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book of seasons

Tuesday, May 5, 2015. Understandably, this is theoretical in nature; most artists make very little money off of their work. Doubt, though, comes from how effective of a measure of value this is. I've talked about the complexity of the concept of the individual as a sort of doubling, but now I'd also like to add the complexity of individual expression is also a matter of othering- othering within each individual. When there are more than one units of individuality, there stands the chance for othering.

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book of seasons | blacksoilmanuscripts.blogspot.com Reviews

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Tuesday, May 5, 2015. Understandably, this is theoretical in nature; most artists make very little money off of their work. Doubt, though, comes from how effective of a measure of value this is. I've talked about the complexity of the concept of the individual as a sort of doubling, but now I'd also like to add the complexity of individual expression is also a matter of othering- othering within each individual. When there are more than one units of individuality, there stands the chance for othering.

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1 book of seasons

2 individualism and doubt

3 exhibition at lacma

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5 b a gardner

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book of seasons | blacksoilmanuscripts.blogspot.com Reviews

https://blacksoilmanuscripts.blogspot.com

Tuesday, May 5, 2015. Understandably, this is theoretical in nature; most artists make very little money off of their work. Doubt, though, comes from how effective of a measure of value this is. I've talked about the complexity of the concept of the individual as a sort of doubling, but now I'd also like to add the complexity of individual expression is also a matter of othering- othering within each individual. When there are more than one units of individuality, there stands the chance for othering.

INTERNAL PAGES

blacksoilmanuscripts.blogspot.com

1

book of seasons: May 2015

http://blacksoilmanuscripts.blogspot.com/2015_05_01_archive.html

Tuesday, May 5, 2015. Understandably, this is theoretical in nature; most artists make very little money off of their work. Doubt, though, comes from how effective of a measure of value this is. I've talked about the complexity of the concept of the individual as a sort of doubling, but now I'd also like to add the complexity of individual expression is also a matter of othering- othering within each individual. When there are more than one units of individuality, there stands the chance for othering.

2

book of seasons: June 2014

http://blacksoilmanuscripts.blogspot.com/2014_06_01_archive.html

Wednesday, June 11, 2014. Things just got weird (CINDERS). Tuesday, June 10, 2014. The idea of plurality, continued. I should say that, in terms of my thinking about the impossibility of plurality in the art market, I mean strictly in the art market (and not the world in general). Our relationship as artists and makers to the market is what then becomes the main issue. Article on Micol Hebron's project. The art world, on the other hand, is pluralistic, as is the world in general. This whole idea of p...

3

book of seasons: December 2014

http://blacksoilmanuscripts.blogspot.com/2014_12_01_archive.html

Tuesday, December 30, 2014. I'm going to write a bit today about a concept that has to do with larger cultural concerns but plays into the art world, particularly with art fairs, commodification, and other issues that many people are discussing within and outside of the art world. If so, why? How are you being influenced in this? Who are fairs for, and what purpose do they serve? Tuesday, December 23, 2014. The end, the shortest day, and midwinter. I haven't finished it yet, but Martha Rosler's book Cult...

4

book of seasons: August 2014

http://blacksoilmanuscripts.blogspot.com/2014_08_01_archive.html

Monday, August 11, 2014. Entrepreneurship (and a suitable replacement). In the last few weeks I've had a much needed vacation and participated in a panel discussion (which was more of a panel of individual opinions expressed by each member) on art collecting. The panel and their ideas brought up some points that have stuck with me, and this is an appropriate venue for flushing them out a bit further in the next few posts. The idea of entrepreneurship. Needs to be reevaluated as it is used in the art world.

5

book of seasons: April 2014

http://blacksoilmanuscripts.blogspot.com/2014_04_01_archive.html

Sunday, April 13, 2014. I've been formulating a new artist statement- I think that this is incredibly important for a number of reasons, but the main motivations now are due to rewatching Painters Painting. Available on DVD and much more affordable than it was previously) and reading The Emancipated Spectator. It takes the form of a Jacotot teaching students something that he himself has not learned, the stultifying (normative) relationship between teacher-student is that the teacher knows. If the normat...

