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THE PAVILION PROJECT: THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER (3D)
http://pavilionproject.blogspot.com/2011/01/chronicles-of-narnia-voyage-of-dawn.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Sunday, January 9, 2011. THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER (3D). The chronic, indeed. Lady two rows back, loudly, to her date: “This feels more 3-D than Avatar. Who wants to have depth, or be smart? I just want to feel what I feel. The place-where-feeling-contends must be, as one by now expects, a world-within-this-one. Going from this land into that. 8220;In your world I have another name,” he purrs. The Law isn’...
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THE PAVILION PROJECT: TRUE GRIT
http://pavilionproject.blogspot.com/2011/01/true-grit.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Sunday, January 16, 2011. 8220;You must pay for everything in this world; there is nothing free except the grace of God.”. No shit, I’m broke, and oh so thirsty (“He loves to pull a cork”). I love those frontier towns in Westerns, a broad dirt road fronted by saloon, movie palace, savory pie shop. 8220;You do not varnish your opinions.”. But when did every poet up and decide that sex could only be referred to as “fucking”? 8217;s goth teen)?
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THE PAVILION PROJECT: THE TOURIST
http://pavilionproject.blogspot.com/2011/01/tourist.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Thursday, January 6, 2011. Alfie remembers that Paul Bettany once played Chaucer, which means Alfie’s seen “A Knight’s Tale,” which means he’s seen everything. I still remember when he told us, “I love repetition”—who knew you were allowed say a thing like that? He was just on Who Wants To Be a Millionaire. 8212;the emphasis is meant to fall on the first word of that question, but one can’t help shifting it to the second. Old friend of mine,...
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THE PAVILION PROJECT: THE FIGHTER
http://pavilionproject.blogspot.com/2011/01/fighter.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Thursday, January 13, 2011. I love the episodes when they go to the movies on Seinfeld. Some drama, tonight, because the wrong time was listed on the web, but the ticket girl: “We don’t control that, they control that in, like, Virginia.”. I shoot back a withering look. The fight over customer service is worth having—a way to confirm our mutual commitments—but don’t try to win. Remember when Jerry realizes he’s Even Steven? The problem with ...
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THE PAVILION PROJECT: BURLESQUE
http://pavilionproject.blogspot.com/2011/01/burlesque.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Sunday, January 2, 2011. Just when you think nothing could be better than life’s four fingers inside you—here comes the thumb. Pop sensation Christina Aguilera plays a country girl who comes to Los Angeles to find love and sing and dance at a burlesque-themed burlesque club, which maybe is the sort of place where people in L.A. still like to go? I was in the Castro when Ray of Light. And looking unexpectedly fulsome and depraved. Everything ...
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THE PAVILION PROJECT: October 2010
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The cinema is always as perfect as it can be. - Gilles Deleuze. Tuesday, October 26, 2010. It’s Yom Kippur, I’m hungover, Bill and I put away a brace of beers,. You’re never supposed to say how it feels to be a Jew, it feels so amazingly great, that’s the big secret, though of course there’s kind of an edge to it too. Let my stumblings stand—if God wants to smite me, bring it on, I’m in Boston, I’m sitting in Fenway Park. I wonder where Affleck’s track suit from Good Will Hunting. Not that he’s warm.
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THE PAVILION PROJECT: TRON: LEGACY (3D)
http://pavilionproject.blogspot.com/2011/01/tron-legacy-3d.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Thursday, January 13, 2011. 8220;Use the levels! Okay, I’ll try! I need a word, first, for what I so fucking am—not “stoned,” as though in the proverbial village square, not “baked,” but raw, not “high” but somehow the more perfectly attuned to the axes of that cold, glowy grid. They shatter like car windowglass. Culture, the ultimate family business. And how does the son report the intervening three decades to the dad who missed them? Our m...
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THE PAVILION PROJECT: August 2010
http://pavilionproject.blogspot.com/2010_08_01_archive.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Saturday, August 28, 2010. THE TWILIGHT SAGA: ECLIPSE. It’s a dick move, but every tenth movie or so I force the bored girl selling tickets to make eye contact—it’s easy, you just hold onto your cash for a beat through the moment you’d normally hand it over. She looks up, you meet her eyes, she smiles and thinks, in spite of herself, this twelve dollars standing before me is full of surprises. 8220;How do we learn to covet, Clarice? If quick...
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THE PAVILION PROJECT: September 2010
http://pavilionproject.blogspot.com/2010_09_01_archive.html
The cinema is always as perfect as it can be. - Gilles Deleuze. Thursday, September 30, 2010. Its only essential genre, whose crux is the tug between shot and montage, the gaze and the blink. Pure decadence to make Luke, the leader of the House of Pirates dance crew, their videographer as well. 8220;You’re a filmmaker,” gushes his anima, when he shows her the rough cut of his labor of love. Yeah, but their abdomens hail from the beginning of time, he python, she anaconda—if Eat Pray Love. But Zoltar just...