bhasabharathi.com

..:: BHASABHARATHI --> Centre for Performing Arts, Research and Training ::..

Bhasabharathi inherits the legacy of the continued and colourful work of the SOPANAM INSTITUTE OF PERFORMING ARTS AND RESEARCH, which has a standing of more than 40 years in the field of theatre and performing arts of Kerala. The founder director of Sopanam Shri. Kavalam Narayana Panikkar in collaboration with other active members like Dr. K. Ayyappa Panikker, famous poet, late Shri. G. Aravindan, eminent film maker, Shri. Bharath Gopi, Shri. Nedumudi Venu and many other enthusiasts in the field of culture

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..:: BHASABHARATHI --> Centre for Performing Arts, Research and Training ::.. | bhasabharathi.com Reviews

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Bhasabharathi inherits the legacy of the continued and colourful work of the SOPANAM INSTITUTE OF PERFORMING ARTS AND RESEARCH, which has a standing of more than 40 years in the field of theatre and performing arts of Kerala. The founder director of Sopanam Shri. Kavalam Narayana Panikkar in collaboration with other active members like Dr. K. Ayyappa Panikker, famous poet, late Shri. G. Aravindan, eminent film maker, Shri. Bharath Gopi, Shri. Nedumudi Venu and many other enthusiasts in the field of culture

<META> KEYWORDS

1 Bhasabharathi

2 Sopanam

3 Sopanam Institute of Performing Arts and Research

4 Theatre arts

5 Performing arts

6 Kavalam Narayana Panikkar

7 Ayyappa Panikker

8 Aravindan

9 Bharath Gopi

10 Nedumudi Venu

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site search,web search,sopanam,about us,kavalam,academic programs,mohiniattam,drama clippings,productions,kurunnukootam,sopana sangeetham,photo gallery,artistes gallery,news letter

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..:: BHASABHARATHI --> Centre for Performing Arts, Research and Training ::.. | bhasabharathi.com Reviews

https://bhasabharathi.com

Bhasabharathi inherits the legacy of the continued and colourful work of the SOPANAM INSTITUTE OF PERFORMING ARTS AND RESEARCH, which has a standing of more than 40 years in the field of theatre and performing arts of Kerala. The founder director of Sopanam Shri. Kavalam Narayana Panikkar in collaboration with other active members like Dr. K. Ayyappa Panikker, famous poet, late Shri. G. Aravindan, eminent film maker, Shri. Bharath Gopi, Shri. Nedumudi Venu and many other enthusiasts in the field of culture

INTERNAL PAGES

bhasabharathi.com

1

..:: BHASABHARATHI --> Drama Clippings -- Kallurutty ::..

http://www.bhasabharathi.com/drama_clipping.htm

Kallurutty is the theatrical adaptation of a myth, which exists among the Mavilar tribe of North Kerala. Kallurutty, a girl belonging to this tribes, is a darling of the Nature.When she rolls a stone, Nature reacts in her favour and if someone tries to molest her, the reaction is turbulent. Bhasabharathi, 2007 - 2014. Powered by Nakshathra Design.

2

..:: BHASABHARATHI --> Centre for Performing Arts, Research and Training ::..

http://www.bhasabharathi.com/about.htm

Bhasabharathi inherits the legacy of the continued and colourful work of the SOPANAM INSTITUTE OF PERFORMING ARTS AND RESEARCH,. Which has a standing of more than 40 years in the field of theatre and performing arts of Kerala. The founder director of Sopanam Shri. Kavalam Narayana Panikkar. In collaboration with other active members like Dr. K. Ayyappa Panikker. Famous poet, late Shri. G. Aravindan. Eminent film maker, Shri. Bharath Gopi. Bhasabharathi, 2007 - 2014. Powered by Nakshathra Design.

3

..:: BHASABHARATHI --> News Letter ::..

http://www.bhasabharathi.com/news_letter.htm

Sopanam will be presenting Mahakavi Bhasa's Madhyama Vyayogam in Sanskrit. At Surya Kanthi Hall (Kavalam Nagar), Thali, Kozhikode. On 13th Augest 2016. Organized by Tapasya. Bhasabharathi, 2007 - 2014. Powered by Nakshathra Design.

