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BLYTHHAZEN.COM

Blyth Hazen

Contact: blyth.hazen@montserrat.edu. Blyth Hazen, Professor, Montserrat College of Art. I am interested in the intersection of technology and culture. This focus carries into both my studio and my teaching practice. For the past decade, I have collaborated with Jennifer Hall. And others, on several large-scale robotics installations - mechanical meditations about technology's impact on body and the environment. At Montserrat College of Art. I teach animation and new media courses.

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BLYTH HAZEN

BLYTH HAZEN

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BLYTH HAZEN

BLYTH HAZEN

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US

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BH●●●●@MONTSERRAT.EDU

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BLYTH HAZEN

BLYTH HAZEN

118 ●●●●●H ST.

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Blyth Hazen | blythhazen.com Reviews
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Contact: blyth.hazen@montserrat.edu. Blyth Hazen, Professor, Montserrat College of Art. I am interested in the intersection of technology and culture. This focus carries into both my studio and my teaching practice. For the past decade, I have collaborated with Jennifer Hall. And others, on several large-scale robotics installations - mechanical meditations about technology's impact on body and the environment. At Montserrat College of Art. I teach animation and new media courses.
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1 blyth hazen
2 getaway
3 tipping point
4 then again
5 instrument
6 acupuncture
7 archive
8 education
9 ba austin college
10 coupons
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Blyth Hazen | blythhazen.com Reviews

https://blythhazen.com

Contact: blyth.hazen@montserrat.edu. Blyth Hazen, Professor, Montserrat College of Art. I am interested in the intersection of technology and culture. This focus carries into both my studio and my teaching practice. For the past decade, I have collaborated with Jennifer Hall. And others, on several large-scale robotics installations - mechanical meditations about technology's impact on body and the environment. At Montserrat College of Art. I teach animation and new media courses.

INTERNAL PAGES

blythhazen.com blythhazen.com
1

Blyth Hazen: Instrument for Mediated Terrain

http://www.blythhazen.com/instrument.html

Instrument for Mediated Terrain. Is a collaborative robotic sculpture project that explores the complex relational cycles of growth and death where human-made technology meets nature. Here, the garden is a meditation on the relationship of the viewer to the artwork and the temporal state of all forms of life. Materials: aluminum, moss, electronics and mechanical devices. Blyth Hazen and Jennifer Hall. For more information and additional images visit the project web archive.

2

Blyth Hazen: Getaway

http://www.blythhazen.com/getaway.html

Getaway is an eight foot tall aluminum tower containing a robotically controlled plexiglass "elevator car". Suspended within this moveable chamber is a ball of living moss. When the gallery is empty, the moss ball rests at about waist level. If anyone enters the gallery and walks toward the sculpture the elevator moves up to the top of the shaft - taking the moss ball out of sight. Materials: aluminum, cedar, moss, electronics and mechanical devices.

3

Blyth Hazen: Tipping Point

http://www.blythhazen.com/tipping.html

The project Tipping Point: Health Narratives from the South End. Joins art, technology and anthropology in an installation made up of seven large kinetic interactive sculptures. Anthropologist, Dr. Ellen Ginsburg gathered health narratives during interviews with artists who live or work in and around the South End neighborhood of Boston. These narratives were then built into sculptures affixed to each of the "tipping" machines. Artist and Project Lead. Ellen S. Ginsburg, PhD, Anthropologist.

4

Blyth Hazen: Then Again

http://www.blythhazen.com/then.html

5

Blyth Hazen: 9192631770

http://www.blythhazen.com/9192631770.html

The mechanical tick, swing and chime have been excised from contemporary wall and mantel clocks and replaced with digital approximations. The objects and drawings in this series are reflections about measuring, duration and technological progress. They take a sidelong look at time-keeping devices and are perhaps about the passage of time, but most certainly not - about precision. For more information and additional images visit the project archive.

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jenhall.org jenhall.org

Jennifer Hall: Acupuncture for Temporal Fruit

http://www.jenhall.org/acupuncture.html

Acupuncture for Temporal Fruit. Acupuncture for Temporal Fruit. Is comprised of one to twelve identical units, suspended from the gallery ceiling. Each computer-assisted unit contains a tomato, electric motors, acupuncture needles, and sonar devices. Excerpt from Make Your Move, an exhibition organized in conjunction with the Boston Cyber Arts Festival. 1999 Decordova Museum and Sculpture Park. Jennifer Hall: artist, project lead. Artist, mechanics fabrication. Kyle Jarger: board design.

jenhall.org jenhall.org

Jennifer Hall: The Tipping Point: Health Narratives from the South End

http://www.jenhall.org/tipping.html

The Tipping Point: Health Narratives from the South End. This project joins art, technology and anthropology in an installation made up of seven large kinetic interactive sculptures that respond to the audience presence. Anthropologist, Dr. Ellen Ginsburg gathered health narratives during interviews with artists who live or work in and around the South End neighborhood of Boston. These narratives were then built into sculptures affixed to each of the "Tipping" machines. Artist, Robotic Systems Lead.

jenhall.org jenhall.org

Jennifer Hall: Instrument for Mediated Terrain

http://www.jenhall.org/instrument.html

Instrument for a Mediated Terrain. Instrument for Mediated Terrain. Is a collaborative robotic sculpture project exploring the complex relational cycles of growth and death where human-made technology meets nature. Here, the garden is a meditation on the relationship of the viewer to the artwork and the temporal state of all forms of life. Materials: aluminum, moss, electronics and mechanical devices. Jennifer Hall Blyth Hazen. For more information and additional images visit the project web archive.

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Contact: blyth.hazen@montserrat.edu. Blyth Hazen, Professor, Montserrat College of Art. I am interested in the intersection of technology and culture. This focus carries into both my studio and my teaching practice. For the past decade, I have collaborated with Jennifer Hall. And others, on several large-scale robotics installations - mechanical meditations about technology's impact on body and the environment. At Montserrat College of Art. I teach animation and new media courses.

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