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Bleeps and Pops

I'm Jim McGowan. I teach Sound Design at the Hong Kong Academy for Performing Arts and I recently completed an MSc in Sound and Music for Interactive Games at Leeds Metropolitan University. This blog...

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Bleeps and Pops | bleepsandpops.com Reviews
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I'm Jim McGowan. I teach Sound Design at the Hong Kong Academy for Performing Arts and I recently completed an MSc in Sound and Music for Interactive Games at Leeds Metropolitan University. This blog...
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Bleeps and Pops | bleepsandpops.com Reviews

https://bleepsandpops.com

I'm Jim McGowan. I teach Sound Design at the Hong Kong Academy for Performing Arts and I recently completed an MSc in Sound and Music for Interactive Games at Leeds Metropolitan University. This blog...

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1

Ask me anything - Bleeps and Pops

http://bleepsandpops.com/ask

I'm Jim McGowan. I teach Sound Design at the Hong Kong Academy for Performing Arts and I recently completed an MSc in Sound and Music for Interactive Games at Leeds Metropolitan University. This blog covers material related to this and similar subjects. Theme by Dan Hauk.

2

Kinectori-On - A Kinect Matrix Sequencer - Bleeps and Pops

http://bleepsandpops.com/post/25845714139/kinectori-on-a-kinect-matrix-sequencer

Kinectori-On - A Kinect Matrix Sequencer. The video shows it in action. The game uses the Microsoft Kinect for Windows SDK. To get player tracking data from a Kinect Sensor. This data is used to map the player shapes onto the Grid UI, which is put together with WPF. Sound playback is done with the FMOD Ex API, and the code is written in C#. The rest of this article describes how this is all put together. Enabling the two streams needed for player identification is done with two simple calls:. Which are i...

3

Adding Cue Points to Wav files in C - Bleeps and Pops

http://bleepsandpops.com/post/37792760450/adding-cue-points-to-wav-files-in-c

Adding Cue Points to Wav files in C. For a recent project I needed to make use of these cue point callbacks in an FMOD Designer. I was disappointed to realise that Pro Tools doesn’t have the option of embedding its markers in exported wave files as cue points. So I had a look around for software that does this, and it seems the list is pretty short. On the Windows side there is Sound Forge. And on Mac there is Triumph. The Wave File Format. The ‘root’ chunk in a RIFF file has the chunk ID of ...Wave file...

4

Reference Tracker - Bleeps and Pops

http://bleepsandpops.com/post/65765828922/reference-tracker

It’s been a bit quiet on Bleeps and Pops recently as all my ‘project time’ has been taken up with one of the other things I do - I’ve been getting v2.0 of my Mac app Reference Tracker. Reference Tracker is an app for writers, researchers or students to help keep track of publications referenced or cited when working on an essay or research project, etc., and create formatted reference lists and bibliographies in a load of different formats. And this video gives a quick overview. And the Mac App Store.

5

Bleeps and Pops

http://bleepsandpops.com/post/72391793032/hi-jim-i-just-read-your-blog-regarding-fmod-and

Hi Jim, I just read your blog regarding fmod and engine acceleration/deceleration. I was curious how many channels this would take up after the fmod process within a programming editor like say Unity. Would you still require as many layers as you needed in fmod or could they be played back over fewer layers. Thank you for your time. Posted 2 years ago. Theme by Dan Hauk.

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Converting between linear scale gain and decibels. A couple of handy little functions for converting gain/volume values between linear scale (0.0-1.0) and decibels. I always forget and have to look up the formula! They are useful when you have a UI in dB, but the audio code or APIs use a 0-1 scale. Double decibelToLinearScaleGain(double dB) { return pow(10.0, dB/20.0); } double linearScaleGainToDecibel(double lin) { return 20.0 * log10(lin); }. Posted 7 months ago. Posted 11 months ago. Posted 1 year ago.

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