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The Bohemist

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The Bohemist | bohemist.net Reviews
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Literature | The Bohemist

http://bohemist.net/category/literature

A Man and his Stories: Adam Johnson’s The Orphan Master’s Son. About spoilers and film criticism, and I tend to agree with his views. The Orphan Master’s Son. Can be read as a totalitarian dystopia — in the tradition of. Lord of the Flies. 8211;, and a solid one at that, but its real distinction is to be found in the personal and psychological levels, in Johnson’s exploration of the identity-suppressing effects of an oppressive regime. A story is true when the state — or, more precisely, the Dear L...

2

René Magritte | The Bohemist

http://bohemist.net/tag/rene-magritte

Tag Archives: René Magritte. René Magritte. “The Menaced Assassin”. Brussels, 1927. Oil on canvas, 59 1/4″ x 6′ 4 7/8″ (150.4 x 195.2 cm). The Museum of Modern Art. Kay Sage Tanguy Fund. 2013 Charly Herscovici, Brussels/Artists Rights Society (ARS), New York. This is a long way of introducing my visiting the excellent. Magritte: The Mystery of the Ordinary, 1926 1938. That are everywhere in the old continent, and yet so absent in the new world. He is a product of this environment, but he’s not the ...

3

What I’ve been reading | The Bohemist

http://bohemist.net/2013/09/05/what-ive-been-reading

What I’ve been reading. The Curious Incident of the Dog in the Night-Time. Michael Cunningham, 2010): I didn’t like this one as much. Cunningham, in my view, has a certain disdain for his female characters and an undue fascination for his dull male protagonist, the owner of an art gallery in Chelsea who lives in a Soho loft (does it get more predictable than this? Is going through (guess what? Nocturnes: Five Stories of Music and Nightfall. Kazuo Ishiguro, 2009): I expected more of Ishiguro, although thi...

4

Bohemist | The Bohemist

http://bohemist.net/author/thebohemist

René Magritte. “The Menaced Assassin”. Brussels, 1927. Oil on canvas, 59 1/4″ x 6′ 4 7/8″ (150.4 x 195.2 cm). The Museum of Modern Art. Kay Sage Tanguy Fund. 2013 Charly Herscovici, Brussels/Artists Rights Society (ARS), New York. This is a long way of introducing my visiting the excellent. Magritte: The Mystery of the Ordinary, 1926 1938. That are everywhere in the old continent, and yet so absent in the new world. He is a product of this environment, but he’s not the only possible product of such...

5

Magritte at MoMA | The Bohemist

http://bohemist.net/2013/11/20/magritte-at-the-moma

René Magritte. “The Menaced Assassin”. Brussels, 1927. Oil on canvas, 59 1/4″ x 6′ 4 7/8″ (150.4 x 195.2 cm). The Museum of Modern Art. Kay Sage Tanguy Fund. 2013 Charly Herscovici, Brussels/Artists Rights Society (ARS), New York. This is a long way of introducing my visiting the excellent. Magritte: The Mystery of the Ordinary, 1926 1938. That are everywhere in the old continent, and yet so absent in the new world. He is a product of this environment, but he’s not the only possible product of such...

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René Magritte. “The Menaced Assassin”. Brussels, 1927. Oil on canvas, 59 1/4″ x 6′ 4 7/8″ (150.4 x 195.2 cm). The Museum of Modern Art. Kay Sage Tanguy Fund. 2013 Charly Herscovici, Brussels/Artists Rights Society (ARS), New York. This is a long way of introducing my visiting the excellent. Magritte: The Mystery of the Ordinary, 1926 1938. That are everywhere in the old continent, and yet so absent in the new world. He is a product of this environment, but he’s not the only possible product of such...

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