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Big EchoBIG ECHO is a free, online journal of critical science fiction.
http://www.bigecho.org/
BIG ECHO is a free, online journal of critical science fiction.
http://www.bigecho.org/
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Big Echo | bigecho.org Reviews
https://bigecho.org
BIG ECHO is a free, online journal of critical science fiction.
Three Ladies of the Evening — Big Echo
http://www.bigecho.org/three-ladies-of-the-evening
Three Ladies of the Evening:. An Abbreviated List of the Ladies of Pleasure Along the Grand Canal. Z Finch and Co., Publishers. The Renaissance In Your Pocket: A Gentleman's Guide to the Earthly Pleasures of Sixteenth-Century Europe. Volume 12 of the guidebook series. Dist Roué and Sons, 2060 3rd Ave., New York, New York. Reproduced with permission. From Section XVI.xi, The Republic of Venice :. And of course no Late-Renaissance trip is complete without a stop in Venice. In the sixteenth century, the.
Fallinghome: A Re-Evaluation — Big Echo
http://www.bigecho.org/fallinghome
By Stewart C Baker. Interlocking perpendiculars, hyperbolic spirals, and catenarian arches: these are the hallmarks of Akiko Cheung, whose work after the destruction of Earth in the gravitic anomaly of 2168 needs no introduction. To this day, her trans-Neptunian ring-worlds and Valles Marineris habitat stand as iconic structures of post-anomaly architecture. This essay presents an alternative view. Day after the disaster, ship-time. We still have no idea what's happened, but it's clear that Earth is ...
Nothing Beside Remains — Big Echo
http://www.bigecho.org/nothing-beside-remains
Nothing Beside Remains: A History of the New Weird. 0 A New Tradition. There’s a line in an old Martin Petto review. This observation immediately transported me back to 2004 when I reviewed. And specifically praised him not only for his use of SFnal techniques in a Fantasy novel, but also the threat this type of genre bending posed to what I then saw as traditional Fantasy writing:. Steph Swainston was perhaps too far ahead of the curve when she published. The Year of Our War. 1 First as Politics. Was (s...
Perihelion — Big Echo
http://www.bigecho.org/perihelion
Hold on tight, we're coming around again. This thing crumbles a little every time we hit perihelion. Almost lost my footing again. You okay? Good We've got a moment to catch our breath, except we don't breathe any more. Words stick in language like vestigial tails in the womb. Not that we have either of those any more, either. We still have eggs, though. And if you're ready to leave yours behind, now would be a good time. We're about as far from the sun as we're going to get. Our ancestors, when they fir...
The Incursus — Big Echo
http://www.bigecho.org/incursus
Reviewed by] Gord Sellar. 931 pages. indiBooks.fnet1 (Pub. 14 August 2033.). The Death of Science Fiction had remained a perennial, if tiresome, subject for reviewers of SF novels for decades. In each case, the supposed flatline of the genre whether in terms of quality, viability, or intrepidity has leapt back to gloriously resolute life, producing enough notable books in each surge of the commercial ECG that one must finally consider another oneself amid a. Yes, you read that right:. The blurbs did noth...
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My fiction | The Infinite Library and Other Stories
https://vrocampo.com/fiction
The Infinite Library and Other Stories. By Victor Fernando R. Ocampo. Skip to primary content. SEA writers – Indonesia. SEA writers – Malaysia. SEA writers – Philippines. SEA writers – Singapore. Here‘s some stuff that I wrote –. Was the winner of the 2012 Romeo Forbes. Children’s Story Writing Competition. It was published in 2015 by CANVAS with Illustrations by Jon Jaylo, and a Filipino translation by Rhandee Garlitos. (. Canvas Press 2014). Exhibit. Philippine Speculative Fiction Volume 6. Outpouring:...
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Big Echo
A Klee painting named. The War of People. By Stewart C Baker. By Wm Henry Morris. Cat, I Must Work! By Jo Lindsay Walton. Nothing Beside Remains: A History of the New Weird. The Incursus, by Asimov-NN#71. Dying in Miami in the Sun. By Michael Díaz Feito. Three Ladies of the Evening. By Peter Milne Greiner.
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