4

..:: BHASABHARATHI --> SOPANA SANGEETHAM -- The indigenous music of Kerala ::..

http://www.bhasabharathi.com/sopana_sangeetham.htm

A systemic training in Sopanam music has been evolved through the combined research work of Panikkar and Shri. B. Sasikumar, violin maestro and a doyen pedagogue who belongs to a traditional Sopanam family. Sasikumar has inherited the legacy of his father Late M.K. Bhaskara Panikkar, a prominent nagaswaram artiste. Bhasabharathi, 2007 - 2014. Powered by Nakshathra Design.

5

..:: BHASABHARATHI --> SOPANAM -- Centre for Performing Arts, Research and Training ::..

http://www.bhasabharathi.com/sopanam.htm

Sopanam Institute of Performing Arts and Research. SOPANAM INSTITUTE OF PERFORMING ARTS AND RESEARCH. RegNo: 311/81), Aramada P.O, Thiruvananthapuram- 695 032. Kerala,India. Tel: 91- 471- 2351559, Fax: 91 471- 2354430 E- mail: sopanam@bhasabharathi.com. Bhasabharathi, 2007 - 2014. Powered by Nakshathra Design.

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kalakeralam.com

Institutions fine Arts

http://www.kalakeralam.com/finearts/institutions.htm

Indian School Of Arts. Recoganised by Govt.of Kerala). MGRoad, Ravipuram, Cohin - 682 015. CHITRASALA SCHOOL OF PAINTINGS. Chunakkara South, Charummud. P. O. Kerala Basic School of Fine Art. Mullassery Canal Road, Kochi. Ph: 381606. Chitram School of Arts.

nellikka.blogspot.com

നെല്ലിക്ക Nellikka: January 2015

http://nellikka.blogspot.com/2015_01_01_archive.html

നെല്ലിക്ക Nellikka. വചോ വിഭൂതിര്‍ ന തു പാരമാര്‍ത്ഥ്യം (ഈ കഥകളെല്ലാം ഉണ്ടാക്കിപ്പറഞ്ഞതാണ്, വാസ്തവമല്ല) - ശ്രീമഹാഭാഗവതം. പൂമുഖം. തോന്നിയവാസം. കണ്ടെഴുത്ത്. കയറ്റുമതി. കടലാസുകപ്പൽ. Friday, January 23, 2015. എളവാത്ത പുസ്തകങ്ങളുള്ള ഗ്രന്ഥശാല. ചിത്രത്തിനു കടപ്പാട്: ഭാസഭാരതി. സംശയമുണ്ടെങ്കില്‍ ഒത്തുനോക്കാന്‍ സംസ്കൃതം മൂലം വേറെ ഒരിടത്ത്. എഴുതിയത്‌ Rajesh R Varma രാജേഷ് ആര്‍. വര്‍മ്മ. Friday, January 23, 2015. 0 അഭിപ്രായങ്ങള്‍. വിഭാഗങ്ങള്‍: അനുഭവം. Saturday, January 17, 2015. ഭാരതാംബ. Saturday, January 17, 2015.

theatretalks.com

Non-Western Traditions - Theatre Talks & Walking Tours

http://www.theatretalks.com/non-western-traditions.html

Theatre Talks and Walking Tours. Miracle Plays and Mysteries. Elizabethan and Restoration Theatre. International Center For Beijing Opera. Narthaki: The world of Indian dance. Currently accepting bookings for 2016,. Historical societies, libraries, senior centers, etc. Details for independent walks will be posted in August 2016. For additional information, availability and fees:.

keralasongs.wordpress.com

ケーララ寺院音楽・ソーパーナム②～歌唱スタイル | ケララのうた

https://keralasongs.wordpress.com/2013/01/29/ケーララ寺院音楽・ソーパーナム②～歌唱スタイ

たとえば、即興時にカルナータカ音楽ではタダリナなどの音節を使用するが、ソーパーナスタイルではアカーラ阿音の使用に終始し、またカルナータカ音楽ほどの細かい音の動きは無く、様々な即興の種類があるカルナータカ音楽に対して、メインとなる歌の前に行うだけと、シンプルである。しかし現在は、クシェートラカラーピータムという、ソーパーナムを始めとする寺院芸能を教える教育機関もあるこれはウィキ. カルナータカ音楽において、プランダラダーサによって体系立てられた習得法稽古法は、ターラム拍子やマノーダルマ即興の作法などの違いがあれど、基本的にソーパーナスタイルにも有効であり、またラーガも共通するものが多いことから、自然に取り入れられているようだ。アンバラップラヴィジャヤクマール Ambalappuzha Vijayakumar。クーリヤーッタムの開始前にマハーガナパティムの有名なカルナーティックソングが演奏されているのを映像で観たこともあるし、やはり境界線は微妙なところのようだ。

