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Bilitis, Revisited | Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . .

Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . .

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Bilitis, Revisited | Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . . | bilitisproject.wordpress.com Reviews
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Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . .
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1 bilitis revisited
2 about the project
3 performances
4 media
5 background
6 interviews with bilitiphiles
7 about us
8 subscribe to feed
9 by brooke lyssy
10 2 comments
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Bilitis, Revisited | Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . . | bilitisproject.wordpress.com Reviews

https://bilitisproject.wordpress.com

Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . .

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Bilitis, Revisited | Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . . | Page 2

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Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . . Welcome to Bilitis, Revisited! July 27, 2009 in Uncategorized. In January and February 2010, the Sarofim School of Fine Arts at Southwestern University will offer historic performances of three musical works by Claude Debussy that were inspired over a century ago by Belgian poet Pierre Louÿs’. Les Chansons de Bilitis. Follow Bilitis on Twitter. Next Entries ». Create a free website or blog at WordPress.com.

2

Media | Bilitis, Revisited

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Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . . A lovely performance of “La flute de Pan” from the 1897 songs by soprano Rose Taylor, with Project participant Tony Tobin at the piano. The instrument is Vladimir Horowitz’ Steinway! Here’s the link: http:/ debussypiano.com/blog/2009/04/10/rose-taylor-sings-the-debussy-chansons-de-bilitis/. Follow Bilitis on Twitter. Error: Twitter did not respond. Please wait a few minutes and refresh this page.

3

Six Épigraphes Antiques | Bilitis, Revisited

https://bilitisproject.wordpress.com/2010/01/18/six-epigraphes-antiques

Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . . January 18, 2010 in Uncategorized. Here’s a quick look at where the. Draw their musical-thematic content from within the. All translations are by Alvah C. Bessie from the sacred-text.org website. I Pour Invoquer Pan, Dieu Du Vent D’Été —. 1 Chant pastoral (Pastoral Song). I pluck the wool from the bright backs of my sheep to supply my distaff, and I spin. The hours are slow. An eagle sails the sky. 8220;Death d...

4

Bilitis, Then and Now | Bilitis, Revisited

https://bilitisproject.wordpress.com/2009/09/20/bilitis-then-and-now

Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . . Bilitis, Then and Now. September 20, 2009 in Uncategorized. So far in our blogs and writings about. Brooke went a step further and asked how we introduce the public, SU students and members of the Georgetown and surrounding communities alike, to the beautiful, yet dark side of Bilitis’ sexuality and sexual experience without making them avert their eyes in embarrassment or shame? Follow Bilitis on Twitter.

5

Performances | Bilitis, Revisited

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Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . . In today’s world it is difficult to identify a discipline for which the. And Debussy’s incidental music for chamber ensemble), and few who know Debussy’s settings for voice with piano have any idea of the sort of broad cultural, intellectual, and political resonance that the texts carried when they inspired Debussy’s music or that they still carry today. Aspires to remedy that. The works to be performed are:.

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Truth and beauty, art and society: From Classical Greece to fin-de-siècle Paris to today . . . February 9, 2010 in Uncategorized. I got the chance to interview three students and two faculty who are working on the project. Director of the final Songs of Bilitis reconstruction performance this Friday, talks about directing the reconstruction tableaux vivants as well as the “deconstruction” tableaux vivants and what they’re about. Costume designer, talks about her inspiration for the costumes. Per se, but ...

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