blog.ninastoessinger.com

ni-na-notes | notes on type, design, life & everything

Notes on type, design, life and everything. A declaration of love to a favorite non-digital letter-related pastime: carving letters in stone. A little house by the sea. So TypeMedia is past, and I’m officially staying in the Netherlands. In the middle of the night before the start of ATypI Barcelona, one of the most dramatic thunderstorms I’ve seen. (Warning, big file). Photo essay about exploring a decaying factory on the Norwegian coast. Harvest from a year of type. No regrets in letter wonderland.

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ni-na-notes | notes on type, design, life & everything | blog.ninastoessinger.com Reviews

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Notes on type, design, life and everything. A declaration of love to a favorite non-digital letter-related pastime: carving letters in stone. A little house by the sea. So TypeMedia is past, and I’m officially staying in the Netherlands. In the middle of the night before the start of ATypI Barcelona, one of the most dramatic thunderstorms I’ve seen. (Warning, big file). Photo essay about exploring a decaying factory on the Norwegian coast. Harvest from a year of type. No regrets in letter wonderland.

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ni-na-notes | notes on type, design, life & everything | blog.ninastoessinger.com Reviews

https://blog.ninastoessinger.com

Notes on type, design, life and everything. A declaration of love to a favorite non-digital letter-related pastime: carving letters in stone. A little house by the sea. So TypeMedia is past, and I’m officially staying in the Netherlands. In the middle of the night before the start of ATypI Barcelona, one of the most dramatic thunderstorms I’ve seen. (Warning, big file). Photo essay about exploring a decaying factory on the Norwegian coast. Harvest from a year of type. No regrets in letter wonderland.

INTERNAL PAGES

blog.ninastoessinger.com

1

Post-industrial interlude | ni-na-notes

http://blog.ninastoessinger.com/2014/08/post-industrial-interlude

I’m fascinated by this decaying factory on the Norwegian coast. Boat graveyard in industrial ruins. Upstairs in the main building, more boats. And so much more. As if surprised by rust. All that and a sewing machine. Dizzying (I *think* this is horizontal). Danger, high voltage. 20 8 2014 at 4:05 pm. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. You may use these. 2013 Nina Stössinger. Contact: Email. Theme based on Book Lite. Type is FF Ernestine.

2

Under Enschedé | ni-na-notes

http://blog.ninastoessinger.com/2014/03/under-enschede

Back row, left to right: Alexandre, Slávka, James, Hugo, David; front row: Mark, Mark, me we were staring into the setting sun, and this is about two seconds after I gave up. Photo taken by Jan Willem Stas. I’m not going to apologize again for not posting more, mostly because I don’t like feeling like a broken record, and jump right into a story I’ve been wanting to tell: That of our excursion to Museum Enschedé. This design legacy is carried on today by the Enschedé Font Foundry. History really comes in...

3

Multi-component glue | ni-na-notes

http://blog.ninastoessinger.com/2014/05/multi-component-glue

As a TypeMedia student in the middle of her final project, one thing you get plenty of is feedback and critique.* Various quite brilliant (and usually Dutchly straightforward) teachers with razor-sharp eyes will notice and comment on different things almost every day, ask hard questions, and usually have entirely different ideas and recommendations. It’s your job to make sense of these things and sort out which leads to follow how far. Leave a Reply Cancel reply. You may use these. Type is FF Ernestine.

4

photography | ni-na-notes

http://blog.ninastoessinger.com/category/photography

Photo essay about exploring a decaying factory on the Norwegian coast. Some things I enjoyed in Belgium. Some impressions from a 2.5 day school trip to Antwerp (Antwerpen), in neighboring Belgium. We mainly went to Integrated Conference, but also made a point of experiencing a bit of Antwerpen while we were there. 2013 Nina Stössinger. Contact: Email. Theme based on Book Lite. Type is FF Ernestine. With SS Symbolicons Line.

5

Halftime | ni-na-notes

http://blog.ninastoessinger.com/2014/02/halftime

Turns out people weren’t making stuff up when they said it would be busy at TypeMedia. :). We have by now pretty much reached the halftime point (which baffles the mind, but that’s another story), and there is a little bit of time to breathe and write a few words. The first semester is over, we’ve presented and/or handed in all assignments so far (obligatory Asterix reference:. My classmate David literally stuck his stones up on the wall. They survived two falls.). Go explore the designspace they said&#4...