kalakeralam.com

Kerala has a rich verity of folk dances. They are highly developed and reflected and the temperaments and moods of the localities in music and costume.

http://www.kalakeralam.com/visual/visual.htm

Kerala has a rich verity of folk dances. They are highly developed and reflected and the temperaments and moods of the localities in music and costume. Nature silently and unobstrusively has moulded these dances just as the lives of people who . MORE. The primitive inhabitants of Kerala, the tribal people, are only about two hundred housand now and they are scattered in the jungles and hills of Malabar, Kochi and Travancore.here are about 35 different type of the tribals, chief among . MORE. The neoclass...

kibouwonozomu.wordpress.com

希望 | ケララブログ・伝統芸能風味 | ページ 2

https://kibouwonozomu.wordpress.com/page/2

11月 13, 2013. From → f.インド後. 11月 12, 2013. そこに苛々しているだけ悶々と思い悩むだけ時間の無駄で、私は別にそれ知らないこと勘違いしていることエトセトラと、私が感じる事柄を、かわいそうだって思ったって、いいんだろう。 From → f.インド後. 11月 12, 2013. 急に悟りが訪れて、教えてやるんだからありがたく思えモードに突入。 From → f.インド後. 11月 10, 2013. From → f.インド後. 11月 10, 2013. From → b2.芸能. 11月 10, 2013. しかし、山が荒れるとはどういうことかそれは、人の手が入った山が荒れる、ことで、もっと大きな視点からすれば、より自然な状態に還っていく、ということかもしれない。しばらく前に、チェルノブイリの森という本たしかを読んだ。 From → ba2.土地. 11月 10, 2013. 人によっては、大野晋のように、西の海南アジア東南アジアからの流れや、更にアメリカ大陸との繋がりなども入れるかもしれない。

kibouwonozomu.wordpress.com

新ブログ | 希望

https://kibouwonozomu.wordpress.com/2013/11/26/新ブログ

11月 26, 2013. Http:/ paromitalog.wordpress.com. From → f.インド後. しあわせのたね - 青年海外協力隊アフリカマラウイ活動日記 –. Chitrini 64 but not Chicken 65….

kibouwonozomu.wordpress.com

プロではないガチな世界 | 希望

https://kibouwonozomu.wordpress.com/2013/11/18/プロではないガチな世界

11月 18, 2013. From → d.思考. しあわせのたね - 青年海外協力隊アフリカマラウイ活動日記 –. Chitrini 64 but not Chicken 65….

kibouwonozomu.wordpress.com

求める権利 | 希望

https://kibouwonozomu.wordpress.com/2013/11/17/求める権利

11月 17, 2013. パレロイェジャオアマイェ私を対岸へつれていってこの間も紹介した歌。でも歌の内容は、自分の内を見つめよこの人生は一回限り己の鍵を、他人に明け渡すなとか、そういう内容だったり、しかもかつてのバウルたちは即興で歌うものでもあったと言われている。そうした神は己の内にある的な一元論をベースにした歌と、バクティ神に絶対的に帰依する、冒頭のような歌が矛盾しないのは、なぜか。真実、神ここではとりあえずそう書いておくと向き合っている人間には、それだけの力、あるいは権利、あるいはやはり力、が、当たり前に備わるのだ。 From → バウル. しあわせのたね - 青年海外協力隊アフリカマラウイ活動日記 –. Chitrini 64 but not Chicken 65….

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..:: BHASABHARATHI --> Centre for Performing Arts, Research and Training ::..

Bhasabharathi, 2007 - 2014. Powered by Nakshathra Design.

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