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born from the coasts

A blog dedicated to Grad Art Seminar Fall 2010

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born from the coasts | bornfromthecoasts.blogspot.com Reviews
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A blog dedicated to Grad Art Seminar Fall 2010
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1 art and audience
2 for every audience
3 reactions
4 no comments
5 art and spirituality
6 art and globalism
7 check out
8 more radicant images
9 ceal floyer
10 peel
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art and audience,for every audience,reactions,no comments,art and spirituality,art and globalism,check out,more radicant images,ceal floyer,peel,sylvie fleury,untitled mondrian dress,ivan navarro,white electric chair,bertrand lavier,heri dono,sam durant
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born from the coasts | bornfromthecoasts.blogspot.com Reviews

https://bornfromthecoasts.blogspot.com

A blog dedicated to Grad Art Seminar Fall 2010

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bornfromthecoasts.blogspot.com bornfromthecoasts.blogspot.com
1

born from the coasts: art and spirituality

http://bornfromthecoasts.blogspot.com/2010/05/art-and-spirituality.html

Born from the coasts. A blog dedicated to Grad Art Seminar Fall 2010. Created and updated by Daniel Mitchell). Monday, May 3, 2010. Is there such as thing as a universal feeling of spirituality? Can an artist present a form that transcends cultures/cultural beliefs? Is it possible for a spiritual artwork to be offensive and contemplative? How does intent interact with perception? What is the role of the material used to create the work? Are subcultures spiritual or a contemporary form of ritual?

2

born from the coasts: art and the body questions

http://bornfromthecoasts.blogspot.com/2010/04/art-and-body-questions.html

Born from the coasts. A blog dedicated to Grad Art Seminar Fall 2010. Created and updated by Daniel Mitchell). Sunday, April 25, 2010. Art and the body questions. What constitutes body art (oppose to identity, portraiture, narrative, representation, etc.)? How have representations of the body changed over time? How does this relate to changing views or current perspectives of us? Does a body need to be present for work to be classified as body art? Posted by daniel mitchell. Art and its institutions.

3

born from the coasts: more Radicant images

http://bornfromthecoasts.blogspot.com/2010/03/more-radicant-images.html

Born from the coasts. A blog dedicated to Grad Art Seminar Fall 2010. Created and updated by Daniel Mitchell). Monday, March 8, 2010. Heyotwell @ flikr,. Latitude/Longitude of Our House. 2003 (after: Gerhard Richter, Turned Sheets, 1965). Empress of India II. Pseudo Development's Anchestor. 2005 Installation. Navin Rawanchaikul's Tribute to Narvin Kimball. One of Many - Origins and Variants. Posted by daniel mitchell. Subscribe to: Post Comments (Atom). Art and the Quotidian Object.

4

born from the coasts: art and globalism

http://bornfromthecoasts.blogspot.com/2010/04/art-and-globalism.html

Born from the coasts. A blog dedicated to Grad Art Seminar Fall 2010. Created and updated by Daniel Mitchell). Monday, April 26, 2010. What is the difference between global art and Creolized art? Is global art the death of art styles specific to a locality? Does this impact how the Whitney Biennial is or can be viewed? Is the concept of individuality possible in a global environment? Is global art confined to the places that have access to easily traverse (both virtually and actually) the globe?

5

born from the coasts: art & audience

http://bornfromthecoasts.blogspot.com/2010/05/art-audience.html

Born from the coasts. A blog dedicated to Grad Art Seminar Fall 2010. Created and updated by Daniel Mitchell). Monday, May 3, 2010. What is the contemporary role of the viewer in relationship to artwork? How does this/how has this changed? Are there governing rules to how art is/can be viewed? Why do some artists give out their work? How can/does that break from the tradition of art making? How important is the viewer to the maker? Should art be created for a specific audience? Posted by daniel mitchell.

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Born from the coasts. A blog dedicated to Grad Art Seminar Fall 2010. Created and updated by Daniel Mitchell). Monday, May 3, 2010. What is the contemporary role of the viewer in relationship to artwork? How does this/how has this changed? Are there governing rules to how art is/can be viewed? Why do some artists give out their work? How can/does that break from the tradition of art making? How important is the viewer to the maker? Should art be created for a specific audience? Posted by daniel mitchell.

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