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BILLFRIED.COM

Welcome to Bill Fried.com

1st Prize, Grub Street Non-Fiction Award, 2005. Leave it to Beavis. The Cobbler and the Elves. The Name of the Father. American Public Radio Commentary. American Public Radio Commentary. American Public Radio Commentary. Dolls in the Attic. American Public Radio Commentary. American Public Radio Commentary. PC or not PC. American Public Radio Commentary. Good faith, bad faith. The Limits to Reform. Published in The Prison Journal, Fall, 1975.

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Welcome to Bill Fried.com | billfried.com Reviews
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DESCRIPTION
1st Prize, Grub Street Non-Fiction Award, 2005. Leave it to Beavis. The Cobbler and the Elves. The Name of the Father. American Public Radio Commentary. American Public Radio Commentary. American Public Radio Commentary. Dolls in the Attic. American Public Radio Commentary. American Public Radio Commentary. PC or not PC. American Public Radio Commentary. Good faith, bad faith. The Limits to Reform. Published in The Prison Journal, Fall, 1975.
<META>
KEYWORDS
1 billfried@juno com
2 photographs
3 watch your step
4 in and out
5 full court proust
6 boston globe op ed
7 couples
8 firesticks
9 knives
10 gods
CONTENT
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PAGE
billfried@juno com,photographs,watch your step,in and out,full court proust,boston globe op ed,couples,firesticks,knives,gods,empty nest,object,french fries,helena,christmas,real edge,patterns,ugly,words of pray,madonna,late,smokey,bored,nancy and sluggo
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Welcome to Bill Fried.com | billfried.com Reviews

https://billfried.com

1st Prize, Grub Street Non-Fiction Award, 2005. Leave it to Beavis. The Cobbler and the Elves. The Name of the Father. American Public Radio Commentary. American Public Radio Commentary. American Public Radio Commentary. Dolls in the Attic. American Public Radio Commentary. American Public Radio Commentary. PC or not PC. American Public Radio Commentary. Good faith, bad faith. The Limits to Reform. Published in The Prison Journal, Fall, 1975.

INTERNAL PAGES

billfried.com billfried.com
1

Dolls in the Attic

http://www.billfried.com/DOLLS.htm

Dolls in the Attic. MANY DOLLS AND TOYS,. ONE OF WHICH IS WOMAN #2). WOMAN #1 ENTERS, GOES. DIRECTLY TO WOMAN #2, AND. BEGINS GENTLY GROOMING HER). CHILDHOOD MUSIC UP AND OUT). Ah, give me a break. Just do it, friend o' mine. WOMAN #2 BEGINS AN. ALIENATED, SPASTIC DANCE. WOMAN #1 (CONT'D) (GENTLY). I meant what I said about you yesterday. WOMAN #2 CONTINUES DANCING). People don't usually take my side like that. And I appreciate it. SHE CHECKS WOMAN #1 OUT,. SHAKES HER HEAD AND STOPS). Dolls in the Attic.

2

Frogies

http://www.billfried.com/FRENCH.htm

A brief trip landed my family in a. Restaurant where I was soon riveted by the couple at the next table. Instead of exotic looking natives using unfamiliar tools, these folks were indistinguishable from us. Yet I felt profound distance. For buzzing around their brains (the result of. S attempt at cultural keep away) was this incomprehensible noise; an inaccessible social buzz- French. Their table was awash with the sounds of foreign movies where the deepest feelings can be evoked from the shallowest words.

3

OBJECT

http://www.billfried.com/OBJECT.htm

The gas station attendant asked, as I rolled down my window. I started to answer when I thought I caught his eyes looking at my bare legs. I cling to the notion that shorts shouldn't cover your ankles). It was more than visual information randomly gathered by his optic nerves; it was the look. I've been on the other side of that look; hopefully unnoticed, but I've checked out women that way. I felt as though his eyes were a burning laser, right on. Seeing me, seeing through me. This was a novel experience.

4

THE NAME OF THE FATHER

http://www.billfried.com/HANCOCK.htm

It is about separation and loss; the futile quest for permanence. It is about what endures. It is personal and direct; it is suggestive, poetic. It is about death. We can only watch, as the father tells his son that he is dying from an incurable disease. Proud and powerful, the boy's lifelong, bedrock security is passing. The son cries inconsolably. And it not the encapsulated crying we are hardened to on television. It is real world, real time, unrelenting sobbing. There is no hope, no release, no escape.

5

Index of /photos

http://www.billfried.com/photos

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billfried.com billfried.com

Welcome to Bill Fried.com

1st Prize, Grub Street Non-Fiction Award, 2005. Leave it to Beavis. The Cobbler and the Elves. The Name of the Father. American Public Radio Commentary. American Public Radio Commentary. American Public Radio Commentary. Dolls in the Attic. American Public Radio Commentary. American Public Radio Commentary. PC or not PC. American Public Radio Commentary. Good faith, bad faith. The Limits to Reform. Published in The Prison Journal, Fall, 1975.

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Bill Fried

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Bill Friedman - Photography

Bill Friedman was born and raised in the East New York section of. Brooklyn. In 1962 he graduated from the Polytechnic Institute of Brooklyn with a degree in Civil Engineering. After graduation he moved to San Francisco, where he bought his first Rolleiflex and discovered his true passion: photography. In 1968 he married Roberta, who supported him when he went to R.I.T. to study photo illustration under Charles Arnold. read more. You may find a selection of Bill's photos being sold on ebay.

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MY BLOGS

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