engagementandentrapment.blogspot.com
Engagement AND Entrapment 1,2 & 3: Diane Maclean
http://engagementandentrapment.blogspot.com/2016/06/diane-maclean.html
Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?
engagementandentrapment.blogspot.com
Engagement AND Entrapment 1,2 & 3: Lou Hazelwood
http://engagementandentrapment.blogspot.com/2016/06/lou-hazelwood.html
Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?
engagementandentrapment.blogspot.com
Engagement AND Entrapment 1,2 & 3: Tracy Bo Lee
http://engagementandentrapment.blogspot.com/2016/06/tracy-bo-lee.html
Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?
engagementandentrapment.blogspot.com
Engagement AND Entrapment 1,2 & 3: Images from Israel, Cyprus, South Korea
http://engagementandentrapment.blogspot.com/2016/06/gill-hobson.html
Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?
engagementandentrapment.blogspot.com
Engagement AND Entrapment 1,2 & 3: Hanjin Jo
http://engagementandentrapment.blogspot.com/2016/06/images-from-israel-cyprus-south-korea.html
Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?
engagementandentrapment.blogspot.com
Engagement AND Entrapment 1,2 & 3: Sam Treadaway
http://engagementandentrapment.blogspot.com/2016/06/hajun-lee.html
Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?
engagementandentrapment.blogspot.com
Engagement AND Entrapment 1,2 & 3: Mina Kim
http://engagementandentrapment.blogspot.com/2016/06/mina-kim.html
Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?
engagementandentrapment.blogspot.com
Engagement AND Entrapment 1,2 & 3: William Hughes
http://engagementandentrapment.blogspot.com/2016/06/jane-walker.html
Engagement AND Entrapment 1,2 and 3. Touring exhibition at Binyamin Gallery, Tel Aviv, Israel (2014) and Zmart Gallery of the Loukia and Michael Zampelas Art Museum, Nicosia, Cyprus (2015), Gallerie GAIA, South Korea (2016) Engagement is a way of capturing attention, a way of alluring and a way of enticing to possess ownership. International artists have been invited to question this through political, personal, artistic and cultural systems. Curated by Diana Ali. When does the real become hyper-real?
SOCIAL ENGAGEMENT