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VonDerErde

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VonDerErde | blog.andrewcrust.com Reviews

https://blog.andrewcrust.com

blog : conductor Andrew Crust

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blog.andrewcrust.com blog.andrewcrust.com
1

VonDerErde - A new score is like an unfamiliar forest

http://blog.andrewcrust.com/post/106565108064/a-new-score-is-like-an-unfamiliar-forest

Blog : conductor Andrew Crust. A new score is like an unfamiliar forest. A new score is like an unfamiliar forest. When you first enter, you simply gaze all around, experiencing the rawness of the beauty and splendor. You do. At first go analyzing each leaf and naming species of fungus. You just - inhale it all. One day, after you’ve been visiting the same forest for. When you first open a new score, see the forest, not the trees. And certainly do. Reblogged this from andrewcrust.

2

VonDerErde - Stravinsky and Craft

http://blog.andrewcrust.com/post/133211465384/stravinsky-and-craft

Blog : conductor Andrew Crust. Igor Stravinsky grew up in St-Petersburg, Russia,. A city which was a melting pot of Western and Eastern culture––both connected to the European cultural centers and the vast Russian East. He studied composition with Rimsky-Korsakov who taught him a great deal about orchestration and harmony. In 2015, a lost work of Stravinsky’s was discovered in the library of the St. Petersburg Conservatory entitled Funeral Music. Octet for Wind Instruments. And Jeu des cartes. Stravinsky...

3

VonDerErde - More ambiguity in “Don Giovanni” - Leporello’s “Catalog Aria”

http://blog.andrewcrust.com/post/140463126284/more-ambiguity-in-don-giovanni

Blog : conductor Andrew Crust. More ambiguity in “Don Giovanni” - Leporello’s “Catalog Aria”. The famous aria is in fact no such thing: it is a duet masquerading as an aria. The rhythm of her text is halting, asymmetrical––illustrating her uncertainty towards Don Giovanni. In this aria. The orchestra capers and laughs and dances while Leporello dutifully, and not without pleasure, reads from the list of his master’s conquests. In fact, Donna Elvira and Leporello are consistently paired off ...From the be...

4

VonDerErde - The Art of Secco Recitative

http://blog.andrewcrust.com/post/140462279934/the-art-of-secco-recitative

Blog : conductor Andrew Crust. The Art of Secco Recitative. When studying the art of recitative as a singer or harpsichordist, one fact becomes abundantly clear early on: there is not a great deal of scholarship on the subject. Recitative playing and singing is an art which is best learned by doing and observing, not by reading. However, there are certain overarching principles which can be discussed in detail to compliment the real learning which takes place in rehearsals and performances. Is more chara...

5

VonDerErde - Sexual ambiguity in Mozart’s “Don Giovanni”

http://blog.andrewcrust.com/post/140462815029/sexual-ambiguity-in-mozarts-don-giovanni

Blog : conductor Andrew Crust. Sexual ambiguity in Mozart’s “Don Giovanni”. March She is a tragic and honorable woman and thus her music is often out of place in a truly buffa. Mozart begins to develop the characters of Donna Anna and Don Ottavio right away in this scene, as well as offering a brilliant musical depiction of Anna’s account. In the first two bars, there is a kind of horrified, sotto voce,. Many scholars and musicians (E. T. A. Hofmann and others) have argued that the text and m...In which ...

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andrewcrust.com andrewcrust.com

Andrew Crust | Conductor

http://www.andrewcrust.com/writings

July 17 - 24, 2016. Schubert - Symphony No. 9. Mozart - Concerto for Violin No. 4. Mozart - Concerto for Violin No. 5. Mozart - Flute Concerto in G. Mozart - Clarinet Concerto. Haydn - Cello Concerto in D. Hoffmeister - Viola Concerto. Conducting Workshop with Ulrich Windfuhr. October 9 - 10, 2016. Beethoven - Symphony No. 4. Bates - Cello Concerto. Respighi - Pines of Rome. Joshua Roman, cello. Merrill Auditorium, Portland. October 18, 2016 at 5:30pm. Jorge Bosso - Cinco Tangos Apòcrifos. Discovery Conc...

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Blog : conductor Andrew Crust. More ambiguity in “Don Giovanni” - Leporello’s “Catalog Aria”. The famous aria is in fact no such thing: it is a duet masquerading as an aria. The rhythm of her text is halting, asymmetrical––illustrating her uncertainty towards Don Giovanni. In this aria. The orchestra capers and laughs and dances while Leporello dutifully, and not without pleasure, reads from the list of his master’s conquests. In fact, Donna Elvira and Leporello are consistently paired off ...From the be...

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