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typologic.nl

Typologic | Typefaces

http://www.typologic.nl/typefaces

For up-to-date info and links please go here. This site not maintained anymore. The typefaces shown above are my own designs, but I also contribute to type by other designers. For instance I did the spacing and kerning of Sindre Bremnes’ Satyr. With which we won Gold at Visuelt,. Norway’s biggest competition for graphic design), and the kerning of Pieter van Rosmalen’s super-bold Nitti Mostro. By the way, this is a rainfrog. NL 2586 AZ Den Haag. 2014–2016 Nina Stössinger.

typologic.nl

Typologic | Print Magazine

http://www.typologic.nl/news/print-magazine

For up-to-date info and links please go here. This site not maintained anymore. I’m honored and excited to be featured as one of nine Type Designers to watch in Print Magazine’s February 2015 issue. An online version of the article is also available. Like fellow list member Jackson Cavanaugh said on Twitter. I guess I should do something watchable now! Thanks to Cyrus Highsmith. One of my favorite type designers, who nominated me for the list. Posted 30.01.2015]. NL 2586 AZ Den Haag.

typologic.nl

Typologic | Colophon

http://www.typologic.nl/colophon

For up-to-date info and links please go here. This site not maintained anymore. Typefaces used on this website are my own FF Ernestine. For text ( subsetted. To use hybrid figures instead of the standard tabular lining ones), paired with Mallory MicroPlus. By Tobias Frere-Jones for navigation, headings, and captions. The Typologic nameplate. Is based on a design of my own that’s currently in development. Which works on modern desktop browsers and mobile. Kindly report. Bugs and broken things thanks.

typologic.nl

Typologic | Tools

http://www.typologic.nl/tools

For up-to-date info and links please go here. This site not maintained anymore. Apart from these publicly released tools linked to below, I also write custom code; examples include this stroke-thickness visualization script for Frere-Jones Type. Or code generating website graphics for Bold Monday. RoboFont extension for batch-changing glyph name suffixes. RoboFont extension that detects touching glyph pairs. RoboFont extension for generating test words. NL 2586 AZ Den Haag.

typologic.nl

Typologic | News Archive

http://www.typologic.nl/news

For up-to-date info and links please go here. This site not maintained anymore. Beginning a new chapter. This marks the closure of my studio, Typologic, as I am excited to move on to a fantastic new opportunity. Thanks for all the fish. Getting ready for New York in June 2016: Details of my Typographics talk have been posted. My Nordvest was exhibited at French type design exhibition Pangramme, and awarded a special jury selection. I will be speaking at TypeCon Seattle in August. New work: Dutch Alphabets.

typologic.nl

Typologic | Typo Berlin 2015

http://www.typologic.nl/news/typo-berlin-2015

For up-to-date info and links please go here. This site not maintained anymore. I enjoyed speaking about typefaces with reversed contrast at the Typo Berlin. Conference this year. Just van Rossum wrote a nice report about my talk on the conference blog: Reversed contrast: Turning wrong into right. What is it with reversing the well-established rules of contrast in Latin letterforms? Why do type designers set out to purposely break them and why so rarely? And the questions that has prompted.

typologic.nl

Typologic | An F for Fitchburg

http://www.typologic.nl/news/an-f-for-fitchburg

For up-to-date info and links please go here. This site not maintained anymore. An F for Fitchburg. I drew this F for Fitchburg, MA, as part of Anna Schuleit Haber. S public art project The Alphabet. Today it is on the front page of its local newspaper, the Sentinel and Enterprise. I’m excited to be part of this project, thanks to a recommendation by one of my own type design heroes Cyrus Highsmith. Whose G is up next.). This is still an F. It still reads. Twitter search for #FitchburgAlphabet.

typologic.nl

Typologic | Who?

http://www.typologic.nl/nina

For up-to-date info and links please go here. This site not maintained anymore. 1978), type-obsessed designer and overall curious person from Basel, Switzerland. Speaks German, English, ok Dutch, bad French; reads Latin and Danish; writes Python and some PHP and JavaScript. The preferred form of my last name is. Is what I use in environments where the umlaut won’t survive.). Coming from a background in text and the humanities, I studied multimedia design at Burg Giebichenstein HKD Halle. Typographica 201...

typologic.nl

Typologic | Live font interpolation with SVG

http://www.typologic.nl/news/live-font-interpolation-with-svg

For up-to-date info and links please go here. This site not maintained anymore. Live font interpolation with SVG. Live interpolation of fonts in the browser promises to be The Hot Next Thing in font technology (see Nick Sherman’s inspiring ATypI 2013 talk. Sadly seems broken), his A List Apart article. And Andrew Johnson’s article and proof-of-concept on the same platform. The newer brother of Raphaël. Many of Snap’s bells and whistles may be over the top for type work, but it has the nice feature of bei...

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ni-na-notes | notes on type, design, life & everything

Notes on type, design, life and everything. A declaration of love to a favorite non-digital letter-related pastime: carving letters in stone. A little house by the sea. So TypeMedia is past, and I’m officially staying in the Netherlands. In the middle of the night before the start of ATypI Barcelona, one of the most dramatic thunderstorms I’ve seen. (Warning, big file). Photo essay about exploring a decaying factory on the Norwegian coast. Harvest from a year of type. No regrets in letter wonderland.

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