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Brad Buckley

A commissioned installation ‘The Slaughterhouse Project: Alignment and Boundaries (. And I wonder whether that’s Joanna Hiffernan with a Brazilian (revisited)’ will be shown at the Australian Centre for Photography. From the 2 March to 19 May 2013.

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Brad Buckley | bradbuckley.com Reviews
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A commissioned installation ‘The Slaughterhouse Project: Alignment and Boundaries (. And I wonder whether that’s Joanna Hiffernan with a Brazilian (revisited)’ will be shown at the Australian Centre for Photography. From the 2 March to 19 May 2013.
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1 l’origine du monde
2 selected works
3 books
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5 biography
6 interview
7 coupons
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Brad Buckley | bradbuckley.com Reviews

https://bradbuckley.com

A commissioned installation ‘The Slaughterhouse Project: Alignment and Boundaries (. And I wonder whether that’s Joanna Hiffernan with a Brazilian (revisited)’ will be shown at the Australian Centre for Photography. From the 2 March to 19 May 2013.

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Brad Buckley » Books

http://bradbuckley.com/archives/category/books

Republics of Ideas (ed.). Examines the social, political and cultural implications of an Australian republic in the context of the visual arts and new global economy. Published by Pluto Press and Artspace, 2001. Rethinking the Contemporary Art School: the Artist, the PhD, and the Academy. Rethinking the Contemporary Art School examines the reasons for the art school and its continued existence. Published by NSCAD University Press, Forthcoming in 2009.

2

Brad Buckley » Monograph

http://bradbuckley.com/monograph

Biography of Brett Levine. Site specificity. As a term, has it now reached the limits of its applicability, at least in the ways in which one currently understands its constructions? And if so, is there an alternative, one that deserves consideration? As Campbell Gray noted recently,. Did this mean it was site-specific? Modified slightly), To move the work is to destroy the work. Yet this is not the construction Morris intended. Morris’ primary concern was with the perceptual manifestation of a. With a p...

3

Brad Buckley » Biography

http://bradbuckley.com/biography

Brad Buckley spent his childhood years in Sydney. His father, Jim Buckley, owned the Newcastle Hotel in Lower George Street. The Newcastle was one of the Push pubs and Buckley Senior presided over this place which was frequented by artists, poets, underworld figures and philosophers for almost twenty years. Buckley was deeply influenced by this early exposure to the possibilities of a libertine life. Berlin; Franklin Furnace. New York, and Artspace Visual Arts Centre. Buckley is an artist, urbanist and P...

4

Brad Buckley » Interview

http://bradbuckley.com/interview

Biography of Nick Tsoutas. Nicholas Tsoutas is the former Artistic Director of Casula Powerhouse. He is the past Executive Director of Artspace Visual Arts Centre, Sydney and also the past director of the Institute of Modern Art in Brisbane and The Performance Space in Sydney. He has coordinated the international. 100 Years of Cruelty - Artaud. Brad Buckley in conversation with Nick Tsoutas. An edited version of this interview was originally published in Brad Buckley Monograph (Artspace, 2001). Fine, let...

5

Brad Buckley » Selected Works

http://bradbuckley.com/archives/category/selected-works

SUB ROSA ] .and so I hasten to turn aside from this extraordinary heat. Contemporary Art Services Tasmania, Australia. Paint, neon, vinyl text, dimensions variable. The Slaughterhouse Project : The Light on the Hill. Visual Arts Gallery, University of Alabama at Birmingham, USA. Paint, neon, vinyl text, continuous audio, installed over two rooms, dimensions variable. Artspace Visual Arts Centre, Sydney, Australia. Paint, neon, vinyl text, dimensions variable. The Slaughterhouse Project: In Media Res.

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