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BPA | Black Plays Archive

Welcome to the National Theatre’s Black Plays Archive website, an online catalogue of the first professional production of every African, Caribbean, and Black British play produced in the U.K. This project has been made possible by support from Sustained Theatre and Arts Council England. We encourage visitors to use the Feedback Tab to help us improve our records and to provide us with their views on the website and resources. Watch, Read, Listen:. David Harewood and Gary Wilmot in conversation. Oscar Ja...

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BPA | Black Plays Archive | blackplaysarchive.org.uk Reviews
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Welcome to the National Theatre’s Black Plays Archive website, an online catalogue of the first professional production of every African, Caribbean, and Black British play produced in the U.K. This project has been made possible by support from Sustained Theatre and Arts Council England. We encourage visitors to use the Feedback Tab to help us improve our records and to provide us with their views on the website and resources. Watch, Read, Listen:. David Harewood and Gary Wilmot in conversation. Oscar Ja...
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BPA | Black Plays Archive | blackplaysarchive.org.uk Reviews

https://blackplaysarchive.org.uk

Welcome to the National Theatre’s Black Plays Archive website, an online catalogue of the first professional production of every African, Caribbean, and Black British play produced in the U.K. This project has been made possible by support from Sustained Theatre and Arts Council England. We encourage visitors to use the Feedback Tab to help us improve our records and to provide us with their views on the website and resources. Watch, Read, Listen:. David Harewood and Gary Wilmot in conversation. Oscar Ja...

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blackplaysarchive.org.uk blackplaysarchive.org.uk
1

David Harewood and Gary Wilmot in conversation | BPA

http://www.blackplaysarchive.org.uk/content/david-harewood-and-gary-wilmot-conversation

David Harewood and Gary Wilmot in conversation. David Harewood and Gary Wilmot in conversation. In the third Walk in the Light platform, David Harewood and Gary Wilmot talk to Liza Tarbuck about their careers and being a black artist working in British theatre focusing mainly on the years between 1980 and 2000. The Royal National Theatre is registered charity no. 224223.

2

Bonnie Greer, Winsome Pinnock, Hugh Quarshie and Paulette Randall in conversation | BPA

http://www.blackplaysarchive.org.uk/content/bonnie-greer-winsome-pinnock-hugh-quarshie-and-paulette-randall-conversation

Bonnie Greer, Winsome Pinnock, Hugh Quarshie and Paulette Randall in conversation. Bonnie Greer, Winsome Pinnock, Hugh Quarshie and Paulette Randall in conversation. In the fourth Platform event from the Walk in the Light series, Bonnie Greer, Winsome Pinnock, Hugh Quarshie and Paulette Randall reflect on their careers focusing mainly on the period between 1980 and 2000. The Royal National Theatre is registered charity no. 224223.

3

Bibliography | BPA

http://www.blackplaysarchive.org.uk/featured-content/bibliography

A very select bibliography indicating some secondary sources related to black theatre in Britain. Compiled by Dr. Deirdre Osborne, Goldsmiths, University of London. Alibhai-Brown, Yasmin, ‘Black art can be bad, just as art by whites’ The Independent. 5 February, 2005. Anim-Addo, Joan. and Back, Les. ‘Black British Literature in British Universities: A 21. In English Subject Centre Newsletter. Issue 15, October, 2008. pp.10-14. Arana, R. Victoria. ed. Black British Aesthetics Today. Ed with Lauri Ramey.

4

Featured Content | BPA

http://www.blackplaysarchive.org.uk/featured-content

Mojisola Adebayo on Muhammad Ali and Me. Mojisola Adebayo talks about her play Muhammed Ali and Me, first performed at Ovalhouse Theatre in 2008. Roy Williams on Days of Significance. Roy Williams talks about his play Days of Significance, Swan Theatre, 2007. Michael Buffong on The Posse. Michael Buffong an original cast member of The Posse talks about how the Posse came to be. Read articles from National Theatre programmes and essays on playwrights, production history, style and genres.

5

Playwrights | BPA

http://www.blackplaysarchive.org.uk/explore-the-archive/browse/playwright

Born in Guyana, Michael Abbensetts moved to London in 1963, and began his career writing short stories. Inspired after seeing a. Award-winning filmmaker and playwright Anthony Abuah was born in Kenya to a Rwandan mother and Nigerian father. Abuah developed an. Addai; Levi David. Born in South London to Ghanaian parents, Levi David Addai began his playwrighting career whilst studying at Brunel University. His. Born in Ibadan, Nigeria, Adewale Ajadi is a playwright, storyteller and a qualified barrister.

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Wee Bookworm: April 2014

http://weebookworm.blogspot.com/2014_04_01_archive.html

Tuesday, 1 April 2014. Communication, Communication, Communication. The last week has seen me attend four conference/meetings, all of which were very different. I started off with the ARLIS afternoon at Whitechapel Gallery. I then attended the APAC. Rachel Kasbohm of the British Postal Museum and Archives spoke on their use of social media, from Facebook to Twitter to Flickr to their blog and it was useful to get her views on audience evaluation. The project manager of the Black Plays Archive. Created by...

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Audience Award 2015 - Alfred Fagon Award - Alfred Fagon Award

http://www.alfredfagonaward.co.uk/audience-award

The Roland Rees Bursary. The Alfred Fagon Series. The Alfred Fagon Series. I Write, I Live. Supported by the Peggy Ramsay Foundation. I’m again exploring the poetic voice the Alfred Fagon Award applauded.". Linda Brogan, winner 2001. Supported by the Peggy Ramsay Foundation. By Diana Nneka Atuona (this play won Best New Play of the Year in 2013); the revival of. By Mustapha Matura (who won the Alfred Fagon Award for Outstanding Contribution to Writing last year); and Matilda Ibini’s. Boi Boi is Dead.

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BPA | Black Plays Archive

Welcome to the National Theatre’s Black Plays Archive website, an online catalogue of the first professional production of every African, Caribbean, and Black British play produced in the U.K. This project has been made possible by support from Sustained Theatre and Arts Council England. We encourage visitors to use the Feedback Tab to help us improve our records and to provide us with their views on the website and resources. Watch, Read, Listen:. David Harewood and Gary Wilmot in conversation. Oscar Ja...

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