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COURTNEY M. LEONARD
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COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. BREACH: LOG BOOK 16 ASU SOLO EXHIBITION. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). Current Carrier - Sound. COURTNEY M. LEONARD.
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COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. A very small piece or part; a tiny portion or speck. A small part broken off or detached. A piece of broken pottery, especially one found in an archaeological dig; a potsherd. COURTNEY M. LEONARD.
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COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. 1 [ no obj. ] come or go back to a place or person:. Return to) go back to (a particular state or activity):. Return to) turn one's attention back to (something):. Esp of a feeling) come back or recur after a period of absence:. 2 [ with obj. ] give, put, or send (something) back to a place or person:. Feel, say, or do (the same feeling, action, etc.) in response:. In tennis ...
COURTNEY M. LEONARD
http://courtneymleonard.com/section/380133-CARRIER-2011.html
COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. Acrylic and Clay on Canvas. M/M on Wood Panel. M/M on Wood Panel. M/M on Wood Panel. 1 a person or thing that carries, holds, or conveys something: water carriers. 2 a person or company that undertakes the professional conveyance of goods or people: Pan Am was the third US carrier to cease operations in 1991. Physics short for charge carrier. COURTNEY M. LEONARD.
COURTNEY M. LEONARD
http://courtneymleonard.com/section/29582-CONNECTING-SHARDS.html
COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. Ceramics, Steel, Wood. Ceramics, Steel, Wood. Savage Flames, p. 158. Ceramics, Steel, Wood. Savage Flames, p.158. Ceramics, Steel, Wood. Ceramics, Steel, Wood. I Want A Golden Goose Egg Too. COURTNEY M. LEONARD.
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COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. Carrier.strength.beauty.individual.character. COURTNEY M. LEONARD.
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COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. 1 a series of actions or steps taken in order to achieve a particular end:. A natural or involuntary series of changes: the aging process. A systematic series of mechanized or chemical operations that are performed in order to produce or manufacture something:. A series of interdependent operations carried out by computer. Verb [ with obj. ]. Another term for conk3.
COURTNEY M. LEONARD
http://courtneymleonard.com/section/64352-PROCESSING-TRADITION.html
COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. Origin of Self Begins With A Coil, The Rest Developing as We Travel On. COURTNEY M. LEONARD.
COURTNEY M. LEONARD
http://courtneymleonard.com/links.html
COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. FACEBOOK - Artist's Research Process Page. FORM AND CONCEPT GALLERY. MODERN WEST FINE ART - Courtney M. Leonard. STUDIO CENTRAL - Small Works Available. PBS FILM - "Untitled". COURTNEY M. LEONARD.
COURTNEY M. LEONARD
http://courtneymleonard.com/news.html
COURTNEY M. LEONARD. COURTNEY M. LEONARD. THE PATH WE SHARE EXHIBITION. BLUE BLOOD" - Art In Embassies (AIE). COURTNEY M. LEONARD. Navigating the Recent Wave of Renegade Seafaring in Art by Allison Meier on July 1, 2016 - Hyperallergic. When Artists Take To The Sea, All The World’s A Canvas by Beth Young on May 29, 2016 - East End Beacon. Ms Leonard’s contribution to Radical Seafaring is Breach #2, an assemblage of glazed ceramic whale teeth on a pallet, as if awaiting shipping. She asked at Tideland Ses...
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ISSUE 3 DECEMBER 2015. Closing Doors: Reflections on Contemporary Art, Social Space and the Domestic. Vacant Positions: Institutional Drag and Institutional Form. Justin A. Langlois. Working with Children as Pedagogies of Refusal. Rethinking Future Narratives: Artist-Run Centre Archives and Institutions of History. ISSUE 2 SEPTEMBER 2015. SOCIAL CHANGE AND LABOUR. Ways Out From Inside: Towards the Un-Productive in the Work of Richard Ibghy and Marilou Lemmens. William Morris Rolling in His Grave.
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