning of the game is marked by the ladainha. Eu tava em minha casa.

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Berimbau Realisations

My realisations of all things related to the berimbau. Monday, May 22, 2006. The sound of the berimbau improves with care and use. The sound of the berimbau improves with care and use. the sound will actually deepen and become fuller and richer with care, maintenance and use. Posted by luke searra @ 6:22 AM. Wednesday, March 22, 2006. PHI as related to the tuning and sound of the berimbau. It is interesting the role that the number PHI and its proportions might play as related to the sound of the berimbau.

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