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benjaminagardner.com

Noise / Performance - Benjamin Gardner

http://www.benjaminagardner.com/noise-performance

Noise / performance with Alex Braidwood. And JJ. Butts. Live, partial recording from the Rurally Good Festival in Grinnell, Iowa, 2015: Horizon at Sun Valley.

benjaminagardner.com

2013 - Benjamin Gardner

http://www.benjaminagardner.com/2013

History of the decipherment 1,. Acrylic, flashe, and ink on paper. History of the decipherment 3. Acrylic and tape on paper. Autumnal caudex 6,. Acrylic, flashe, ink, and cardboard on panel. False thinking and magic silence,. Weeds, sticks, trumpet vine, acrylic, collage, tape, wood. Installation at Box 13, July 2013, Houston, Texas. Your hands above the waves,. Acrylic, wood, tape on panel. Acrylic, flashe, collage, wood, and graphite on panel. History of the decipherment 2,. Diadem 3: wisdom and a word.

benjaminagardner.com

home - Benjamin Gardner

http://www.benjaminagardner.com/home

benjaminagardner.com

2015 - Benjamin Gardner

http://www.benjaminagardner.com/2015

Wood, plywood, acrylic, collage, paper, and latex. Head of a saint 2,. Acrylic, ink, urethane, and flashe on canvas. Head of a saint 14. Acrylic and ink on canvas, wood, collage, and acrylic. 20" x 16" and 22" x 10" x 8". Acrylic and ink on canvas. Animated collapse of time and space,. Acrylic and urethane on canvas. See that my grave is kept clean (for K.H.),. Acrylic and urethane on canvas. Acrylic and urethane on canvas. The Knots (1 and 2),. Acryilc, ink, plywood. Approx. 15" x 10" each. Nunc stans 6,.

benjaminagardner.com

2012 - Benjamin Gardner

http://www.benjaminagardner.com/2012

The morning moon (with regrets). Acrylic and spraypaint on panel. The stars spell silence. Acrylic, plywood, popcycle sticks. Acrylic and spraypaint on panel. Black soil 13 (the sleeping buddha). Black soil #8 (manco capac). Acrylic, styrene, wood, leaf. Black soil 14, the morning moth, pandora sphinx. What hath thou brought. Styrene, roses, black eyed susans, queen anne's lace, sprayfoam, acrylic, leaves. Night song #3 (if there be a realm of reason). Acrylic and transfer on paper. 205" x 18.5".

benjaminagardner.com

statement - Benjamin Gardner

http://www.benjaminagardner.com/statement

Ontology and culture constitute the pillars of my research. In a broad sense, I reflect on and investigate existence, time, memory, and human work and production. Questions about the cosmological existence of the human race, why we produce culture, and the state of after-existence are important ones to my reading and studio practice. My most recent works (collectively titled. Head of a Saint. Are informed by a scene from Chris Marker’s film. Head of the apostle.

benjaminagardner.com

2014 - Benjamin Gardner

http://www.benjaminagardner.com/2014

One last midnight,. Acrylic and flashe on panel. Turned (for Pete),. Acrylic, collage, ink, graphite on paper. Nunc stans 1,. Acrylic and ink on paper. Wrenwood 68 (the let of dark),. Acrylic and ink on paper. Acrylic and ink on paper. Acrylic, flashe, gouache, ink on panel. 72" x 48" (tryptich). Acrylic and flashe on paper. Acrylic and ink on paper. Acrylic, collage, flashe, and ink on paper. Acrylic, ink, gouache, flashe on paper. Acrylic and ink on paper. Black soil #20 (the air between the limbs),.

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blacksoilmanuscripts.blogspot.com

book of seasons

Tuesday, May 5, 2015. Understandably, this is theoretical in nature; most artists make very little money off of their work. Doubt, though, comes from how effective of a measure of value this is. I've talked about the complexity of the concept of the individual as a sort of doubling, but now I'd also like to add the complexity of individual expression is also a matter of othering- othering within each individual. When there are more than one units of individuality, there stands the chance for othering.

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