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Galata Electroacoustic Orchestra at La Biennale di Venezia | álvaroSarasúa
https://alvarosarasua.wordpress.com/2014/10/21/galata-electroacoustic-orchestra-at-la-biennale-di-venezia
Phd candidate at mtg/esmuc. October 21, 2014. Galata Electroacoustic Orchestra at La Biennale di Venezia. A couple of weeks ago, I played at La Biennale di Venezia. With the Galata Electroacoustic Orchestra. I was offered this opportunity as a member of the Barcelona Laptop Orchestra. For giving me the chance to participate. As my main role was to modify the cello sound (played by Federico Bragetti), I basically reused and adapted some of the pureData effects we used for La Roda in the BLO. I honestl...
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music | álvaroSarasúa
http://www.alvarosarasua.com/music
Is an ensemble of musicians, sound researchers/enthusiasts and digital luthiers that was created in ESMUC in 2008. The main interests are the creation of new interfaces for musical control and new paradigms of network music. As a member of the BLO, I’ve played in Sonar 2011. As well as in some other venues including the Mobile World Centre. Traditional irish folk. Guitar and mandoline. Alternative rock. Guitar and backing vocals. Instrumental post-rock. Guitar. Drums and backing vocals.
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barcelona laptop orchestra | álvaroSarasúa
http://www.alvarosarasua.com/tag/barcelona-laptop-orchestra
Tag Archives: barcelona laptop orchestra. Performance at EAVI XII. 11 May, 2015. Last week I performed at EAVI XII. Although I was invited to play, this was actually the first time I was performing experimental music on my own, so I recycled some software from the Barcelona Laptop Orchestra. More specifically, I used CliX ReduX. Which we developed for our performance in Sónar 2013. The main developer was Glen Fraser.
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interaction | álvaroSarasúa
http://www.alvarosarasua.com/tag/interaction-2
Performance at EAVI XII. 11 May, 2015. Last week I performed at EAVI XII. Although I was invited to play, this was actually the first time I was performing experimental music on my own, so I recycled some software from the Barcelona Laptop Orchestra. More specifically, I used CliX ReduX. Which we developed for our performance in Sónar 2013. The main developer was Glen Fraser. Emulating a bee colony in an interactive space. 30 March, 2011. It consists on an installation for which we have used the XIM.
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supercollider | álvaroSarasúa
http://www.alvarosarasua.com/tag/supercollider
Performance at EAVI XII. 11 May, 2015. Last week I performed at EAVI XII. Although I was invited to play, this was actually the first time I was performing experimental music on my own, so I recycled some software from the Barcelona Laptop Orchestra. More specifically, I used CliX ReduX. Which we developed for our performance in Sónar 2013. The main developer was Glen Fraser. SuperCollider tutorial in BCN. 4 January, 2012. Last month I attended a SuperCollider. Check the Barcelona Laptop Orchestra.
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asarasua | álvaroSarasúa
http://www.alvarosarasua.com/author/asarasua
All posts by asarasua. 4 April, 2016. We just released the Call for Creators. For the Sónar Innovation Challenge. An event I’m proud to coorganize with some colleagues from the MTG. The SIC is a platform for the collaboration between innovative tech companies and creators (programmers, designers, artists) that aims to produce disruptive prototypes to be showcased in Sónar D. We’re putting a lot of effort on this; we’re sure great things will come out of it! On National Dutch TV! 1 February, 2016. Exponen...
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Arts | álvaroSarasúa
http://www.alvarosarasua.com/category/arts
Exponential Prometheus at Singularity Summit Sevilla. 6 March, 2015. Next March 12th, Singularity University Summit Spain. Will start in Sevilla. Singularity University. The opening event for SU Summit will be a concert performed by the young Sinfonietta de San Francisco de Paula. And features the Overture to The Creatures of Prometheus” by L. v. Beethoven. During the concert, we will show “Exponential Prometheus”. In my case, I will show a real-time visualization. Check the PHENICX dedicated website.
