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A Final Look at Gender and Race in Disney Pixar and Kirkman’s Worlds | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/2014/04/10/a-final-look-at-gender-and-race-in-disney-pixar-and-kirkmans-worlds
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. A Final Look at Gender and Race in Disney Pixar and Kirkman’s Worlds. April 10, 2014. In this final post for my blog I will be giving concluding thoughts on race and gender within the post apocalyptic genre, with a focus on race. I feel that I have discussed gender at length through my discussion of Michonne and EVE, so I will now shed a little light on race. As I discuss...
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April | 2014 | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/2014/04
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. Monthly Archives: April, 2014. A Final Look at Gender and Race in Disney Pixar and Kirkman’s Worlds. April 10, 2014. To discuss the use of race within Disney Pixar’s. Representation of humans as they return to earth within. Seems to present the idea that the core of people who are able to last in the universe are mainly white males. To shift over to Kirkman’s. As I discus...
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Why Robots and Zombies? | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/2014/04/08/why-robots-and-zombies
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. Why Robots and Zombies? April 8, 2014. Now that I have established the ways in which gender and race operated within the post apocalyptic worlds of. It is important now to answer the question: why? As is discussed in Kyle Bishop’s article, zombies within popular culture and media have had a steady rise in popularity ever since A. Romero’s 1968 film,. Operate in an opposin...
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Works Cited | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/works-cited
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. Anderson, Christopher T. Post-Apocalyptic Nostalgia: WALL-E, Garbage, and American Ambivalence toward Manufactured Goods. Literature Interpretation Theory. 23 (2012): 267-82. Scholars Portal. Web 7 Apr. 2014. Bishop, Kyle. “Dead Man Still Walking: Explaining the Zombie Renaissance.” Journal of Popular Film and Television. 2009): 17-25. Print. Colonize, v. OED Online.
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Examining EVE | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/2014/04/06/examining-eve
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. April 6, 2014. As I looked at a strong and vital character from. In my previous post, I saw it only fitting to now switch over to. Example of the difference in appearance of WALL-E and EVE. The appearance of EVE can also be connected to the appearance of Apple products. Within our western society Apple is a very powerful electronic production company, who has created ...
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About | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/about
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. And Disney Pixar’s. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
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March | 2014 | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/2014/03
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. Monthly Archives: March, 2014. Accounting for Timeline Differences. March 13, 2014. Before beginning to discussion of the representations of race and gender throughout the two sources I am using for this analysis, it is important to account for the narrative differences between WALL-E. And The Walking Dead. And I believe that can be seen in the timeline of these works.
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The Model Michonne Presents | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/2014/04/04/the-model-michonne-presents
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. The Model Michonne Presents. April 4, 2014. To begin my discussion of race and gender within post apocalyptic worlds, I am going to begin by looking critically at the character Michonne, from Kirkman’s. Michonne is a character that is first introduced in the opening of chapter four of The Walking Dead: Compendium One. Women represented in chapter one of The Walking Dead.
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Introduction to Gender, Race, and Apocalyptic Fiction | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/2014/03/10/introduction-to-gender-race-and-apocalyptic-fiction
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. Introduction to Gender, Race, and Apocalyptic Fiction. March 10, 2014. The popularity of post-apocalyptic fiction within the last decade cannot be over stated. According to the Oxford English Dictionary, the term post apocalyptic can be defined as, following an event regarded as an apocalypse, esp . First image after a quick google search for “post apocalyptic”. I chose t...
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Accounting for Timeline Differences | Gender, Race, and The Aftermath
https://genderraceandtheaftermath.wordpress.com/2014/03/13/accounting-for-timeline-differences
Gender, Race, and The Aftermath. A look at issues of gender and race within the post-apocalyptic fictions The Walking Dead and Wall-E. Accounting for Timeline Differences. March 13, 2014. Before beginning to discussion of the representations of race and gender throughout the two sources I am using for this analysis, it is important to account for the narrative differences between WALL-E. And The Walking Dead. Presents a much more positive outlook on the apocalypse than Robert Kirkman’s The Walking Dead,.
