blog.musiqware.com

Music Rights Notes

Open Letter to Robert Ashcroft (CEO of PRS). I read your letter in today's Financial Times with interest. The vast majority [of the 111,000 PRS members] neither perform live on stage nor sell sound recordings - indeed most do not even have a record label. I find it hard to believe that there are 100,000 people in the UK who write music, but do not perform or record that music. To us, "publishing" is about licensing the compositions embedded in the music from those artists and labels. The largest part...

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Music Rights Notes | blog.musiqware.com Reviews

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Open Letter to Robert Ashcroft (CEO of PRS). I read your letter in today's Financial Times with interest. The vast majority [of the 111,000 PRS members] neither perform live on stage nor sell sound recordings - indeed most do not even have a record label. I find it hard to believe that there are 100,000 people in the UK who write music, but do not perform or record that music. To us, publishing is about licensing the compositions embedded in the music from those artists and labels. The largest part...

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Music Rights Notes | blog.musiqware.com Reviews

https://blog.musiqware.com

Open Letter to Robert Ashcroft (CEO of PRS). I read your letter in today's Financial Times with interest. The vast majority [of the 111,000 PRS members] neither perform live on stage nor sell sound recordings - indeed most do not even have a record label. I find it hard to believe that there are 100,000 people in the UK who write music, but do not perform or record that music. To us, "publishing" is about licensing the compositions embedded in the music from those artists and labels. The largest part...

INTERNAL PAGES

blog.musiqware.com

1

Every Note, Every Penny: SoundCloud Introduces API Limits to Fight Piracy

http://blog.musiqware.com/2015/06/soundcloud-introduces-api-limits-to.html

Every Note, Every Penny. SoundCloud Introduces API Limits to Fight Piracy. SoundCloud are getting a lot of bad press coverage again. This time it's around an announcement. They made last week, which certain journalists have totally mis-interpreted. It's time again to de-bunk some myths. Subscribe to: Post Comments (Atom). I am Founder, Funder, Owner and Director of Musiqware. Follow me on Twitter: HermanMK. View my complete profile. Open Letter to Robert Ashcroft (CEO of PRS).

2

Every Note, Every Penny: The Digital Pie Debate

http://blog.musiqware.com/2015/05/the-digital-pie-debate.html

Every Note, Every Penny. The Digital Pie Debate. I have been a member of the UK's MPA (Music Publishers Association) for quite a few years. Joining was one of the best things I have done for my business, because being an MPA member has given me access to a lot of information and contacts that I probably would not have had otherwise. I am so impressed and involved with the MPA, that I am standing as a candidate for the Board this year. The services, aggregators and labels are all capable of dealing with a...

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Every Note, Every Penny: June 2015

http://blog.musiqware.com/2015_06_01_archive.html

Every Note, Every Penny. Open Letter to Robert Ashcroft (CEO of PRS). I read your letter in today's Financial Times with interest. The vast majority [of the 111,000 PRS members] neither perform live on stage nor sell sound recordings - indeed most do not even have a record label. I find it hard to believe that there are 100,000 people in the UK who write music, but do not perform or record that music. To us, "publishing" is about licensing the compositions embedded in the music from those artists and lab...

4

Every Note, Every Penny: What makes a proper publisher?

http://blog.musiqware.com/2015/05/what-makes-proper-publisher.html

Every Note, Every Penny. What makes a proper publisher? It highlights how not all publishers are the same. The publisher who made the offensive remark, is a very traditional publisher. He works with songwriters who provide him with songs, which he then pitches to artists and labels to get recorded and released. That is a perfectly valid business model, but not the one and only "proper" publishing model. But we do not look for covers, because that is mostly irrelevant to the artists we work with.

5

Every Note, Every Penny: Spotty Maths #1: Freemium

http://blog.musiqware.com/2015/05/spotty-maths-1-freemium.html

Every Note, Every Penny. Spotty Maths #1: Freemium. Q: Should he only sell the somewhat-rare ones, or should he sell them all? If he were to only sell the somewhat-rare CDs, he would make 10 x £12 = £120. That's an average of £12 per CD. If he were to sell them all, he would make an additional 40 x £2 = £80, bringing the total up to £200. But adding these cheaper ones to the mix, results in much lower average of only £4 per CD (£200 / 50). The anti-freemium lobby seems to look mostly at the average per-u...

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Musiqware Ltd - Releases

http://www.musiqware.com/releases.php

Item(s) in your basket - View Basket. RZ Episodes Volume 1. The My My EP. It's Raining Ben EP. Diarmaid O Meara / Israel Toledo. Wireframes (Josh Pearce Remixes). Did You Like That? Brooklyn Fire B-Sides Mix). The Big Fish EP. Riders And Runners EP. Diarmaid O Meara and Jonathan Ranzinger. Blue en Rouge EP. Don't Follow Fear EP. This One's For You. Mike Jolly and Kurt Maloo. Husky feat. Ron E Jones. The Get Down EP. Mike Jolly and Fab Morvan. Dysphoria (Sean Norvis 2015 Remixes). Voltaxx and Mike Kelly.

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Our Labels - Musiqware Ltd

http://www.musiqware.com/labels.php

Musiqware owns (and co-owns) more than a dozen record labels. Love Inc, Stay On Target, Veryverywrongindeed and Process Recordings are our flagship labels with regular releases from many high profile electronic music artists. We own the catalogs of various classic labels from the 90s and 00s, such as Output, Plastic Fantastic, Playtime and Plastica. Contact us to find out more about our labels and/or our label services. Contact us to find out how we can help you to maximise your earning from your music.

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Music Rights Notes

Open Letter to Robert Ashcroft (CEO of PRS). I read your letter in today's Financial Times with interest. The vast majority [of the 111,000 PRS members] neither perform live on stage nor sell sound recordings - indeed most do not even have a record label. I find it hard to believe that there are 100,000 people in the UK who write music, but do not perform or record that music. To us, "publishing" is about licensing the compositions embedded in the music from those artists and labels. The largest part...

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