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Brian Draper's Music Theory Page

This page is dedicated to my various "works in progress" that were written during my time as a student at the University of Oregon.

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Brian Draper's Music Theory Page | briandraper.blogspot.com Reviews
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This page is dedicated to my various &quot;works in progress&quot; that were written during my time as a student at the University of Oregon.
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Brian Draper's Music Theory Page | briandraper.blogspot.com Reviews

https://briandraper.blogspot.com

This page is dedicated to my various &quot;works in progress&quot; that were written during my time as a student at the University of Oregon.

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1

Brian Draper's Music Theory Page: August 2009

http://briandraper.blogspot.com/2009_08_01_archive.html

This page is dedicated to my various "works in progress" that were written during my time as a student at the University of Oregon. Wednesday, August 19, 2009. Luigi Dallapiccola's: Die Sonne kommt. This essay makes references to a marked score which is not included in this version. Although a score is not necessary, it is helpful to have on hand while reading.*. As mentioned the rows used are:. P8 = (G# A G F B E D Eb Bb Db C F#). I9 = (A G# Bb C Gb Db Eb D G E F B). P8 = 897 5e4 23t 106. The groupings ...

2

Brian Draper's Music Theory Page: A Schenkerian Look at Hugo Wolf's "In der Frühe”

http://briandraper.blogspot.com/2010/09/schenkerian-look-at-hugo-wolfs-in-der.html

This page is dedicated to my various "works in progress" that were written during my time as a student at the University of Oregon. Tuesday, September 14, 2010. A Schenkerian Look at Hugo Wolf's "In der Frühe”. The above mentioned elements illustrate how Wolf has created a simultaneous sense of ambiguity and coherence but, how do these elements ultimately lead to an ending in C major, and how is this final key convincing? C minor (m. 1) G minor (m. 6) D minor (m. 8). Finally, what conclusions can be draw...

3

Brian Draper's Music Theory Page: Three Analyses from Schubert's Winterreise

http://briandraper.blogspot.com/2010/09/three-analyses-from-schuberts.html

This page is dedicated to my various "works in progress" that were written during my time as a student at the University of Oregon. Tuesday, September 14, 2010. Three Analyses from Schubert's Winterreise. 8220;Letzte Hoffnung”. 8220;Der Wegweiser”. The unison/octave doubling among the voice and accompaniment in mm. 28-32 is the first and only time in the song that the walking motive disappears. Following the wanderer's question, “what foolish desire drives me into the wilderness? 8220;Im Dorfe”. Other in...

4

Brian Draper's Music Theory Page: Luigi Dallapiccola's: Die Sonne kommt

http://briandraper.blogspot.com/2009/08/luigi-dallapiccolas-die-sonne-kommt.html

This page is dedicated to my various "works in progress" that were written during my time as a student at the University of Oregon. Wednesday, August 19, 2009. Luigi Dallapiccola's: Die Sonne kommt. This essay makes references to a marked score which is not included in this version. Although a score is not necessary, it is helpful to have on hand while reading.*. As mentioned the rows used are:. P8 = (G# A G F B E D Eb Bb Db C F#). I9 = (A G# Bb C Gb Db Eb D G E F B). P8 = 897 5e4 23t 106. The groupings ...

5

Brian Draper's Music Theory Page: Ties That Bind: An Argument for Cyclicity in the Heine Settings of Schwanengesang

http://briandraper.blogspot.com/2009/08/ties-that-bind-argument-for-cyclicity.html

This page is dedicated to my various "works in progress" that were written during my time as a student at the University of Oregon. Tuesday, August 18, 2009. Ties That Bind: An Argument for Cyclicity in the Heine Settings of Schwanengesang. Richard Kramer on the Heine Songs of Schwanengesang. Should this not also represent the passage of time between “Am Meer” and “Die Stadt”? Similarly, what conclusions can be drawn regarding the opening and ending of “Die Stadt”? These objections aside, Kramer shows co...

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Brian Draper's Music Theory Page

This page is dedicated to my various "works in progress" that were written during my time as a student at the University of Oregon. Tuesday, September 14, 2010. Three Analyses from Schubert's Winterreise. 8220;Letzte Hoffnung”. 8220;Der Wegweiser”. The unison/octave doubling among the voice and accompaniment in mm. 28-32 is the first and only time in the song that the walking motive disappears. Following the wanderer's question, “what foolish desire drives me into the wilderness? 8220;Im Dorfe”. Other in...

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